Musica Antiqua Ambergensis - Commedia Musicale Album
Tracklist
| 1 | – | Qual'honor (6 St.) - Complimenti Del Principe A Vegliatori | 1:26 |
| 2 | –Tobias Wipacher | Geigt auf (4 St.) Regensburg 1614 | 2:27 |
| 3 | –Adriano Banchieri | Madrigalkomödie "Festino" | |
| 4 | –Anthony Holborne | Alman "The Honeysuckle" (5 St. Instrumental) | 1:49 |
| 5 | –Pierre-Francisque Caroubel | Bransle Double De Poictu - Bransle Gay Double (4 St. Instrumental) | 1:48 |
| 6 | – | Courente (5 St.) | |
| 7 | – | Padouana (5 St.) | |
| 8 | – | Viva La Gioia (5 St.) - L'humor Sveggghiato | 1:33 |
| 9 | – | Tripla (4 St.) | |
| 10 | – | Contraponto Bestiale Alla Mente (5 St.) (12. Szene) | 1:34 |
| 11 | –John Dowland | Woeful Heart | 2:39 |
| 12 | – | Fate Silentio (6 St.) - Proemio | 2:22 |
| 13 | –Johann Hermann Schein | Suite 15 In G | (6:14) |
| 14 | –Anonymous | Pastorella (4 St. Instrumental) | 1:17 |
| 15 | –John Dowland | Awake, Sweet Love | 2:28 |
| 16 | –Horatio Vecchi | Madrigalkomödie "Le Veglie Dei Siena" (Seconda Veglia I Varii Homori Della Musica Moderna) | |
| 17 | –Antonio Cebrián | Lágrimas (Canción) (4 St.) | 1:35 |
| 18 | –Horatio Vecchi | Madrigalkomodie "Le Veglie Dei Siena" - Prima Veglia (Seconda Proposta) | |
| 19 | –Johann Hermann Schein | So Dir Mein Liebes Brüderlein (5 St.) | 3:02 |
| 20 | –Moniot D'Arras | Ce Fu En Mai | 2:01 |
| 21 | – | Si Grav'é L Mio Dolore (6 St.) | 3:26 |
| 22 | – | Di Marmo Sete Voi (5 St.) - L'humor Licentioso | 2:11 |
| 23 | –Hans Leo Haßler | HerzliebZu Dir Allein (5 St.) | 2:48 |
| 24 | –Martin Peerson | Locke Up, Fair Lids (4 St.) | 3:02 |
| 25 | – | Chi Brama Havere (5 St.) - Il Diletto Moderno Per Introduzione (1. Szene) | 2:18 |
| 26 | – | Allemande (4 St.) | |
| 27 | –John Dowland | Shall I Sue? | 1:47 |
| 28 | –Ludwig Senfl | Mag Ich, Herzlieb, Erwerben Dich | 2:34 |
| 29 | –Anonymous | A L'Entrada (Balada) | 1:45 |
| 30 | – | O Che Sciolta Favella (6 St.) Applauso (6. Szene) | 0:57 |
| 31 | – | Gagliarda (5 St.) | |
| 32 | –John Dowland | Fine Knacks For Ladies | 1:56 |
| 33 | – | E Voi Signora Laura (6 St.) (4. Szene) | 1:06 |
| 34 | – | Villanella Son Io Ma Bella (3 St.) Imitatione della Villanella (5. Szene) | 1:25 |
| 35 | – | Qui Vi Siamo (5 St.) - Gl' Amanti Morescano (Moresca In Aria Spagnoletta) (7. Szene) | 1:21 |
Credits
- Baritone Vocals, Viola [Viola Da Braccio], Strings [Crwth], Recorder [Renaissance], Gemshorn [Tenor], Crumhorn – Helmut Schwämmlein
- Engineer – Peter Laenger
- Ensemble – Musica Antiqua Ambergensis
- Graphics – Peter Wöhr
- Lute [Renaissance], Harp [Keltische], Tambourine [À Cordes], Percussion [Historische] – Martin Schneider
- Lute [Renaissance-Fidel], Strings [Crwth] – Eckhard Wolf
- Mastered By – CS-B-III
- Production Manager – Andreas Neubronner
- Recorder [Renaissance], Flute [Renaissance], Gemshorn [Renaissance] – Hildegund Hauser
- Soprano Vocals – Bettina Haubold
- Soprano Vocals, Recorder [Renaissance], Gemshorn [Bass], Crumhorn [Bass] – Brigitte Weber
- Tenor Vocals – Hans-Dieter Zanke
- Tenor Vocals, Strings [Crwth], Violin [Barock], Recorder [Renaissance], Gemshorn [Alto], Crumhorn, Cornett – Wolfgang Sieber
- Trombone [Renaissance Pusanne Alt Tenor], Cornett, Photography By – Hartmut Rohrmann
- Trombone [Renaissance Pusanne Tenor], Recorder [Renaissance], Crumhorn – Rolf-Ulrich Denzer
- Viola [Viola Da Braccio], Double Bass – Erich Zrenner
- Viola da Gamba – Dorothee Schwämmlein
- Violone, Viola da Gamba – Ann Fahrni
Notes
Digital Recording in Südwest-Tonstudio 31 January, 1, 7, 8 February 1987.Barcodes
- Label Code: LC 3989
- Matrix / Runout (Side A): C 68 112-A CS-B-III
- Matrix / Runout (Side B): C 68 112-B CS-B-III
Companies
- Mastered At – Teldec-Studio, Berlin
- Recorded At – Südwest-Tonstudio Stuttgart
- Pressed By – Pallas
- Recorded At – Historischer Reitstadel, Neumarkt
Short intro
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