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Rachel Sweet - ...And Then He Kissed Me Album

Rachel Sweet - ...And Then He Kissed Me Album
Performer: Rachel Sweet
Title: ...And Then He Kissed Me
Country: US
Genre: Rock Music
Style:Pop Rock
Released: 1981
Catalog number: ARC 37077
Label: Columbia
MP3 album szie: 2230 mb
FLAC album size: 2057 mb

Tracklist

1Streetheart
Written-By – Rachel Sweet
3:51
2Little Darlin'
Remix – Rick Chertoff, William WittmanWritten-By – Amanda Blue, Holly Knight
3:52
3Everlasting Love
Arranged By [String Arrangement] – Bert deCoteauxFeaturing [With] – Rex SmithWritten-By – Buzz Cason, Mac Gayden
3:44
4Then He Kissed Me / Be My Baby
Written-By – Phil Spector, Ellie Greenwich, Jeff Barry
4:34
5Fool's Story
Written-By – Rachel Sweet
5:02
6Party Girl
Arranged By – David Wolfert, Pete Solley, Rick ChertoffWritten-By – Rachel Sweet
4:23
7Billy And The Gun
Written-By – Rachel Sweet
4:19
8Two Hearts Full Of Love
Written-By – Eddie Schwartz
3:08
9Shadows Of The Night
Lyrics By [Additional Lyrics By] – Rachel SweetWords By, Music By – D.L. Byron
3:59

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CBS 85006Rachel Sweet ...And Then He Kissed Me ‎(LP, Album)CBSCBS 85006Europe1981
ARC 37077Rachel Sweet ...And Then He Kissed Me ‎(LP, Album)ColumbiaARC 37077US1981
FC 37077Rachel Sweet ...And Then He Kissed Me ‎(LP, Album)ColumbiaFC 37077Canada1981
ACT 37077Rachel Sweet ...And Then He Kissed Me ‎(Cass, Album)ColumbiaACT 37077US1981
CBS 85006Rachel Sweet ...And Then He Kissed Me ‎(LP, Album)CBSCBS 85006UK1981

Credits

  • Arranged By [Rhythm Arrangements]David Wolfert, Rick Chertoff (tracks: A1, A2, A4, B1, B4)
  • Backing VocalsBetty Wright, Hilda Harris, Jeanette Williams, Maeretha Stewart, Margaret Reynolds, Ullanda McCullough
  • BassMike Joyce , Neil Jason
  • DesignJohn Berg
  • DrumsAl Wotton, Richard Crooks
  • EngineerSteve Brown (tracks: A3, B2, B3, B5)
  • Engineer [Assistant]Eric Korte (tracks: A1, A2, A4, B1, B4), Kevin Ryan (tracks: A3, B2, B3, B5), Steve Marcantonio (tracks: A1, A2, A4, B1, B4)
  • Engineer, Co-producer [Assistant Producer]William Wittman
  • GuitarAl Trudell, David Spinozza, Eric Bazilian, John Hardy , Rick DiFonzo
  • KeyboardsPaul Hollowell, Ralph Schuckett
  • Mastered ByGeorge Marino
  • Photography ByLynn Goldsmith
  • ProducerPete Solley (tracks: A3, B2, B3, B5), Rick Chertoff (tracks: A1, A2, A4, B1, B4)
  • SaxophoneGreg Scott, Jeff Kirk , Lou Marini
  • SynthesizerEd Walsh

Notes

Columbia Records Pressing Plant, Santa Maria pressing. Issued with printed inner sleeve with credits / lyrics.

A1, A2, A4, B1, B4 Recorded and Mixed at The Record Plant, New York City
A3, B2, B3, B5 Recorded and Mixed at Criteria Studios, Miami, Fla.

Rights and Publishing details:
A1: Inner Sanctum (BMI)
A2: Trio Music Company, Inc. and Mother Bertha Music Inc. (BMI)
A3 & A4: Sweet Rebel Music (ASCAP)
B1: ATV Music Publishing of Canada, Ltd., and Mussel Schwartz Music. All rights for the U.S.A. controlled by ATV Music Corp. and Schwartzcake Music (BMI)
B2: Land Of Dreams Music, Inc. (ASCAP, c/o Arista Music, Inc.(ASCAP) for the U.S. and Canada
B3: Sweet Rebel Music (ASCAP)
B4: Rising Sons Music, Inc. (BMI)
B5: Sweet Rebel Music (ASCAP)

Barcodes

  • Matrix / Runout (Matrix A, on label): AL 37077
  • Matrix / Runout (Matrix B, on label): BL 37077
  • Matrix / Runout (Runout A etched / STERLING stamped): 1S AL-37077-1F TWO #18's STERLING A5
  • Matrix / Runout (Runout B etched / o, STERLING stamped): 1S BL-37077-1E o CINDY LIVES B4 STERLING
  • Rights Society (A1, A2, B1, B4): BMI
  • Rights Society (A3, A4, B2, B3, B5): ASCAP
  • Barcode (Scanned): 074643707718
  • Barcode (Printed): 0 7464-37077-1

Companies

  • Copyright (c) – CBS Inc.
  • Phonographic Copyright (p) – CBS Inc.
  • Recorded At – Record Plant, N.Y.C.
  • Mixed At – Record Plant, N.Y.C.
  • Recorded At – Criteria Recording Studios
  • Mixed At – Criteria Recording Studios
  • Mastered At – Customatrix
  • Mastered At – Sterling Sound
  • Produced For – Pete Solley Productions, Inc.
  • Pressed By – Columbia Records Pressing Plant, Santa Maria
  • Manufactured By – Columbia Records
  • Record Company – CBS Inc.
  • Published By – Inner Sanctum
  • Published By – Trio Music Co., Inc.
  • Published By – Mother Bertha Music, Inc.
  • Published By – Sweet Rebel Music
  • Published By – ATV Music Publishing Of Canada Ltd.
  • Published By – Mussel Schwartz Music
  • Published By – ATV Music Corp.
  • Published By – Schwartzcake Music
  • Published By – Land Of Dreams Music Inc.
  • Published By – Arista Music, Inc.
  • Published By – Rising Sons Music Inc.

Short intro

Rachel Sweet's third album opens with D. Byron's Shadows of the Night, and though Pat Benatar put it on the charts the next year in a glorious overdrive worthy of Jim Steinman, here it's scaled back just a notch, with the lovers' mutual pledge, their sacrifices to each other, even as the majestic chords come ringing out. Rachel Sweet - Then he kissed me, be my baby 1981 Well he walked up to me And he asked me if I wanted to dance. He looked kind-a nice And so I said I 1981 9 Songs. Then He Kissed Me, Be My Baby. Billy and the Gun. Songs in album Rachel Sweet Then He Kissed Me 1981. Rachel Sweet - Shadows Of The Night. Rachel Sweet - Then He Kissed Me. Rachel Sweet - Billy And The Gun. Rachel Sweet - Party Girl. Rachel Sweet - Two Hearts Full Of Love. Then He Kissed Me. Billy And The Gun. Party Girl. This should have been Rachel Sweet's breakthrough moment. In fact, it's obvious that that's what Columbia was going for. They liked her so much that they signed her directly to Big Red Stiff was just a little Euro thing, after all, and brought in the big guns - Rick Chertoff to produce, and a raft of Nashville session cats to make the music. Gone was the indie sensibility that provided so much of the spark for her first two Stiff Lps gone were The Blockheads and their UK punk sensibilities - and sadly, gone was the innocence and enthusiasm that had made Fool Around&quo. Protect the Innocent is Rachel Sweet's second album containing tracks by Lou Reed and Graham Parker. Tonight Sweet, Graham Edwards 3:10. Jealous Jo Allen 2:45. I've Got a Reason Moon Martin 2:53. New Age Lou Reed 4:14. Baby, Let's Play House Arthur Gunter 1:59. New Rose Brian James 2:14. Fool's Gold Graham Parker 3:02. Take Good Care of Me Sweet, Steve Everitt. Play jigsaw puzzles for free Home. Rachel Then He Kissed Me, Then He Kissed Me, 1981. Rachel Sweet. Shadows of the Night, 03:57. Then He Kissed Me, Be My Baby, 04:35. Party Girl, 04:23. Little Darlin', 03:53. Everlasting Love with Rex Smith, 03:45. Now playing . Rachel Sweet born July 28, 1962 in Akron, Ohio is an American singer and actress. She began recording country music in 1976, but with little success. Switching to rock and roll, she signed to the British Stiff Records label and released her first album, Fool Around, in 1978. Rachel was backed by The Records on the Stiff Records tour in 1978. The album was a critical success, but sales were poor, although she did have some success with the single B-A-B-Y. She also generated some controversy for her Lolita-like image predating similar controversies surrounding Britney S read more. Shadows of the Night. Rachel Then He Kissed Me. Composers: Rachel Sweet - David Leigh Byron. Then He Kissed MeBe My Baby. Composers: Phil Spector - Ellie Greenwich - Jeff Barry. Composers: Rachel Sweet. Released: Oct 2017
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Reviews: (1)
INwhite
INwhite
This should have been Rachel Sweet's breakthrough moment. In fact, it's obvious that that's what Columbia was going for. They liked her so much that they signed her directly to Big Red (Stiff was just a little Euro thing, after all), and brought in the big guns - Rick Chertoff to produce, and a raft of Nashville session cats to make the music. Gone was the indie sensibility that provided so much of the spark for her first two Stiff Lps; gone were The Blockheads and their UK punk sensibilities -- and sadly, gone was the innocence and enthusiasm that had made "Fool Around" such a remarkable debut. The CBS folks had taken Rachel's grit and charisma and sanded, buffed and polished it to a smooth sheen. And they got their Top 40 hit, by pairing her with then-heartthrob Rex Smith on a big-studio cover of "Everlasting Love". There are some bright moments here, mostly when Rachel was allowed to do her own songs (produced by Stiff prexy Pete Solley). Her voice retained the sulky, raspy charm that had endeared her on her previous outings. And even the big productions where Chertoff was obviously going for an E-Street Band feel have their appeal. But the spontanaeity, the DIY appeal of those first two albums had been paved over by the New York machine. She'd have one album left to prove what she could do.
...and this album features Rachel's original version of "Shadows of the Night" a few years before Pat Benatar would re-record it / change a few lyrics and score a huge MTV/radio hit - too bad, since Rachel's own take is just as spirited & soaring - you're right, she should have been bigger! Oh well.