Paul Jackson - Black Octopus Album

Tracklist

1	Black Octopus Part 1 - Many Directions
2	Tiptoe Thru The Ghetto
3	Funk Times Three
4	Black Octopus Part 2 - Eight Ways Of Love
5	Burning In The Heat (Of Your Love)

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
EWLF-98006	Paul Jackson	Black Octopus ‎(LP, Album)	Eastworld	EWLF-98006	Japan	1978
PGI/Platform 1124-2	Paul Jackson	Black Octopus ‎(CD, Album, Promo, RE)	Platform Recordings	PGI/Platform 1124-2	US	Unknown
EWLF-98006	ポール・ジャクソン	Black Octopus ‎(LP, Album, Promo)	Eastworld	EWLF-98006	Japan	1978
PGI/Platform 1124-2	Paul Jackson	Black Octopus ‎(CD, Album, RE)	Platform Recordings	PGI/Platform 1124-2	US	2000
EWLF-98006	Paul Jackson	Black Octopus ‎(LP, TP)	Eastworld	EWLF-98006	Japan	1978

Credits

• Acoustic Bass – Paul Jackson (tracks: A1)
• Backing Vocals – Mari Kaneko (tracks: A1-2, B1), Yuka Kamebuchi (tracks: A1-2, B1)
• Bass Clarinet – Bennie Maupin (tracks: A1)
• Clavinet – Herbie Hancock (tracks: A1), Webster Lewis (tracks: B1)
• Drums – Alphonse Mouzon
• Electric Bass – Paul Jackson
• Electric Guitar – Ray Obiedo
• Electric Piano – Webster Lewis (tracks: B1, B2)
• Engineer [Assistant] – Bill Watts, Kenichi Yamaguchi, Tameo Kawada
• Engineer [Cutting] – Mitsuharu Kobayashi, Shoji Taguchi, Yoshio Okazaki
• Executive-Producer – Hideo Yoshida
• Organ [Hammond] – Webster Lewis (tracks: A1, A2)
• Photography By – Kinjiro Miyazaki
• Piano, Synthesizer – Herbie Hancock (tracks: A1)
• Producer – Paul Jackson
• Producer [Associate], Engineer – Bryan Bell
• Synthesizer – Webster Lewis (tracks: B2)
• Tenor Saxophone – Bennie Maupin
• Vocalese – Paul Jackson (tracks: A1, A2, B2)

Notes

Recorded at Toshiba EMI Studio, October 25, 27, 1978

Barcodes

• Matrix / Runout: Side 1: 98006 - A S-90587
• Matrix / Runout: Side 2: 98006 - B S-90588

Companies

• Recorded At – Toshiba EMI Studio
• Pressed By – Rainbo Records – S-90587
• Pressed By – Rainbo Records – S-90588

Short intro

Augmented with four bonus tracks, the album lives up to the reputation it developed in exile, its blend of Chameleon-like fusion, disco, R&B, and spacy jazz driven by Jackson's fatback basslines into rare groove nirvana. Surprisingly, most of the original Black Octopus also features his vocals, which bear a marked resemblance to Slave's Steve Arrington. Listen free to Paul Jackson Black Octopus Black Octopus Part 1: Many Directions, Black Octopus Part 2: Eight Ways of Love and more. 5 tracks 27:09. Black Octopus 1978. Album by Paul Jackson. Funk Times Three. was sampled in. Wordplay by Bahamadia 1996. Tiptoe Thru the Ghetto. Building a Rep by Mark B and Blade 2000. Paul Jackson Black Octopus Full Album 1978 46:58. paul jackson tiptoe thru the ghetto 3:48. A FLG Maurepas upload - Paul Jackson - Black Octopus - Eight Ways Of Love pt. 2 - Jazz Funk 4:25. Paul Jackson - Funk Times Three 6:29. Paul Jackson A little love'll help. PAUL JACKSON - Black Octopus. Jazz music community with review and forums. 0 rating 0 review. Album 1978. Filed under Funk Jazz By PAUL JACKSON. A1-1 Black Octopus Part 1 - Many Directions A1-2 Black Octopus Part 2 - Eight Ways Of Love A2 Funk Times Three B1 Burning In The Heat Of Your Love B2 Tiptoe Thru The Ghetto. Black Octopus. Black Octopus, Part 1: Many Directions from 1978-10-25 until 1978-10-27. composer: Paul Jackson Jazz bassist. Black Octopus, Part 2: Eight Ways of Love. The Unknown Shuffle Composition By Paul Jackson - Mike Clark, Paul Jackson, Marc Wagnon. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. When first listening through Black Octopus Paul suddenly becomes much more than Herbies bass player and I believe this collection of songs helps to illuminate the many sides of this great musician which I was previously unaware of. Many Directions sees Paul reciting jazz poetry and playing upright bass pretty avante garde for Paul, then in direct contrast the down right funk of Eight ways of Love. This shows Paul throwing some Stevie Wonder-esque vocal acrobatics around and leaving the synth bass to Herbie Hancock. Not exactly what one would ex