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Roxy Music - Flesh + Blood Album

Roxy Music Scandinavia Polydor Eg New Wave Pop Rock 1980
Roxy Music - Flesh + Blood Album
Performer: Roxy Music
Title: Flesh + Blood
Country: Scandinavia
Genre: Rock Music
Style:New Wave, Pop Rock
Released: 1980
Catalog number: 2302 099
Label: Polydor, EG
MP3 album szie: 2273 mb
FLAC album size: 2789 mb
Download MP3 Download FLAC

Tracklist

1Oh Yeah4:50
2Rain Rain Rain3:18
3Running Wild5:18
4No Strange Delight4:45
5Over You3:30
6Same Old Scene3:00
7My Only Love5:00
8In The Midnight Hour3:11
9Eight Miles High4:52
10Flesh And Blood3:00

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
POLH 002, 2302 099Roxy Music Flesh + Blood ‎(LP, Album)Polydor, EGPOLH 002, 2302 099UK1980
EGMC 46Roxy Music Flesh + Blood ‎(Cass, Album, RE)EGEGMC 46UKUnknown
P-2880Roxy Music Flesh + Blood ‎(Cass, Album, Unofficial)Pyramid P-2880Saudi ArabiaUnknown
2302 099Roxy Music Flesh + Blood ‎(LP, Album)Polydor, EG2302 099Netherlands1980
ROXYCD8, 7243 8 47459 2 9Roxy Music Flesh + Blood ‎(HDCD, Album, RM, RP)Virgin, VirginROXYCD8, 7243 8 47459 2 9UK & EuropeUnknown

Credits

  • Bass – Alan Spenner, Gary Tibbs (tracks: A1), Neil Jason (tracks: A2, B2, B4)
  • Drums – Andy Newmark (tracks: A4, A5), Simon Phillips (tracks: A5)
  • Drums, Percussion – Allan Schwartzberg
  • Guitar, Lead Guitar, Bass, Rhythm Guitar – Phil Manzanera
  • Guitar, Rhythm Guitar – Neil Hubbard
  • Mastered By – Robert C. Ludwig
  • Mixed By – Bob Clearmountain
  • Producer – Roxy Music
  • Producer, Engineer – Rhett Davies
  • Saxophone [Saxes], Oboe – Andy Mackay
  • Strings, Organ, Piano – Paul Carrack (tracks: A2, B5)
  • Vocals, Keyboards, Piano, Synthesizer, Guitar, Strings – Bryan Ferry
  • Cover – Antony Price, Bryan Ferry, Neil Kirk, Peter Saville , Simon Puxley
  • Engineer – Rhett Davies
  • Guitar – Phil Manzanera
  • Mastered By – Robert C. Ludwig
  • Mixed By – Bob Clearmountain
  • Producer – Rhett Davies, Roxy Music
  • Saxophone [Saxes] – Andy Mackay
  • Voice, Keyboards – Bryan Ferry
  • Bass – Alan Spenner (tracks: A3 to A5, B3, B5), Gary Tibbs (tracks: A1), Neil Jason (tracks: A2, B2, B4)
  • Cover – Anthony Price, Bryan Ferry, Neil Kirk, Peter Saville , Simon Puxley
  • Drums – Andy Newmark (tracks: A4, A5)
  • Drums, Percussion – Allan Schwartzberg
  • Engineer – Rhett Davies
  • Guitar, Lead Guitar, Rhythm Guitar – Phil Manzanera (tracks: A1 to A3, A5 to B2, B4, B5)
  • Guitar, Rhythm Guitar – Neil Hubbard (tracks: A1, A2, A5, B2, B3, B5)
  • Lacquer Cut By – F
  • Mixed By – Bob Clearmountain
  • Oboe – Andy Mackay (tracks: A2, B5)
  • Percussion – Simon Phillips (tracks: A5)
  • Producer – Rhett Davies, Roxy Music
  • Saxophone – Andy Mackay (tracks: A1 to A3, A5 to B3, B5)
  • Strings, Organ, Piano – Paul Carrack (tracks: A2, B5)
  • Vocals, Keyboards, Piano, Strings, Synthesizer, Guitar – Bryan Ferry

Notes

LP housed in lyric inner sleeve.Engineered at Basing Street and Gallery Studio
Mixed at The Power Station
Mastered at Masterdisc
All songs published by E.G. Music Ltd. 1980 except 1 Carlin Music Corp. 7 Tro Essex Music Ltd.
℗ 1980 E.G. Records Ltd.
Marketed by Virgin

Jewel case packaging with 12-page booklet containing all song lyrics and credits.All songs copyright © E.G. Music Ltd. 1980 except A1: Warner Bros. Music Ltd. and B2: Tro/Essex Music Ltd.
℗ 1980 E.G. Records Ltd.

The copyright holders for track A1 and B2 are printed on wrong sides on release.

Engineered at Basing Street and Gallery Studio
Mixed at The Power Station

Sleeve printed by Team-Trykk, Oslo

"Polydor Super Deluxe"

Barcodes

  • Barcode (Text): 5 012985 304627
  • Barcode (String): 5012985304627
  • Matrix / Runout: EGCD-46 12 B1
  • Other (Mould info Matrix): DADC Austria
  • Other: PM 500
  • Rights Society: n©b
  • Matrix / Runout (Side 1 runout, stamped): 2302 099 A 5 P 80 F 710
  • Matrix / Runout (Side 2 runout, stamped): 2302 099 B 5 P 80 F 710
  • Matrix / Runout (Center Label Side A): ST-C-804491-
  • Matrix / Runout (Center Label Side B): ST-C-804492-
  • Matrix / Runout (Side A Runout - Etched): STC-804 491-C-1 △24775 RL 32-102
  • Matrix / Runout (Side B Runout - Etched): STC-804 492-C-1 RL △24775-X 32-102
  • Rights Society: BMI
  • Matrix / Runout (VARIANT Side 1etched): ST-C-804491-1A S
  • Matrix / Runout (VARIANT Side 2 stamped): STC 804492-1B S1 A1

Companies

  • Phonographic Copyright (p) – E.G. Records Ltd.
  • Published By – E.G. Music Ltd.
  • Published By – Carlin Music Corp.
  • Published By – Essex Music Ltd.
  • Engineered At – Basing Street Studios
  • Engineered At – Gallery Studios
  • Mixed At – Power Station
  • Mastered At – Masterdisk
  • Glass Mastered At – DADC Austria
  • Marketed By – Virgin
  • Record Company – Atlantic Recording Corporation
  • Record Company – Warner Communications
  • Copyright (c) – Atlantic Recording Corporation
  • Phonographic Copyright (p) – Atlantic Recording Corporation
  • Manufactured By – Atlantic Recording Corporation
  • Published By – E.G. Music, Inc.
  • Published By – Cotillion Music, Inc.
  • Published By – East/Memphis Music Corp.
  • Published By – Tickson Music
  • Engineered At – Basing Street Studios
  • Engineered At – Gallery Studios
  • Mixed At – Power Station
  • Mastered At – Masterdisk
  • Printed By – Team-Trykk A.S.
  • Phonographic Copyright (p) – E.G. Records Ltd.
  • Copyright (c) – E.G. Music Ltd.
  • Copyright (c) – Warner Bros. Music Ltd.
  • Copyright (c) – Tro Essex Music Ltd.
  • Engineered At – Basing Street Studios
  • Engineered At – Gallery Studios
  • Mixed At – Power Station
  • Lacquer Cut At – Rosenborg Studio
  • Pressed By – Musikkindustri A/S

Short intro

Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. what could be more outré right now than an art-rock disco album. ROXY MUSIC - Dortmund - 1980 - Finally the complete first tv - broadcast - Продолжительность: 1:00:36 O. Песни Oh Yeah , Over You и Same Old Scene были изданы синглами. The album also peaked at No. Flesh And Blood 3:13 5. Flesh and Blood добился большого коммерческого успеха, но получил смешанные отзывы от критиков. Similar Tracks. Roxy Music - Same Old Scene - Продолжительность: 3: the video for Flesh and Blood from Roxy Music's The Thrill of It All: Roxy Music 1972-1982 for free, and see the artwork, lyrics and similar artists. The line on early Roxy when Eno was a member was that the band radiated high-tech decadence, and Flesh Blood connects with this historical interpretation by confirming the decadent part: e. Total Time: 41:56. The best he can do is add a little tension by muttering the lyrics through clenched teeth and a constricted throat. 50 видео Воспроизвести все Микс Roxy Music - Flesh & Blood 1980YouTube. In the Midnight Hour Blood is a music studio album recording by ROXY MUSIC Crossover ProgProgressive Rock released in 1980 on cd, lp, vinyl andor cassette. Flesh Blood. Roxy Music: все альбомы, включая Legends Live in Concert , A Week in a Life , Live In America и другие. To favorites 7 Download album. From The Album. Flesh and Blood stylized as Flesh Blood is the seventh studio album by the English rock band Roxy Music. 35 in the United States and No. An even slicker record than Manifesto, Flesh Blood precariously balances between alluringly seductive, sophisticated soul-pop and cloying, radio-ready disco-pop. 8 more albums featuring this track. My Only Love 5:19 6. The Thrill of It All: Roxy Music 1972-1982. 27,621 listeners. Flesh Blood is a music studio album recording by ROXY MUSIC Crossover ProgProgressive Rock released in 1980 on cd, lp, vinyl andor cassette. Watch the video for Flesh and Blood from Roxy Music's The Thrill of It All: Roxy Music 1972-1982 for free, and see the artwork, lyrics and similar artists. No Strange Delight 4:44 10. Flesh Blood Tracklist. 10 in Australia. Flesh And Blood - Roxy Music. At its best, the album is effortlessly suave and charming - Over You is one of their greatest singles, and Oh Yeah is nearly as persuasive - but much of the record is devoted to ill-formed, stylish lounge-pop. New Wave. Rock the video for Flesh and Blood from Roxy Music's The Thrill of It All: Roxy Music 1972-1982 for free, and see the artwork, lyrics and similar artists. В качестве последнего сингла был выбран трек In the Midnight Hour. Roxy Music. Обозреватель музыкального издания Billboard оценил его положительно, назвав заглавный трек лучшим в альбоме. In the Midnight Hour 3:12 2. My friend's flesh and blood She lies overtime You'd nail her if you could But she says Love me for my mind In my time I'm not that kind My friend's View full lyrics. Rain, Rain, Rain 3:20 9. Released in late May 1980, it was an immediate commercial success peaking at No. Released May 23, 1980. Eight Miles High 4:53 8. In the Midnight Hour Lyrics. To favorites 6 Download album. Oh Yeah 4:50 3. Listen album. Как считает рецензент Роман Казак, средне-темповая песня My Only Love посвящена утраченной любви. Running Wild 5:01. Roxy Music - Flesh And Blood 1980. Формируйте собственную коллекцию записей Roxy Music - Flesh And Blood 1980. Perhaps hes just being defensive, because if the rest of Roxy Music is as bored as they seem, Bryan Ferry sounds positively bound and gagged. Rock Blood is such a shockingly bad Roxy Music record that it provokes a certain fascination. My friend's flesh and blood She lies overtime You'd nail her if you could But she says Love me for my mind In my time I'm not that kind My friend's View full lyrics. Over You 3:27 7. Same Old Scene 3:57 4. Album 1980 10 Songs. Play album
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Related to Roxy Music - Flesh + Blood
Reviews: (2)
Thozius
Thozius
This album is just great by itself, but also pressing quality, dynamics and grooviness, which make me toe-tap. This is one of the best sounding LPs I got for sure. I honestly do not know why it is so underrated...
Mataxe
Mataxe
While other tracks secured this album’s number one slot in the UK, it was the Wilson Pickett cover of “In The Midnight Hour,” along with “Eight Miles High” by The Byrds that placed Flesh + Blood on the charts for nearly sixty weeks back in the spring of 1980. That of course stands in stark contrast to what many music critics were saying. Ken Tucker for Rolling Stone Magazine blasted, “Flesh + Blood is such a shockingly bad Roxy Music record that it provokes a certain fascination … while Stephen Erlewine fanatically states, “Even with the handful of undeniably strong moments, one can’t erase the sinking feeling that Roxy Music has begun running out of ideas.” So much for the critics, who couldn’t fathom or respect the four singles the album wasted the world with.

I on the other hand, thought that the outing was rather ambitious for the group, building the album around these two classic hits, yet managing to change them in such a manner that the songs come off as if Roxy had penned them themselves, both filled with swagger, enlightenment and a flamboyant manifestation of the etherial, sounding timeless, as if they’d been beaming in from another side of the galaxy, creating what can simply be considered to be modern standards.

Of course by this time Roxy music were a threesome, with only Brian Ferry, Phil Manzanera and Andy MacKay left from the original lineup, but that was the core, the essence of Roxy Music, onto which all Roxy songs were based and given life. Of course Eno brought a charm to the band, yet Eno was a distraction in many ways as well, as Eno was set on explorative experimentation, while the rest of the members were set on creating shimmering pop songs that took a decisive turn to the more exotic.

Yes, Flesh + Blood is filled with varied styles, emotions and deliveries, where again we see a band on the cusp of something no one other than perhaps Bowie had down when he stepped into his Young Americans phase, though unlike Bowie, this elegant grace and persona was something Ferry deeply embraced, though unlike Bowie, Ferry was attempting to remake, if not remodel his stage character into the persona he was presenting on stage. And like counterparts Fagen and Becker of Steely Dan, Roxy music were on a headlong adventure to becoming the Dukes of smooth, which was one hundred and eighty degrees from where the band had begun. Nevertheless, I found this to be a very attractive place to be, especially with all of the unfettered noise that was filling the airways at the time with their delivery of post modern pop singles.

Ferry has been ever-inching toward music that shines with a greater patina, glistening with perfection and sonic professionalism, where vocals are crooned, evocative of something faded, half forgotten, and perhaps with a splash of jaded gentility, creating immaculate background music that for this listener, existed front and center, bigger than life, resoundingly full bodied, filled with nothing but intoxicating pleasure … and triumphant in that Mr. Ferry attained his dream, though dreams once realized tend to dissipate rather quickly.

Taking a step forward, and considering the solo Ferry albums, I was surprised that he did so, after all, Roxy Music was his baby, he formed the group, calibrated the overall vision and structure, developed its artistic scope, so why was he intent on breaking up with himself, as he held the direction strings.

*** The Fun Facts: Again beautiful women grace the album jacket, models Roslyn Bolton, Shelly Mann and Aimee Stephenson, this was the first album jacket created without any input from Brian Ferry.

Review by Jenell Kesler