Ryoji Ikeda - +/ Album

Tracklist

1	-	6:36
2	Headphonics (1995-96)
3	+.	5:07
4	+..	10:55
5	-.	11:51
6	Headphonics 0/0	3:12
7	-..	13:24
8	+	2:50
9	+/-	1:05
10	Headphonics 1/0	4:16
11	Headphonics 0/1	3:11
12	+/-

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
TO 30	Ryoji Ikeda	Plus / Minus ‎(10xFile, WAV, Album)	Touch	TO 30	UK	2006
TO:30	Ryoji Ikeda	+/- ‎(CD, Album, RP)	Touch	TO:30	UK	2000
TO:30	Ryoji Ikeda	+/- ‎(CD, Album, RP)	Touch	TO:30	UK	2011
TO:30	Ryoji Ikeda	+/- ‎(CD, Album, RP)	Touch	TO:30	UK	2006

Credits

• Design – CCI/Minitron
• Producer – Ryoji Ikeda

Notes

This is the first edition

Recorded and mixed at CCI Studio, Tokyo, Japan, January-August 1996.

Made in England.
Five pane inlay card
Issued in a standard jewel case

Subsequent editions can be identified by some
additional text printed on the rear.

Barcodes

• Barcode (Text): 5 027803 143029
• Barcode (Reader): 5027803143029
• Barcode (Sticker): 0 17533 02402 1
• Matrix / Runout (Variant 1): TO:30 ■ MADE IN THE U.K. BY CD-SYSTEMS ■ 06160
• Matrix / Runout (Variant 2): TO:30 ■ MADE IN THE U.K. BY CD-SYSTEMS ■ 09012

Companies

• Recorded At – CCI Studio
• Mixed At – CCI Studio
• Made By – CD Systems
• Distributed By – Kudos
• Distributed By – Dutch East India Trading

Short intro

Ryoji Ikeda 池田 亮司 Ikeda Ryōji, born 1966 is a Japanese visual and sound artist who lives and works in Paris. Ikeda's music is concerned primarily with sound in a variety of raw states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. The conclusion of his album - features just such a tone of it, Ikeda says a high frequency sound is used that the listener becomes aware of only upon its disappearance from the CD booklet. Rhythmically, Ikeda's. Ryoji Ikeda: Japanese visual and sound artist who lives and works in Paris. The conclusion of his album - features just such a tone of it, Ikeda says a high frequency sound is used that the listener becomes aware of only upon its disappearance. Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create. On this page you can download Ryoji Ikeda albums and mp3 songs compilations for free without registration. songs count. All21 Album11 EP3 OST1. Compilation6. Ryoji Ikeda. Biography by Sean Cooper. Follow Artist. Japanese minimalist electronic composer Ryoji Ikeda is a leading figure among the new crop of computer-based musicians exploring the aesthetic possibilities opened up by digital production technologies. Read Full Biography. Album Highlights. Ryoji Ikeda 池田 亮司 Ikeda Ryōji, born 1966 in Gifu, Japan is a Japanese composer and visual artist. Japans leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision read more. Japans leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision a. Ryoji exhibitions and artworks by Ryoji Ikeda and enquire about works available for sale. Read our contemporary artist biography and browse related content. In 2005, through the German avantgarde label Raster-Noton, Ikeda released Dataplex, an album of 20 minimalist, electronica recordings. Encompassing intermittent buzzes, high-pitched beeps, pulsing noises and instrumental sounds, the album culminated by the end of the record as an immersive soundscape. Ryoji Ikeda 1966, Gifu, Japan is a Japanese composer and sound artist who lives and works in Paris. Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound in relation with human perception and the mathematical dianoia applied to music, time and space. More Less. For those with no experience of Ryoji Ikeda or microsound in general, the building blocks of this albums are studiously basic electronic sounds - sine waves, glitches, pops. A lot of the music here is built from sounds normally considered to be amusical, accidental outbursts of feedback and of white noise and of processing errors that studio engineers have spent a century trying to eradicate entirely. For all that, you'd expect something punishing, weird, and deliberately obtuse - but - is anything but. Well, it's still weird, but it's not guilty of being punishing or deliber