Robbie Robertson - Contact From The Underworld Of Redboy Album

Tracklist

1	Take Your Partner By The Hand
2	The Code Of Handsome Lake
3	Unbound
4	Making A Noise
5	Peyote Healing
6	Stomp Dance (Unity)
7	Bonus Track
8	The Lights
9	In The Blood
10	Sacrifice
11	The Sound Is Fading
12	Rattlebone

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
7243 8 54243 2 8	Robbie Robertson	Contact From The Underworld Of Redboy ‎(CD, Album)	Capitol Records	7243 8 54243 2 8	US	1998
CDP 7243 8 54243 2 8	Robbie Robertson	Contact From The Underworld Of Redboy ‎(CDr, Album, Promo)	Capitol Records	CDP 7243 8 54243 2 8	US	1998
7243 8 54243 2 8	Robbie Robertson	Contact From The Underworld Of Redboy ‎(CD, Album)	Capitol Records	7243 8 54243 2 8	US	1998
7243 8 54243 2 8, 854 2432	Robbie Robertson	Contact From The Underworld Of Redboy ‎(CD, Album, Gat)	Capitol Records, EMI	7243 8 54243 2 8, 854 2432	Italy	1998
CDPP 050, none	Robbie Robertson	Contact From The Underworld Of Redboy ‎(CD, Album, Promo)	Capitol Records, EMI	CDPP 050, none	Europe	1998

Barcodes

• Barcode (Scanned): 724385424342

Short intro

Contact From The Underworld Of Redboy - Robbie Robertson. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Contact from the Underworld of Redboy is an album by Robbie Robertson that was released in 1998 by Capitol Records. The album is composed of music inspired by Aboriginal Canadian music including traditional Aboriginal Canadian songs and chants as well as modern rock, trip hop, and electronica, often integrated together, and features many guest artists. The Sound Is Fading traditional featuring Leah Hicks-Manning music by Howie Bernstein, Robbie Robertson 5:00. Songs in album Robbie Robertson - Contact From The Underworld Of Redboy 1998. Robbie Robertson - The Sound Is Fading. Robbie Robertson - The Code Of Handsome Lake. Robbie Robertson - Making A Noise. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Robbie Robertson. Rock 1998. The Sound Is Fading. Robbie Robertson & Leah Hicks-Manning. The Code of Handsome Lake. Throughout his solo career, Robbie Robertson has been as fascinated with sonics as he was with songwriting, so perhaps it wasn't entirely surprising that he collaborated with techno DJproducer Howie B and remixer Marius de Vries on his fourth album, Contact From the Underworld of Redboy. The Lights Lyrics. About Contact from the Underworld of Redboy. The album is composed of music inspired by Aboriginal Canadian music as well as modern rock, trip hop, and electronica, often integrated together, and features many guest artists. Contact from the Underworld of Redboy Q&A. Listen free to Robbie Robertson Contact From The Underworld Of Redboy The Sound Is Fading , The Code Of Handsome Lake and more. 11 tracks . Jaime Robbie Robertson born July 5, 1943 in Toronto, Ontario, Canada is a songwriter, guitarist and singer, probably best known for his membership in The Band. Early life Born to a Jewish read more. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1998 CD от Contact From The Underworld Of Redboy на Robertson is an astounding song writer and musician. This CD is one of my favorites. The Title: Contact from the Underworld of Redboy is fitting as being an American Indian in this day and age means that you have to straddle two worlds, your Indigenous world, whose roots run deep, as well as the acculturated, mainstream world. the one that provides you with a job to pay for your houserentbills etc. But I put this album and Robertson's Music for Native Americans together at the top of my native american list. It's traditionally influenced without being trite, modern without being too edgy. Underworld of Redboy. Download the new Independent Premium app. Sharing the full story, not just the headlines. Download now. Robertson has blended Indian rhythms and Native singers like Joanne Shenandoah and Rita Coolidge with his own guitar and vocals, and the studio treatments and grooves of such producers as Marius De Vries and Howie B. The results are diversely astounding, some of the best work he's done since The Band. It all adds up to a rare opportunity, as Robertson puts it in the track Rattlebone, to go off the map, out past the power-lines, up that little side-road without a sign, and find how close to home it all seems. More about