Naïve - Carry On Album

Tracklist

1	A Final Kiss	3:00
2	Carry On	3:36
3	Carry On (Copenhagen Mix)	6:17

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
IRMGM 1003	Naïve	Carry On ‎(12", TP)	Irmgardz...	IRMGM 1003	Denmark	1985

Short intro

Naïve is the fifth studio album by German industrial band KMFDM, released on 15 November 1990 by Wax Trax Records. It was recorded following KMFDM's return from their first visit to America and subsequent tour with Ministry. It was also the first record they released after signing directly to Wax Trax Records. The album was out of print for over a decade due to copyright infringement: the seventh track Liebeslied used unauthorized samples from a recording of O Fortuna, from Carl Orff's 1930s. Carry On Copenhagen Mix. Latest albums by Naïve. UMG от лица компании Universal Music AS. Book of Love LP - I Touch On Chris Cornell album. Carry On is the second solo studio album by American musician Chris Cornell. It was released on May 28, 2007, in the United Kingdom and June 5, 2007, in the United States. This album is Cornell's second after Euphoria Mourning in 1999, and his first since leaving his former band Audioslave. As of September 4, 2007, the album has sold 121,000 copies in the US and 300,000 copies worldwide. Carry On Naïve. fish 1985 Vertigo, Universal Music Denmark AS. Released on: 1985-12-08. Associated Performer, Vocalist, Keyboards: Claus Berthelsen Producer, Associated Performer, Guitar, Keyboards, Background Vocalist: Hilmer Hassig Associated Performer, Bass Guitar: Flemming Muus Associated Performer, Percussion: Gorm Ravn-Jonsen Associated Performer, Keyboards: Jesper Siberg Associated Performer, Background Vocalist: Nanna Lüders Associated Performer, Recording Arranger: Naïve Composer Lyricist: Claus Berthelsen. Carry On - East End Radicals. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Carry On 吳雨霏. If Euphoria Morning was breaking from the past, Carry On is about reconnecting to it, returning Cornell to music that feels more comfortable than Tom Morello's staccato riffs. Right from the beginning, he pushes out arena-filling riffs that feel more at home on a Soundgarden record - not as heavy and certainly not as tortured, but something more mature and more recognizably of Cornell's lineage than much of Audioslave