Paul Desmond Featuring Jim Hall - Bossa Antigua Album

Tracklist

1	The Girl From East 9th Street	5:53
2	Curação Doloroso	4:26
3	Bossa Antigua	4:30
4	Aliança	4:26
5	O Gato	4:23
6	Samba Cantina	5:29
7	The Night Has A Thousand Eyes	4:41
8	A Ship Without A Sail	6:08

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
LSP-3320	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album)	RCA Victor	LSP-3320	US	1965
BVCJ-37219	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(CD, Album, RE, RM, Pap)	RCA	BVCJ-37219	Japan	2001
NL-43094	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album, Ort)	RCA International (Camden)	NL-43094	Netherlands	1979
PG-26, JNL1-8388	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album, RE)	RCA Records, RCA Records	PG-26, JNL1-8388	Japan	1976
LPM-3320	Paul Desmond	Bossa Antigua ‎(LP, Album, Mono)	RCA Victor	LPM-3320	US	1965

Category	Artist	Title (Format)	Label	Category	Country	Year
LSP-3320	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album)	RCA Victor	LSP-3320	US	1965
BVCJ-37219	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(CD, Album, RE, RM, Pap)	RCA	BVCJ-37219	Japan	2001
NL-43094	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album, Ort)	RCA International (Camden)	NL-43094	Netherlands	1979
LPM-3320	Paul Desmond	Bossa Antigua ‎(LP, Album, Mono)	RCA Victor	LPM-3320	US	1965
09026 68689-2	Paul Desmond Featuring Jim Hall	Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(CD, Album, RE, RM)	RCA Victor	09026 68689-2	US	1999

Notes

Manufactured by RVC Corporation, Tokyo Japan from Master Recordings of RCA Corporation.

Original Album Notes, written by Paul Desmond:

It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. Marquand of the alto, and again playing hookey from the mother lode with the same group of sturdy compatriots that made TAKE TEN such a joy to record. On bass is the jovial presence of Eugene Wright, without whom the entire Brubeck operation would grind to a halt in a matter of hours. On drums, the master time-keeper of the Modern Jazz Quartet, Connie Kay -- who, if he didn't exist, would be much too perfect ever to be imagined by anyone. And on guitar, the redoubtable (that means the first time you hear it you don't believe it, and when you hear it again later you still don't believe it) Jim Hall.

The term bossa antigua (it means, or at least it should, "old thing," as opposed to "new thing") began as a slightly rueful play on words because by the time I got around to doing a few bossa nova tunes on TAKE TEN it was several years after the first flash from Brazil and couldn't properly be called a new thing any more. This album carries the term a step further, in that the rhythm on several tracks is a sort of skeletal bossa nova with various old-timey flavors added. ALIANCA, for instance, has Jim Hall functioning as the only accredited Brazilian delegate, accompanied by routinely impeccable Connie Kay shtick and a nice comfortable New York 2 from Eugene Wright. A SHIP WITHOUT A SAIL and THE NIGHT HAS A THOUSAND EYES contain other variations, ranging from Early Calumet City Strip to a subliminal fraelich. (If any of you feel creative out there, you could get together some rainy night and figure out an Old Thing dance to go along.)

The tunes, except for SHIP and NIGHT, are mostly originals. O GATO was written by Jim Hall's friend Jane Herbert, and it's as charming as she is, which is saying a lot. The others are tunes I wrote. One is based on a minor adaptation of a melody indigenous to early American coffee houses, a few are extensions of themes that have been wandering through my head recently, and the one called CURACAO DOLOROSO is a sort of three-stage operation. Originally I'd wanted to do HEARTACHES, because it seemed so incongruous and because the original record of it had something of the same neolithic connection to bossa nova as early marching bands had to Gerry Mulligan. I wrote a different set of changes for it and we tried it, and it was so horrible that George Avakian emerged from the control room in the middle of the first take, waving his arms and shuddering. (This is a musical milestone of sorts, since George usually smiles serenely thru the most disastrous takes imaginable, hoping that something good will somehow happen and he'll be able to splice it in later. I think the only other time he walked out in the middle of a take, the studio was on fire.) So on a later date we used the chords and avoided the melody, which is what you're supposed to do in jazz anyhow, come to think of it, and it worked out nicely. (Since it's a different melody and a different set of chords, the writers of HEARTACHES won't be around looking for royalties -- but if they ever feel like dropping by for a drink, I'm usually home between 4 and 6.)

As always, George Avakian masterminded the entire operation effortlessly, even with a telephone more or less permanently installed in one ear. (There was one point, I must admit, when the only way I could get his attention was to go out to the phone booth and call him.) I don't know how the phone calls worked out, but I love the albumManufactured in Germany

Original Album Notes, written by Paul Desmond:

It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. Marquand of the alto, and again playing hookey from the mother lode with the same group of sturdy compatriots that made TAKE TEN such a joy to record. On bass is the jovial presence of Eugene Wright, without whom the entire Brubeck operation would grind to a halt in a matter of hours. On drums, the master time-keeper of the Modern Jazz Quartet, Connie Kay -- who, if he didn't exist, would be much too perfect ever to be imagined by anyone. And on guitar, the redoubtable (that means the first time you hear it you don't believe it, and when you hear it again later you still don't believe it) Jim Hall.

The term bossa antigua (it means, or at least it should, "old thing," as opposed to "new thing") began as a slightly rueful play on words because by the time I got around to doing a few bossa nova tunes on TAKE TEN it was several years after the first flash from Brazil and couldn't properly be called a new thing any more. This album carries the term a step further, in that the rhythm on several tracks is a sort of skeletal bossa nova with various old-timey flavors added. ALIANCA, for instance, has Jim Hall functioning as the only accredited Brazilian delegate, accompanied by routinely impeccable Connie Kay shtick and a nice comfortable New York 2 from Eugene Wright. A SHIP WITHOUT A SAIL and THE NIGHT HAS A THOUSAND EYES contain other variations, ranging from Early Calumet City Strip to a subliminal fraelich. (If any of you feel creative out there, you could get together some rainy night and figure out an Old Thing dance to go along.)

The tunes, except for SHIP and NIGHT, are mostly originals. O GATO was written by Jim Hall's friend Jane Herbert, and it's as charming as she is, which is saying a lot. The others are tunes I wrote. One is based on a minor adaptation of a melody indigenous to early American coffee houses, a few are extensions of themes that have been wandering through my head recently, and the one called CURACAO DOLOROSO is a sort of three-stage operation. Originally I'd wanted to do HEARTACHES, because it seemed so incongruous and because the original record of it had something of the same neolithic connection to bossa nova as early marching bands had to Gerry Mulligan. I wrote a different set of changes for it and we tried it, and it was so horrible that George Avakian emerged from the control room in the middle of the first take, waving his arms and shuddering. (This is a musical milestone of sorts, since George usually smiles serenely thru the most disastrous takes imaginable, hoping that something good will somehow happen and he'll be able to splice it in later. I think the only other time he walked out in the middle of a take, the studio was on fire.) So on a later date we used the chords and avoided the melody, which is what you're supposed to do in jazz anyhow, come to think of it, and it worked out nicely. (Since it's a different melody and a different set of chords, the writers of HEARTACHES won't be around looking for royalties -- but if they ever feel like dropping by for a drink, I'm usually home between 4 and 6.)

As always, George Avakian masterminded the entire operation effortlessly, even with a telephone more or less permanently installed in one ear. (There was one point, I must admit, when the only way I could get his attention was to go out to the phone booth and call him.) I don't know how the phone calls worked out, but I love the album

Barcodes

• Matrix / Runout: RPRS 6495
• Matrix / Runout: RPRS 6496

• Matrix / Runout (Side A): LP-Ste-RPRS-6495-X
• Matrix / Runout (Side B): LP-Ste-RPRS-6496-X

Short intro

The others are tunes I wrote. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Paul Desmond Quartet, Jim Hall. Paul Desmond - Curacao Doloroso. The Complete Recordings of the Paul Desmond Quartet with Jim Hall. Paul Desmond - Bossa Antigua. Bossa Antigua. Скачать песню Paul Desmond Quartet with Jim Hall Bossa Antigua на телефон рингтон на звонок, либо слушать mp3 в хорошем качестве 320 kbps вы можете на Antigua is a music album by Paul Desmond Featuring Jim Hall released in 1965. Jim Hall, The Night Has a Thousand Eyes and more. Average Rating: 74100 from 2 votes. Marquand of the alto, and again playing hookey from the mother lode with the same group of sturdy compatriots that made TAKE TEN such a joy to record. On bass is the jovial presence of Eugene Wright, without whom the entire Brubeck operation would grind to a halt in a matter of hours. Исполнитель: Paul Desmond. The Night Has a Thousand Eyes Alternate Take 10. Bossa Antigua by Paul Desmond Featuring Jim Hall Year: 1965 Overall rank: 66,496th. Bossa Antigua is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label. On drums, the master time-keeper of the Modern Jazz Quartet, Connie Kay - who, if he didn't exist, would be much too perfect ever to be imagined by anyon. Bossa Antigua - Paul Desmond. 11 tracks . O GATO was written by Jim Hall's friend Jane Herbert, and it's as charming as she is, which is saying a lot. The Complete Recordings Of The Paul Desmond Quartet With Jim Hall. 1999 reissue bonus tracks: 9. Paul Desmond - The Nights Has A Thousand Eyes. Bossa Antigua is a music album by Paul Desmond Featuring Jim Hall released in 1965. Jim Hall, Paul Desmond Quartet. Only that set includes the initial studio collaboration of Desmond & Hall for Warner Bros. The word for old is antigo in Portuguese, a cognate maybe of Antigua. Recorded in NYC, Paul Desmond - alto sax Jim Hall - guitar Connie Kay - drums Gene Wright - bass music by Paul Desmond from the album Album Notes, written by Paul Desmond: It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. The album title is a kind of pun: Bossa Antigua old thing in contrast to the popular musical genre Bossa Nova the new thing. Paul Desmond: The Best of the Complete RCA Victor Recordings. Bossa Antigua - The Paul Desmond Quartet, Jim Hall. Bossa Antigua is ranked 66,496th in the overall chart, 3,722nd in the 1960s, and 354th in the year 1965. The tunes, except for SHIP and NIGHT, are mostly originals. Listen free to Paul Desmond Bossa Antigua feat. Jim Hall , Paul Desmond. However Antigua is a proper pronoun, naming the island that is paired with Barbuda. Paul Desmond - Bossa Antigua in mp3 and listen online. Jim Hall ft. 2000 jazz. Paul Desmond - O Gato. also present are reprints of Doug Ramsey's warm memorial tribute to the alto saxophonist, as well as Marian McPartland's brilliant portrait written for Downbeat in 1960 and Desmond's own side-splitting article. Jim Hall is a cool jazz music album recording by PAUL DESMOND released in 1965 on CD, LPVinyl andor cassette. Paul Desmond - Samba Cantina. This page includes PAUL DESMOND Bossa Antigua feat. Paul Desmond - Ship Without A Sail. A1 Bossa Antigua 4:30 A2 The Night Has a Thousand Eyes 4:41 A3 O Gato 4:23 A4 Samba Cantina 5:29 B1 Curacao Doloroso 4:26 B2 A Ship Without a Sail 6:08 B3 Alianca 4:26 B4 The Girl From East 9th St. Recorded in NYC, Paul Desmond - alto sax Jim Hall - guitar Connie Kay - drums Gene Wright - bass music by Paul Desmond from the album Album Notes, written by Paul Desmond: It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. Bossa Antigua - Jim Hall, Paul Desmond Quartet. On this page you can download song Jim Hall ft. Songs in album Bossa Antigua 1965