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Type O Negative - Bloody Kisses Album
Performer: Type O Negative
Title: Bloody Kisses
Country: South Korea
Genre: Rock Music
Style:Gothic Metal
Released: 1995
Catalog number: JRCD-1078
Label: Jigu Records, Roadrunner Records
MP3 album szie: 2866 mb
FLAC album size: 2451 mb

Tracklist

1Kill All The White People3:23
2Summer Breeze
Written-By – Seals & Crofts
4:49
3Fay Wray Come Out And Play1:02
4Machine Screw0:39
5Christian Woman8:57
6Dark Side Of The Womb0:27
7Set Me On Fire3:29
8Blood & Fire5:32
9Black No. 1 (Little Miss Scare-All)11:14
103.0.I.F.2:05
11We Hate Everyone6:50
12Too Late: Frozen7:50
13Can't Lose You6:05
14Bloody Kisses (A Death In The Family)10:55

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
RR-9100-2Type O Negative Bloody Kisses ‎(CD, Album)Roadrunner RecordsRR-9100-2Europe1993
RR 9100-2Type O Negative Bloody Kisses ‎(CD, Album, RE)Roadrunner RecordsRR 9100-2Australia1997
noneType O Negative Bloody Kisses ‎(Cass, Album, Unofficial)Moon Records noneUkraineUnknown
168 619 003-2, 1686-190032Type O Negative Bloody Kisses ‎(CD, Album, RP, S/Edition, Dig)Roadrunner Records, Roadrunner Records168 619 003-2, 1686-190032US2012
RRCAR 91001Type O Negative Bloody Kisses ‎(2xLP, Album, RE, W/Lbl)Not On LabelRRCAR 91001Germany2007

Credits

  • Artwork [Concept]Peter Steele
  • Artwork [Execution & Development]Patty
  • Composed By [Decomposed], Music ByPeter Steele
  • Conductor [Additional Vocals For Brooklyn Philharmonic]Verdigris Phlogiston
  • Mastered ByGeorge Marino
  • Other [Lovely Assistants] – Gabriella, Kim
  • Photography By [Front Cover, Group]John Wadsworth
  • Photography By [Individuals]Jeff Kitts
  • ProducerSilver, Steele
  • Sitar, TamburaPaul Bento
  • Vocals [Additional]Bonnie Weiss, Chris Zamp, Debbie Alter, Erasmus High Schools Boys Special Ed, Joey Z., Karen Rose, Keith Caputo, Mike Palmeri, The Bensonhoist Lesbian Choir, Brooklyn Philharmonic Orchestra

Notes

Korean lyrics are integrated into the main booklet.

Recorded at Systems Two/Brooklyn, New York.
Additional recording at Sty In The Sky/Brooklyn New York.
Mastered at Sterling Sound.
Paul Bento performs courtesy of Sound Views Records.

Barcodes

  • Barcode: 8 805115 005337
  • Matrix / Runout (mirroring): JRCD-1078 .
  • Mastering SID Code (mirroring): IFPI L491

Companies

  • Phonographic Copyright (p) – The All Blacks B.V.
  • Copyright (c) – The All Blacks B.V.
  • Manufactured By – Jigu Records Corporation
  • Distributed By – Jigu Records Corporation
  • Recorded At – Systems Two
  • Recorded At – Sty in the sky
  • Mastered At – Sterling Sound

Short intro

Bloody Kisses is the third studio album by the American band Type O Negative and the last recording with the band's original line-up, as the drummer, Sal Abruscato, left in late 1993. The album includes one of their best known songs, Black No. 1, which earned the band a considerable cult following. The album further established recurring motifs of the band's music, such as including cover songs recorded in the gothic metal style, sample-heavy soundscapes in between songs, and lyrics replete with dry. The complete, unreleased demo of Type O Negative's landmark 1993 album, Bloody Kisses. All rights to type o negative These are the complete demos from the bloody kisses sessions. Формируйте собственную коллекцию записей Type Kisses is the third album by Type O Negative, released on August 17, 1993. It is the album that would put Type O Negative into mainstream popularity in metal fandom following a somewhat lack of success with their first two albums. Bloody Kisses established Type O Negative motifs, such as songs originally recorded by another band restylized into gloomy gothic. After Bloody Kisses was released in August 1993, Type O Negative, by association, became both a beneficiary-and a casualty-of the 1990s goth and nu-metal subculture, no doubt reinvigorated by the films of Tim Burton, the rise of Marilyn Manson, and the ubiquitousness of Hot Topic, which specialized in merchandise depicting the films of Tim Burton and the music of. Marilyn Manson. They no doubt made converts out of. Bloody Kisses is the third album by Brooklyn band Type O Negative. It marked significant stylistic growth for the band in terms of songwriting and production values, and it is also the last recording to feature Sal Abruscato on drums. The album further established Type O Negative motifs, such as including cover songs restylized into gloomy gothic doom, featuring sample-heavy soundscapes in between songs, and dry, satirical humor. Bloody Kisses is Type O Negatives third album. The singles Black No. 1 and Christian Woman remained live staples throughout the bands career. Bloody Kisses was the first album for the then-independent Roadrunner Records to achieve gold and platinum certification. Bloody Kisses Q&A. album: Bloody Kisses 1993. Machine Screw 2. Christian Woman 3. Black No. Fay Wray Come Out And Play 5. Kill All The White People 6. Summer Breeze 7. Set Me On Fire 8. Dark Side Of The Womb 9. We Hate Everyone 10. Bloody Kisses 11. Too Late: Frozen 13. Ahh, Type O Negative. Certainly one of the premier goth metal bands of our time. Lead Singer Peter Steeles death, however sad it is, does bring sort of an appropriate end to the notoriously depressed and at times troubled singer, and as such, listening to certain songs or the entire World Coming Down album from the bands discography adds an ever deeper and morbid meaning to them. Bloody Kisses is primarily a heavy metal album with gothic overtones, and with a very strong sense of melody spread throughout the album. The songs are very slow-tempoed and the guitars fuzzed out, and they feature deep and scary vocals. Bloody Kisses was Type O Negative's major step forward, maintaining the long, repetitive song structures of albums past, but adding more atmospheric synths and left-field Beatlesque pop melodies. The quantum leap in songwriting is what really drives the album, but it also coincides with a newfound sense of subtlety. Aside from a couple of smart-aleck rants, Peter Steele's dark, melodramatic songs address heartbreak and loneliness in what sounds at first like deadly serious overkill. But not far beneath the surface, he's also satirizing his own emotional excesses, and those of go