Punch Brothers - Antifogmatic Album

Tracklist

1	Missy	3:54
2	Next To The Trash	3:05
3	Welcome Home	6:39
4	Rye Whiskey	3:29
5	You Are	5:07
6	Alex	5:00
7	The Woman And The Bell	4:06
8	Don't Need No	4:29
9	Me And Us	6:02
10	This Is The Song (Good Luck)	3:45

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
521980-2	Punch Brothers	Antifogmatic ‎(CD, Album)	Nonesuch	521980-2	US	2010
524056-2	Punch Brothers	Antifogmatic ‎(2xCD, Album, Dlx + DVD-V, NTSC)	Nonesuch	524056-2	US	2010
PRO 400124	Punch Brothers	Antifogmatic ‎(CD, Album, Promo)	Nonesuch	PRO 400124	US	2010
521980-1	Punch Brothers	Antifogmatic ‎(LP, Album, TP, Rej)	Nonesuch	521980-1	US	2010
521980-1	Punch Brothers	Antifogmatic ‎(LP, Album)	Nonesuch	521980-1	US	2010

Credits

• Banjo, Vocals – Noam Pikelny
• Bass, Vocals – Paul Kowert
• Fiddle, Vocals – Gabe Witcher
• Guitar, Vocals – Chris Eldridge
• Mandolin, Lead Vocals – Chris Thile
• Producer – Jon Brion
• Written-By – Greg Garrison (tracks: 2, 3, 9), Punch Brothers (tracks: 1 to 10)

Barcodes

• Barcode: 075597980578
• Rights Society: GEMA/BIEM
• Label Code: LC00286

Short intro

Antifogmatic - Punch Brothers. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Punch is the debut album by Punch Brothers. It was released by Nonesuch Records on February 26, 2008. The centerpiece of the album is mandolinist Chris Thile's ambitious four movement suite, The Blind Leaving the Blind. Thile says the piece was written in part to deal with his divorce of 2004. It was composed over the course of a year and a half using Finale composition software. About 30 of the composition involves some improvisation, like a jazz lead sheet or a written out fiddle tune. Альбом 2010 Песен: 10. Punch Brothers. Antifogmatic, the follow-up to the Punch Brothers' 2008 debut, Punch, is a collaboratively written collection of songs from these 'five wily, omnivorous bluegrass titans,' as the Village Voice has called them. A quintet that the Washington Post has described as 'some of the best string pickers of the new generation. The arrangements on Antifogmatic range from intimate to boisterous and back, and genre-wise Punch Brothers once again venture where no string band has ever gone before. The band also engage in some unexpectedly beautiful harmo. Redirected from Antifogmatic album. Antifogmatic is the second album by Punch Brothers. The album was released June 15, 2010. The Paducah Sun reported, on February 25, 2010, that the album contains ten songs: 'The new music is a real honest collaboration,' Thile said. It is the first album to feature bass player Paul Kowert, who joined the band in late 2008 after the departure of Greg Garrison. Thile said the 10 songs are shorter and more melodic with no leading man. The album was produced by Jon. The album was produced by Jon Brion. Punch Brothers also released a deluxe version of Antifogmatic which contains a five-song EP All Of This Is True and. Antifogmatic, the follow-up to the Punch Brothers' 2008 debut, Punch, is a collaboratively written collection of songs from these five wily, omnivorous bluegrass titans, as the Village Voice has called them, a quintet that the Washington Post, in turn, has described as some of the best string pickers of the new generation. Not so with Antifogmatic. This album caught from the first spin I didn't have to work at it. Released 2010. Antifogmatic Tracklist. You Are Lyrics. Antifogmatic is an old term for a bracing beverage, generally rum or whiskey, that a person would have before going out to work in rough weather to stave off any ill effects. This batch of tunes could be used in much the same way, and includes some characters who would probably benefit mightily, if temporarily, from a good antifogmatic. Antifogmatic Q&A. Producers Jon Brion. More Punch Brothers albums. All Ashore. The Wireless. Show all albums by Punch Brothers. A second album by the drumless ensemble which does for bluegrass what Monteverdi did for Renaissance polyphony, leading to an undiscovered dimension in which new kinds of thoughts might be expressed. It is by no means a generic listen and that's why it's so good. Chris Thile's singing is neither as virtuosic nor as charismatic as his mandolin playing, but the songs are consistently intriguing in their crazily formalist arrangements