Lana Del Rey - Ultraviolence Album

Tracklist

1	My Way Up To The Top Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanMellotron – Leon MichaelsPedal Steel Guitar – Russ PahlPiano – Leon MichaelsSynthesizer – Leon Michaels	3:32
2	Shades Of Cool Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Russ PahlMellotron – Leon MichaelsOmnichord – Seth Kaufman	5:42
3	Bonus Tracks
4	Ultraviolence Backing Vocals – Alfreda McCrary Lee, Ann McCrary, Regina McCraryDrum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanMellotron – Leon MichaelsPedal Steel Guitar – Russ PahlPiano – Leon MichaelsSynthesizer – Leon Michaels	4:11
5	Guns And Roses Drums – Brian Griffin Guitar – Blake Stranathan	4:31
6	Cruel World Drums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan Handclaps – Dan Auerbach, Leon Michaels, Maximilian Weissenfeldt, Nick Movshon, Seth KaufmanMellotron – Leon MichaelsPedal Steel Guitar – Russ PahlSynthesizer – Leon Michaels, Seth Kaufman	6:40
7	Sad Girl Acoustic Guitar – Russ PahlDrums – Nick MovshonElectric Guitar – Dan Auerbach, Seth KaufmanMellotron – Kenny Vaughan , Leon MichaelsSynthesizer – Collin Dupuis, Dan Auerbach, Kenny Vaughan	5:18
8	Black Beauty Bass Guitar – Tom HerbertDrums – Leo TaylorGuitar – Pablo TatoMellotron – Nikolaj Torp LarsenPiano – Ed Harcourt, Rick Nowels	5:15
9	Brooklyn Baby Acoustic Guitar – Kenny Vaughan , Russ PahlBacking Vocals – Seth KaufmanDrums – Maximilian Weissenfeldt, Nick MovshonElectric Guitar – Dan Auerbach, Seth KaufmanElectric Upright Bass – Nick MovshonMellotron – Leon MichaelsPedal Steel Guitar – Russ PahlPercussion – Leon Michaels, Seth KaufmanTambourine – Leon MichaelsTenor Saxophone – Leon Michaels	5:52
10	Pretty When You Cry Drums – Brian Griffin Guitar – Blake Stranathan	3:54
11	West Coast Drums – Maximilian Weissenfeldt, Nick MovshonElectric Bass – Nick MovshonElectric Guitar – Dan AuerbachShaker – Dan AuerbachSynthesizer – Dan AuerbachTwelve-String Guitar – Dan Auerbach	4:17
12	The Other Woman Drums – Nick MovshonElectric Guitar – Kenny Vaughan Mellotron – Leon MichaelsPedal Steel Guitar – Russ PahlSaxophone – Leon MichaelsSynthesizer – Dan Auerbach, Leon Michaels	3:02
13	Florida Kilos Backing Vocals – Dan Auerbach, Seth KaufmanDrum Programming – Collin DupuisDrums – Nick MovshonElectric Guitar – Dan Auerbach, Russ PahlMellotron – Leon MichaelsSynthesizer – Dan Auerbach, Leon Michaels	4:16
14	Old Money Arranged By – Daniel HeathOrchestrated By – Matthew McGaughey	4:31
15	Money Power Glory Bass Guitar – Greg KurstinDrums – Greg KurstinGuitar – Greg KurstinKeyboards – Greg Kurstin	4:31

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
none	Lana Del Rey	Ultraviolence ‎(CDr, Album, Promo)	Interscope Records, Polydor, Universal Music France	none	France	2014
B0020962-02	Lana Del Rey	Ultraviolence ‎(CD, Album, Dlx, Tar)	Polydor, Interscope Records	B0020962-02	US	2014
3786541	Lana Del Rey	Ultraviolence ‎(CD, Album)	Polydor, Interscope Records	3786541	Europe	2014
3788049	Lana Del Rey	Ultraviolence ‎(CD, Album, Dlx, Ltd)	Vertigo	3788049	Germany, Austria, & Switzerland	2014
UICY-78412	Lana Del Rey	Ultraviolence ‎(CD, Album, RE)	Polydor, Interscope Records	UICY-78412	Japan	2017

Credits

• Co-producer – Blaise Thomas (tracks: 12)
• Engineer – Alex Pasco (tracks: 8), Andy Zisakis (tracks: 10), Collin Dupuis (tracks: 1 to 6, 9, 11, 14), Julian Burg (tracks: 8), Kieron Menzies (tracks: 6, 12), Matt Wiggins (tracks: 12), Milton Guitérrez (tracks: 10), Phil Joly (tracks: 7, 13), Vira Byramji (tracks: 13)
• Mastered By – John Davis
• Mixed By – Collin Dupuis (tracks: 2, 14), Dan Auerbach (tracks: 2, 14), Greg Kurstin (tracks: 8), Phil Joly (tracks: 13), Robert Orton (tracks: 1, 3, 4, 6, 7, 9 to 12)
• Producer – Blake Stranathan (tracks: 7), Dan Auerbach (tracks: 1 to 6, 9, 11, 14), Daniel Heath (tracks: 10), Greg Kurstin (tracks: 8), Lana Del Rey (tracks: 7, 13), Lee Foster (tracks: 7, 13), Paul Epworth (tracks: 12), Rick Nowels (tracks: 6, 12, 13)
• Vocals – Lana Del Rey
• Written-By – Barrie O'Neill (tracks: 4), Blake Stranathan (tracks: 1, 7), Dan Auerbach (tracks: 14), Daniel Heath (tracks: 2, 9, 10), Greg Kurstin (tracks: 8), Jessie Mae Robinson (tracks: 11), Lana Del Rey (tracks: 1 to 10, 12 to 14), Rick Nowels (tracks: 3, 5, 6, 12, 13), Robbie Fitzsimmons (tracks: 10)

Notes

Deluxe Edition release with three bonus tracks.

Barcodes

• Barcode: 6 02537 86059 3

Companies

• Phonographic Copyright (p) – Lana Del Rey
• Copyright (c) – Lana Del Rey
• Licensed To – Polydor Ltd. (UK)
• Licensed To – Interscope Records
• Manufactured By – Universal Music Distribution
• Distributed By – Universal Music Distribution

Short intro

Ultraviolence is the third studio album by American singer and songwriter Lana Del Rey, released on June 13, 2014 by UMG Recordings. Despite originally dismissing the possibility of releasing another record after her major-label debut Born to Die 2012, Del Rey began planning its follow-up in 2013. Production continued into 2014, at which time she heavily collaborated with Dan Auerbach to revamp what she initially considered to be the completed record. The project saw additional contributions from. Ultraviolence - Lana Del Rey. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Lana Del Rey. 50 видео Воспроизвести все Микс Ultraviolence Full AlbumYouTube. Radiohead: Acoustic is the third studio album and second major-label studio album by Lana Del Rey. It was officially released on June 13, 2014, by Universal Music Group. After having commercial success with her first major-label album, Born to Die, Del Rey re-released it accompanied by a standalone EP, Paradise, in late 2012. Del Rey presumably began working on her second studio effort around this time. She was photographed in a recording studio on January 27, 2013 in Los Angeles, California. She stated. 2012s Born to Die, Del Reys major-label debut, is a woozy collection of siren songs that mimics Peggy Lees gauzy romanticism by way of Mazzy Star. Two years later, Del Rey is still a sad tomato. Ultraviolence is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams. Ultraviolence is Lana Del Reys second studio album following her highly publicized debut with Born To Die. A notable departure from her orchestral and hip-hop debut, the album features prominent string based instrumentations. Lyrically, the album is more of a concept creation rather than a narrative and see Lana addressing topics ranging from break-ups, vanity and even California. Lana has said that the album had to undergo a complete rework after she met producer Dan Auerbach, who convinced her to change production. The album went on debut at 1 on the Billboard 200 albums chart and is still. Album 2014 15 Songs. Musing on dark themes-the corruption of power, money, and, of course, violence-Del Rey offers a hypnotic set of darkly tempered songs. Текст песни: He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and Del Rey, the creation of singer and songwriter Lizzy Grant, is all alone. Shes an utterly distinctive figure in popular music-not part of a scene, with no serious imitators-and befitting someone completely off on her own, shes lonely. But here shes found the perfect musical vehicle for her vision. Ultraviolence sounds tragic and beautiful-darkly-shaded ballads are what she was created to make, and this album is nothing but, a Concept Album from a Concept Human. The first section of the album is so gorgeous and rich, Ultraviolence at first seems better than it is. The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona. What managed to get overlooked by many was that Born to Die made such a polarizing impression because it actually offered something that didn't sound like anything else