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Nite Shadez - Black Holes For The Face And A Graveyard Album

Nite Shadez - Black Holes For The Face And A Graveyard Album
Performer: Nite Shadez
Title: Black Holes For The Face And A Graveyard
Country: US
Genre: Electronic / Jazz
Style:Noise, Industrial, Free Improvisation
Released: 2012
Catalog number: O-O-BR-007
Label: Out-Of-Body Records
MP3 album szie: 1720 mb
FLAC album size: 1488 mb

Tracklist

1Black Holes For The Face23:55
2And A Graveyard23:45

Credits

  • Synth [Pads], Drums, Tape [Prepared With Dual 4 Track Cassette Manipulation], VocalsAndrew Michael, Rob Buttrum

Notes

Recorded live to cassette at H.O.T., Winter 2011. Denton, TX

Companies

  • Recorded At – H.O.T. Studios

Short intro

Nite shadez Black holes for the face, and a graveyard now available for pre-order More info here : PagesPublic figureMusicianBandNITE SHADEZPosts. NITE SHADEZ updated their cover photo. 27 November 2013 . NITE SHADEZ added 6 new photos to the album VIDEO STILLS INSERT ART FOR BLACK HOLES FOR THE FACE. 13 November 2013 . Nite shades video stills, photo shoot for insert art for black holes for the face and a graveyard released on out-of-body records. NITE SHADEZ Black Holes For The Face, And A Graveyard C47 by OUT-OF-BODY RECORDS, released 12 November 2012 1. Black Holes For The Face 2. And A Graveyard O-O-B R-007 NITE SHADEZ -BLACK HOLES FOR THE FACE, AND A GRAVEYARD C47 NITE SHADEZ is a constantly evolving collage worship project. No two recordings or performances are the same, besides the use of tape andor video collage. This album is a collage of live synth and a collection of prepared tapes mixed, treated and layered live with two 4-track cassette recorders. Recorded live straight to cassette. Performer: Nite Shadez. Title: Black Holes For The Face And A Graveyard. Size MP3 ver: 1450 mb. Size FLAC ver: 1404 mb. Size WMA ver: 1571 mb. Country: USA & Canada. Style: Noise. Other formats: AHX VOX ASF DTS ADX DXD MP1. Black Holes is the debut studio album by Canadian blues rock band, The Blue Stones. The album was released on October 20, 2015. The album was re-released on October 26, 2018 through Entertainment One. The first music video released was Black Holes Solid Ground which was re-released as a music video on November 27, 2018 through Billboard. All music is composed by Tarek Jafar and Justin Tessier. The Blue Stones composer, liner notes, producer. The Graveyard is the seventh studio album by King Diamond, released in 1996. This was also the first album by King Diamond to be featured on the Massacre Records label. The album was remastered by Andy LaRocque and was re-released in 2009. The Graveyard is the last album to feature drummer Darrin Anthony. This album is one of the most successful King Diamond's albums, peaking at 23 in the Finnish Charts and remaining for two weeks in the Top 40. Most black holes form from the remnants of a large star that dies in a supernova explosion. Smaller stars become dense neutron stars, which are not massive enough to trap light. One possible mechanism for the formation of supermassive black holes involves a chain reaction of collisions of stars in compact star clusters that results in the buildup of extremely massive stars, which then collapse to form intermediate-mass black holes. The star clusters then sink to the center of the galaxy, where the intermediate-mass black holes merge to form a supermassive black hole. Performer: Nite Shadez Album: Black Holes For The Face And A Graveyard Country: US Released: 2012 Style: Noise, Industrial, Free Improvisation Size MP3: 1673 mb. Size FLAC: 1207 mb. Size WMA: 1345 mb. In a quiet world, no matter what you say, No matter what you do, the cold bleak light, From your tongue always ends in frustration. The black holes of your mind can't speak for you, Looking into yourself, you will find no one. Shadez Black Operations, a free online Strategy game brought to you by Armor Games. Shadez: The Black operations is the first in the series of this game. The player is placed into the role of General of a Mercenary force. This force has been hired by the governments around the world to fight the wars they do not want to fight or they don't want to declare this, keeping it top secret and out of the hands of the press. Flash is blocked. To unblock Flash in Chrome go to Settings Site Settings Flash and unblock Flash from running. Once done, you must enable Flash for the game once you refresh the page. If you need further help, please contact us for assistance. So, Black holes are, well Black for a start. Which means in space they cannot actually be seen, but only detected by study through technology. Scientists study the effects of any objects that are either near to a Black hole or have been sucked into the Black holes gravitational force. Black holes are so strong in nature that even light cannot escape entering it. What will really get you thinking is that nobody actually knows what happens to all the matter and light that is pulled into a Black hole. Its difficult to understand if we will ever know what happens with Black holes, but you never know what we could discover as we have discovered so much about Black holes in recent years
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Reviews: (1)
Punind
Punind
Nite Shadez is the duo of Rob Buttrum and Andrew Michael; on Black Holes for the Face and a Graveyard, the two experiment with creating noise in the vein of horror movie soundtracks, with deep bass and synth tones along with the distinctive percussions of a drum machine. Vocals and tape manipulations abound; more surprising is that the tape was recorded live between the two, with both side-long tracks (about 20 minutes in length) effortlessly improvised as the two shred the common sheltering of harsh noise for something much more creepy and less conventional.

Both tracks, “Black Holes for the Face” and then the B-side “And a Graveyard” (makes sense per title), find Buttrum and Michael playing off of the creepy intonations of synth work. There are moments of clarity with the percussion of the drum tracking – this could be some demented work of Goblin if not for the freak-out that generally occurs later on. Things get thick and heavy with bass, and electronics spiral into a whirlwind that loses the synth drones of the soundtrack. But the two find harmony again; the tape is all about the give and take between the two, and there’s a cohesion to where they find themselves that works very well. It makes it sound like this improv is easy, even though it’s clear that finding such soundscapes and building off of them isn’t.

The synth work often sounds straight from ’80s slashers, and Nite Shadez find tons of room for odd sounds in the mix. There are often moments of more rhythmic noise before the duo teeter off into bits of filler between outbursts. “Black Holes for the Face” is mostly spot on, though its ending does lose control (or so it seems) when the drums flip between settings sporadically.

“And a Graveyard” focuses on a more cemented pattern throughout. Lots of eerie synth lines, a driving drum rhythm that actually gets quite complex, and some heavy vocals, both screamed and sampled, keep things moving in a focused direction here. For those who enjoy more cohesive noise, this track will be the stand-out – it doesn’t lose its destination like the A-side does.

But both tracks here are excellent, a hodge-podge of different noise experiments under the subheading of weird and creepy electronica. Certainly recommend ed for those who are into some of the brooding works of Dead Machines.

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