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Uivo Zebra - Uivo Zebra Album
Performer: Uivo Zebra
Title: Uivo Zebra
Country: Poland
Genre: Rock Music
Style:Experimental, Avantgarde, Noise
Released: 02 Apr 2018
Catalog number: BC-UZ
Label: Bocian Records
MP3 album szie: 1169 mb
FLAC album size: 2826 mb

Tracklist

1 Abalo sismico10:15
2Cãibra tumulto06:21
3Abismo uivo10:16
4 Urro estridulo 12:19
5Sussurro Murmurio12:42

Credits

  • CoverHernani Faustino
  • DesignJoanna John
  • DrumsJoão Sousa
  • Electric BassHernani Faustino
  • Electric GuitarJorge Nuno
  • Liner NotesGuy Peters
  • Mastered ByJames Plotkin
  • Photography ByNuno Martins

Notes

While discussing an album by legendary drummer Jack DeJohnette, jazz critic Gary Giddins once aptly stated: “Jazz is at bottom a conflict between the will to freedom and the desire for discipline.” He was of course referring to the common situation (in jazz, at least) where musicians work with composed material and stretch it, provide their personal slant with the element of improvisation. But you could argue that even in surroundings where the composed element is discarded, the tension remains. Even improvisation is built on a conflict between what’s possible and what makes sense.
And that not only involves taking risks, but also discipline. The self-described Portuguese ‘power trio’ of Jorge Nuno, Hernâni Faustino and João Sousa actively seeks out this field of friction. It’s what they’ve all been doing for a while. Sousa’s involvement in the collective/label A Besta (and maybe also his love of surreal poetry), Nuno’s membership of psych/improve heavyweights Signs Of The Silhouette and other collaborations, and Faustino’s omnipresence in the improvised/experimental music scene bring some key ingredients to the table, but the way they use these elements is still something else.
It’s a refreshing and – quite often - utterly ravaging tightrope act between being rooted and jumping from a cliff. Headfirst. It’s to be found in the way they create shapes out of sound. The way the album sets off, it also could have ended up in a free-form exploration with a vague psychedelic twist that goes to nowhere in particular. The artistry of excellent musicians that are also perceptive listeners, is also to be found in the way they create form or cohesion without reverting to clichés you can see coming from a mile away.
The remainder of the record only serves to enhance the breadth of their creative radius: the compact “Cãibra-Tumulto” is an aural hand-grenade, filled with frenzied, disjointed guitar howls, with Sousa never settling for one approach and Faustino attacking those strings with a crackling aggression. The remaining longer pieces verge from ghostly interaction and exploratory shadings to showers of screaming feedback, detours through areas of stomping, ritualistic trance-rock and expressionist action that’s sometimes reminiscent of Marc Ribot’s short-lived trio with Trevor Dunn and Calvin Weston. The sound is as overwhelming as it is free. Not only electric, but also electrifying.
When improvisers turn to electricity and imposing volume levels, the results are sometimes as intense as they are tedious, because they forget that it can quickly become a stodgy, lumbering mess that bleeds out way too soon. Not so here, as the musicians of Uivo Zebra have the experience, but also (and more importantly) the awareness that the most enduring results are found when guts, self-knowledge, shared vision and discipline are kept in rigorous balance. Which needn’t imply it becomes safe or toothless. Make no mistake: this record still hits you like a nasty headbutt.
Guy Peters, 23/4/2017.

Short intro

Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2018 CD от Uivo Zebra на is the debut album by the American hard rock band Zebra, released in 1983, eight years after they were founded. The album features all original material, with the exception of Slow Down a Larry Williams tune best remembered for a 1964 cover version by the Beatles injected at mid-song with much of the second stanza of Carl Perkins' Blue Suede Shoes, altered at its end. Uivo Zebra by Uivo Zebra, released 02 April 2018 1. Sussurro murmurio 2. Cãibra tumulto 3. Abismo uivo 4. Urro estridulo 5. Abalo sismico While discussing an album by legendary drummer Jack DeJohnette, jazz critic Gary Giddins once aptly stated: Jazz is at bottom a conflict between the will to freedom and the desire for discipline. He was of course referring to the common situation in jazz, at least where musicians work with composed material and stretch it, provide their personal slant with the element of improvisation. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Power Trio Uivo Zebra Jorge Nuno Hernâni Faustino João Sousa. Uivo Zebra , concerto 1 de Março de 2019 Convento , Montemor-o-Novo Uivo Zebra é o power trio de Hernâni Faustino no baixo eléctrico RED trio e. Uivo Zebra. 10 June 2019 . Listen to music from Uivo Zebra like Sussurro murmurio, Cãibra tumulto & more. Find the latest tracks, albums, and images from Uivo Zebra. Play artist. Последние твиты от Uivo Zebra uivo zebra. Uivo Zebra nasce em Fevereiro de 2017, num encontro promovido por Jorge Nuno guitarra eléctrica, Hernâni Faustino baixo eléctrico e João Sousa bateria. Lisboa, Portugal. Вы внесли uivo zebra в черный список. Да, показать профиль. Uivo Zebra начала читать. Uivo Zebra uivo zebra 21 июн. 2019 г. Скопировать ссылку на твит. Zebra is the eighth studio album by the electronica Swiss band Yello. The record was released on 17 October 1994 through 4th & B'way and Mercury labels. All songs by BlankMeier. Suite 909 6:16. How How 2:39. Night Train 3:36. Do It 3:08. I I'm in Love 3:28. Fat Cry 4:11. Tremendous Pain 3:58. Move Dance Be Born 6:03. Uivo Zebra is a power trio formed by Hernâni Faustino on electric bass RED trio and dozens of other formations, Jorge Nuno on electric guitar Signs of the Silhouette, Dead Vortex and João Sousa on. 1 Tracks. The result is a personal and naked approach to the same fever that the zebras are looking for since the first album: the howling, the shrill, sonic rips of sharpen cymbals. The first track starts with 20 seconds of hiss, a forceful entrance, a risky bass line, disconnected tempo, impossible words an intense howl that Nunos feedback brings as a layer for Faustinos infinite bass playing, low and demolishing. Label: Bocian Records. Format: CD. Which neednt imply it becomes safe or toothless. Make no mistake: this record still hits you like a nasty headbutt. Noise rock improvisation POWER TRIO - Uivo Zebra at the rehearsal room ESTUDANTINA DE SÃO DOMINGOS DE RANA Hernâni Faustino - Electric Bass João Sousa
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Reviews: (1)
Shaktit
Shaktit
By Eyal Hareuveni

Uivo Zebra defines itself as a power trio but offers a challenging variant to this too common aesthetics. This Portuguese trio - electric guitarist Jorge Nuno, electric bass player Hernâni Faustino, known from the RED Trio and other local groups as Clocks and Clouds and the José Lencastre Nau Quartet, and drummer João Sousa, who collaborates with Nuno in the psych-improv group Signs Of The Silhouette - like any other power outfit operates in a high-octane stratospheres and always aims for almost unbearable levels of intensity, blending elements of free-improv, noise and psychedelia. The big difference is Uivo Zebra's total control of its power - the depth and breadth of it and the colors and nuances of the extreme power. Uivo Zebra may sound as being possessed by its brutal outputs, but knows how to tame and discipline these extremes, attaching its very own personal mark on these kind of sonic meltdowns.

The self-titled debut album of Uivo Zebra, following a self released cassette Gancho (A BESTA 033) from earlier this year, was recorded in Lisbon during March 2017. The album offers five pieces, structured as a dramatic suite that accumulates more and more tension and higher degrees of volatile intensity as it progresses. But at the same time Uivo Zebra is ready to grab more and more risky, free-form detours, insisting on eccentric walks on a tricky tightropes and jumping headfirst from impossible, surreal cliffs.

Uivo Zebra never employ tiresome clichés of reckless aggression. These singular musicians are perceptive listeners, know how to build a multilayered, cohesive interplay, full of sudden, inventive twists that not only keeps them all -literally - on their toes, but, most likely, will keep you - the listeners - out of any possible comfort zone. Nuno is master of of translating showers of buzzing feedback into ritualistic trance-soundscapes and knows how to light an infectious storm in an instant. Faustino keeps constructing deep-tones tsunamis and Sousa pushes this heavy, electrifying commotion forward with mighty blows.

Go and experience this sonic phenomena for your good. Uivo Zebra can rewire your exhausted nerves to a hyperactive and subversive mode. Just what these times demand.