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Morton Subotnick - Axolotl / The Wild Beasts Album

Morton Subotnick - Axolotl / The Wild Beasts Album
Performer: Morton Subotnick
Title: Axolotl / The Wild Beasts
Country: US
Style:Musique Concrète, Contemporary, Experimental
Released: 1981
Catalog number: N1-78012
Label: Nonesuch
MP3 album szie: 2073 mb
FLAC album size: 2706 mb

Tracklist

1Axolotl
Cello – Joel Krosnick
17:21
2The Wild Beasts
Piano – Virko BaleyTrombone – Miles Anderson
26:51

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
N-78012Morton Subotnick Axolotl / The Wild Beasts ‎(LP)NonesuchN-78012US1981

Credits

  • Art DirectionRon Coro
  • Artwork [Cover]Ann Holyoke Lehmann
  • Composed By, Tape, Electronics [Ghost Electronics], Liner Notes, ProducerMorton Subotnick
  • DesignKristen Kasell Nikosey
  • EngineerFrank Laico (tracks: A), Roger Mayer
  • Engineer [Assistant]Mike Hatcher (tracks: B), Steve Burger (tracks: B)
  • Mastered ByTerry Dunavan
  • Photography ByCarlo Carnevali
  • Supervised ByKeith Holzman

Notes

Side A: Recorded May 1981 at Columbia Recording Studio "B", New York
Side B: Recorded March, 1981 at Evergreen Studios, Burbank (California, USA).

Axolotl (composed 1981) commissioned and premiered by Joel Krosnick at the Library of Congress (Washington, USA), February 13, 1981.
The Wild Beasts (composed 1978) commissioned by Miles Anderson. Premiered by Miles Anderson & Virko Baley at the Contemporary Music Festival, Valencia (California, USA), March, 1978.

Companies

  • Recorded At – Columbia Recording Studio "B" Nashville, Tennessee
  • Recorded At – Evergreen Studios

Short intro

Songs in album Morton Subotnick - Axolotl, The Wild Beasts 1981. Morton Subotnick - Axolotl. Morton Subotnick - The Wild Beasts. Subotnick: The Wild Beasts. Landmark Recordings. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Axolotl, The Wild Beasts. Play album. Morton Subotnick is one of the pioneers in the development of electronic music and an innovator in works involving instruments and other media, including interactive computer music systems. Get album. read more. Most of his music calls for a computer part, read more. The Wild Bull Part I 13:00 2. The Wild Bull Part II 14:50 A composition for electronic-music synthesizer A Nonesuch Records commission Composed Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably employing gestural sketches on tape to alter sounds produced by voices and instrumentalists. The two works on this 2015 Wergo release are representative of Subotnick's methods, using a trumpet with a chamber ensemble in After the Butterfly, to realize his original ghost score on tape, and trombone, piano, and ghost electronics to c. Morton Subotnick born April 14, 1933 is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years. Subotnick has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Pauline Oliveros and Ramon Sender, often. Listen full album. View all Morton Subotnick albums. Morton Subotnick. 2 tracks. Released in Subotnick. Release type: Album. Do you want to download this release Pay by your phone Details. Release date. The Wild Beasts. Long at the vanguard of American electronic music, composer Morton Subnotnick also pioneered the rise of multimedia performance through his extensive work in connection with interactive computer systems. Born in Los Angeles on April 14, 1933, he atte. similar to. mortonsubotnick Albums. Morton Subotnick: The Wild Beasts. Morton Subotnick born April 14, 1933, in Los Angeles, California, USA is an American composer of electronic music and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing his oeuvre utilizes many of the important technological breakthroughs in the history of the genre