Wagner, Knappertsbusch - Die Meistersinger Von Nürnberg - Gesamtaufnahme Bayreuth 1960 Album

Tracklist

1	Act II (continued), Act III
2	Act III (continued)
3	Act I (continued), Act II
4	Act I

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
MEL 602	Wagner, Knappertsbusch	Wagner, Knappertsbusch - Die Meistersinger Von Nürnberg - Gesamtaufnahme Bayreuth 1960 ‎(5xLP, Album, Mono + Box)	Melodram	MEL 602	Italy	1981
MEL 46103	Wagner, Knappertsbusch	Wagner, Knappertsbusch - Die Meistersinger Von Nürnberg - Gesamtaufnahme Bayreuth 1960 ‎(4xCD, Album, Mono, RM + Box)	Melodram	MEL 46103	Italy	1988
00274	Wagner, Knappertsbusch	Wagner, Knappertsbusch - Die Meistersinger Von Nürnberg | Gesamtaufnahme Bayreuth 1960 ‎(4xCD, Album, Mono, RM + Box)	Myto Historical Line	00274	Europe	2011
C 917 154 L	Wagner, Knappertsbusch	Wagner, Knappertsbusch - Die Meistersinger Von Nürnberg - Gesamtaufnahme Bayreuth 1960 ‎(4xCD, Album, Mono, RM + Box)	Orfeo D'Or	C 917 154 L	Germany	2015

Credits

• Baritone Vocals [Sixtus Beckmesser] – Karl Schmitt-Walter
• Bass Vocals [Fritz Kothner] – Ludwig Weber
• Bass Vocals [Hans Sachs] – Josef Greindl
• Bass Vocals [Veit Pogner] – Theo Adam
• Choir – Chor der Bayreuther Festspiele
• Chorus Master – Wilhelm Pitz
• Composed By, Lyrics By – Richard Wagner
• Conductor – Hans Knappertsbusch
• Mezzo-soprano Vocals [Magdalene] – Elisabeth Schärtel
• Orchestra – Orchester der Bayreuther Festspiele
• Product Manager, Stage Manager – Wieland Wagner
• Soprano Vocals [Eva] – Elisabeth Grümmer
• Tenor Vocals [David] – Gerhard Stolze
• Tenor Vocals [Walther Von Stolzing] – Wolfgang Windgassen

Notes

Edited by the Hans Knappertsbusch-Gesellschaft, croacian branch.

Performers:
Hans Sachs: Josef Greindl
Veith Pogner: Theo Adam
Sixtus Beckmesser: Karl Schmitt-Walter
Fritz Kothner: Ludwig Weber
Walther von Stolzing: Wolfgang Windgassen
David: Gerhard Stolze
Eva: Elisabeth Grümmer
Magdalene: Elisabeth Schärtel
Ein Nachtwächter: Donald Bell

Barcodes

• Barcode: 608974102920

Short intro

Die Meistersinger von Nürnberg. Hans Knappertsbusch. Chor und Orchester der Bayreuther Festspiele. 23 July 1960 Festspielhaus Bayreuth. Recording Type. This recording captures the opening night of the 1960 Bayreuth Festival in Wielands infamous Mastersingers without Nuremberg production. The staging demands of this opera seem to have eluded even him, and there are several production photographs in Orfeos booklet to illustrate it, though you only rarely get a glimpse of Wielands big picture. The big draw, however, was not on the stage but in the pit. Die Meistersinger von Nürnberg, WWV 96, is a music drama or opera in three acts, written and composed by Richard Wagner. It is among the longest operas commonly performed, usually taking around four and a half hours. It was first performed at the Königliches Hof- und National-Theater, today the home of the Bavarian State Opera, in Munich, on 21 June 1868. The conductor at the premiere was Hans von Bülow. Recording Date. July 23, 1960. You may submit artist- and album-related corrections to the TiVo data team by following the steps on this page. For other feedback please visit our GetSatisfaction page. Please note that we cannot respond to address or phone information requests for any person identified in our database, nor can we forward fan mail. Формируйте собственную коллекция коллекцию записей Wagner , Cluytens. Wagner - Hotter , Windgassen , Brouwenstijn , Greindl , Fischer-Dieskau , Schmitt-Walter Cluytens - Die Meistersinger Von Nürnberg - Bayreuther Festspiele 1956 4xCD, Album, Mono. OD 10492-4. Hans Knappertsbusch 12 March 1888 25 October 1965 was a German conductor, best known for his performances. For a few summers, he assisted Siegfried Wagner and Hans Richter at Bayreuth. He began his career with conducting jobs in Elberfeld 1913-1918, Leipzig 1918-1919. Wieland Wagner's 1956 staging of Die Meistersinger von Nürnberg was not only the crowning achievement of his postwar New Bayreuth style, but it also turned out to be his most controversial production. When the Bayreuth Festival reopened in 1951 with Wieland Wagner's landmark production of Parsifal, the director's principal artistic aim was to rid his grandfather's operas of any references to German nationalism and its disturbing links to the Third Reich. Year after year, Wieland applied his sanitizing approach to all his new productions. Wagner: Die Meistersinger von Nurnberg Bayreuth, 1960 - Hans Knappertsbusch. Wagner Composer, Hans Knappertsbusch Conductor, Josef Greindl Artist, Theo Adam Artist, Karl Schmitt-Walter Artist, Ludwig Weber Artist, Wolfgang Windgassen Artist, Gerhard Stolze Artist, Elisabeth Grummer Artist & 6 more Format: Audio CD. Die Meistersinger Von Nuernberg. 8 out of 5 stars 10. This live recording from Bayreuth 1960 under the baton of Hans Knappertsbusch is the most intimate, conversational MEISTERSINGER I have ever heard and I have owned at one time or another more than eighteen different recordings of MEISTERSINGER. Richard Wagner 1813-1883. Die Meistersinger von Nürnberg, WWV 96. Opera in three act, German libretto by the composer. Sachs - Paul Schöffler. Walter - Günther Treptow. Beckmesser - Karl Dönch. David - Anton Dermota. Eva - Hilde Gueden. Magdalena - Else Schürhoff. Vienna Philharmonic Orchestra and Vienna State Opera Chorus under Hans Knappertsbusch. Studio recording, January 1951. See details and exclusions - Wagner: Die Meistersinger von Nürnberg. Buy it now. Sold byspeedyhenuk 148839399. 9 positive FeedbackContact seller. Richard Wagner - Wagner: Die Meistersinger von Nürnberg Bayreuth, 1960, 2015. Be the first to write a reviewAbout this product. Compare similar products. You are viewing. Trending price. Current slide CURRENT SLIDE of TOTAL SLIDES- Compare similar products. Richard Wagner - Wagner: Lohengrin 2002. The usual Wagner suspects - Solti, Knappertsbusch, Fürtwängler, and Karajan twice - line up with their recordings, with the addition to the front rank this time of Jochum, Kubelik, Kempe and Sawallisch. Herbert von Karajan's first version, recorded at Bayreuth also in 1951 EMI, is a model of pacing and has a spark of immediacy, but the bronchial audience participation is at best distracting and sometimes positively destructive. Rudolf Kempe EMI is sane and sensible, though not as stultifying as Rafael Kubelik Calig Georg Solti Decca is a little too unremittingly intense, though his version does have Norman Bailey at his peak as Hans Sachs