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Sarah McLachlan - Fumbling Towards Ecstasy Album

Sarah McLachlan - Fumbling Towards Ecstasy Album
Performer: Sarah McLachlan
Title: Fumbling Towards Ecstasy
Country: Canada
Style:Folk Rock, Soft Rock, Pop Rock
Released: 1993
Catalog number: W2-30081
Label: Nettwerk
MP3 album szie: 1284 mb
FLAC album size: 2168 mb

Tracklist

1Fumbling Towards Ecstasy
Drum Programming [808], Bass, Piano, Keyboards – Pierre MarchandDrums – Jerry MarottaGuitar – Bill DillonGuitar, Vocals – Sarah McLachlan
4:50
2Elsewhere
Bass – Pierre MarchandDrums, Percussion – Jerry MarottaGuitar, Piano, Vocals – Sarah McLachlanOrgan [Hammond B3] – David Kershaw
4:42
3Ice Cream
Drums – Guy NadonPiano, Vocals – Sarah McLachlan
2:45
4Plenty
Bass – Brian MinatoDrums – Ashwin SoodGuitar, Organ [Guitorgan] – Bill DillonKeyboards, Sounds [Found Sound], Bass – Pierre MarchandVocals – Sarah McLachlan
4:05
5Circle
Bass – Brian MinatoBass [Additional] – Bill Dillon, Pierre MarchandDrums – Ashwin SoodGuitar – Bill DillonGuitar, Vocals – Sarah McLachlanKeyboards – Pierre MarchandPercussion – Jerry Marotta
3:42
6Hold On
Acoustic Guitar [Intro], Vocals – Sarah McLachlanDrum Machine, Keyboards – Pierre MarchandDrums – Ashwin SoodGuitar, Bass – Bill DillonOrgan [Hammond B3] – David Kershaw
4:08
7Ice
Acoustic Guitar, Vocals – Sarah McLachlanDrums, Percussion – Ashwin SoodOrgan [Fake B3], Drum Machine [Percussion Machine], Bass – Pierre MarchandSaxophone – Michel Dubeau
3:53
8Wait
Bass, Shaker – Pierre MarchandDrums – Ashwin SoodGuitar, Vocals – Sarah McLachlanOrgan [Hammond B-3] – David Kershaw
4:10
9Good Enough
Bass – Brian MinatoDrum Machine [Percussion Machine] – Pierre MarchandDrums – Ashwin SoodGuitar, Organ [Guitorgan] – Bill DillonPiano, Vocals – Sarah McLachlan
5:01
10Fear
Cello – Jane ScarpantoniKeyboards, Bass, Drum Machine [Percussion Machine] – Pierre MarchandPercussion – Jerry MarottaPiano, Vocals – Sarah McLachlan
3:56
11Possession
Bass – Brian MinatoDrums – Ashwin Sood, Lou ShefanoGuitar – Bill DillonGuitar, Vocals – Sarah McLachlanKeyboards, Drum Machine – Pierre MarchandOrgan [Hammond B-3] – David Kershaw
4:39
12Mary
Bass, Drum Machine – Pierre MarchandGuitar, Piano – Bill DillonGuitar, Piano, Vocals – Sarah McLachlan
3:53

Credits

  • ManagementNettwerk
  • Mastered ByGreg Calbi
  • Mixed ByPierre Marchand
  • Painting [Detail]Graham Gilmore
  • Painting [Lyric Sheet], Typography [Lyric Sheet]Sarah McLachlan
  • Photography ByKharen Hill
  • Photography By [Lyric Sheet]David Kershaw
  • ProducerPierre Marchand
  • Recorded ByPierre Marchand
  • Recorded By [Additional Guitars]Roman Klun (tracks: 1)
  • SongwriterPierre Marchand (tracks: 12), Sarah McLachlan
  • Technician [Premastering], Edited ByNick Keca
  • Artwork By [Painting And Lettering On Lyric Sheet] – Sarah McLachlan
  • Artwork By [Painting Detail] – Graham Gilmore
  • Mastered ByGreg Calbi
  • Mastered By [Premastering], Edited ByNick Keca
  • Photography – Kharen Hill
  • ProducerPierre Marchand
  • Recorded By [Additional Guitars]Roman Klun (tracks: 1)
  • Recorded By, Mixed ByPierre Marchand
  • Written By – Pierre Marchand / Sarah McLachlan (tracks: 12), Sarah McLachlan (tracks: 1-11)

Notes

℗ and © 1993 Nettwerk Productions

Published by Tyde Music except "Elsewhere" published by Nettoverboard.

Recorded and mixed at Wild Sky (Marin Heights).
Additional guitars for "Possession" recorded at Highland Studio.

Premastered and editing bat A.R.P. Studio.

Track 12 contains a hidden version of Possession with only vocals and piano (5:48-9:47), and also an interlude (5:25-5:45).Recorded and mixed at Wild Sky (Morin Heights). Additional guitars recorded at Highland Studio. Premastering and editing at A.R.P. Studio. Mastered at Sterling Sound.

Track 12 contains a hidden version of Possession with only vocals and piano (5:48-9:47), and also an interlude (5:25-5:45).

Barcodes

  • Barcode: 0 6700-30081-2 9
  • Matrix / Runout: DISQUE AMERIC 02VV3<111>W230081

Companies

  • Manufactured By – Nettwerk Productions
  • Marketed By – Nettwerk Productions
  • Phonographic Copyright (p) – Nettwerk Productions
  • Copyright (c) – Nettwerk Productions
  • Pressed By – Disque Americ
  • Published By – Tyde Music
  • Published By – Nettoverboard Publishing Ltd.
  • Recorded At – Wild Sky Studio
  • Recorded At – Highland Studios, Stoney Creek
  • Mixed At – Wild Sky Studio
  • Edited At – A.R.P. Track Productions
  • Mastered At – Sterling Sound

Short intro

However, in some countries, most notably the United States, the album was a steady seller that stayed in the middle ranges of the pop charts for almost two years, rather than the 1 smash that McLachlan would achieve with 1997's Surfacing. This is the kind of imagery McLachlan was drawn to, of tragedy and horror producing, against all odds, what felt like excerpts of grace. Truly one of the best albums of the 1990s. Product description. Sarah McLachlan. It was produced by Pierre Marchand in Montreal McLachlan wrote most of the album while living in a small house near Marchand's studio. Over the next two years, it became her breakthrough album internationally as well. Fumbling Towards Ecstasy is Sarah McLachlan's best album, in my opinion. The title Fumbling Towards Ecstasy comes from a poem McLachlan first encountered in high school- Dulce et Decorum Est, written by World War I poet Wilfred Owen. Filmed at Theatre of the Clouds, title Fumbling Towards Ecstasy comes from a poem McLachlan first encountered in high school- Dulce et Decorum Est, written by World War I poet Wilfred Owen. Fumbling Towards Ecstasy Q&A. Sarah McLachlan - Mary. Fumbling Towards Ecstasy is the third studio album by Canadian singer-songwriter Sarah McLachlan, released on 22 October 1993, in Canada, 5 February 1994, in the United States, 24 May 1994, in Japan and 14 August 1994, in Australia. However, in some countries, most notably the United States, the album was a steady seller that stayed in the middle ranges of the pop charts for almost two years, rather than the 1 smash that McLachlan would achieve with 1997's Surfacing. The album was an immediate hit in Canada, where McLachlan was already an established star. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом CD от Fumbling Towards Ecstasy на Towards Ecstasy is the album that transformed Sarah McLachlan from cult hero to household name. It depicts the fluttering rhythm issued by of a group of soldiers desperately trying to secure their gas masks and helmets in a fog of poisonous gas. Directed by Sophie Muller. Fumbling Towards Ecstasy is the third studio album by Canadian singer-songwriter Sarah McLachlan, released on October 22, 1993 in Canada, via Nettwerk Music Group, and February 5, 1994 in the United States via Arista Records. sarah mclachlan. Fumbling Towards Ecstasy is Sarah McLachlan's critically-acclaimed third studio album. Fumbling Towards Ecstasy is Sarah McLachlan's critically-acclaimed third studio album. I first bought it in 1993 and, despite a somewhat dated mixing style, the songs and performances still hold up well 26 years later. It is o read more. Sarah McLachlan - Good Enough. From Sarah McLachlan's acclaimed 1999 concert film Mirrorball. It was produced by Pierre Marchand in Montreal McLachlan wrote most of the album while living in a small house near Marchand's studio. It was produced by Pierre Marchand in Montreal, and released in 1993. Sarah McLachlan - Plenty. Sarah McLachlan - Possession. As of 2009, the album has sold a total of million copies in the United States. The line had circulated through McLachlans head for years: Quick, boys-An ecstasy of fumblingFitting the clumsy helmets just in time. Текст песни: All the fear has left me now Im not frightened anymore Its my heart that pounds beneath my flesh its my mouth that pushes out this Towards Ecstasy. In place of the post-New Wave backdrops that defined her early work, McLachlans third effort finds her operatic, otherworldly vocals echoing off spare, dreamy soundscapes designed by producer Pierre Marchand. Sarah McLachlan - Elsewhere. Sarah McLachlan - Fumbling Towards Ecstasy 1993. Fumbling Towards Ecstasy. Songs in album Sarah McLachlan - Fumbling Towards Ecstasy 1993. From the plaintive guitar on Good Enough an aching ballad that touches on domestic violence to the throbbing percussion on the sinewy kiss-off Plenty, Fumbling crystallizes the singersongwriters distinctively moody sound. Sarah McLachlan: Fumbling Towards Ecstasy 1993 Arista, BMG Direct Issue. To favorites 3 Download album. Sarah McLachlan - Wait. Listen album