London Chamber Orchestra - Adams / Glass / Reich / Heath - Minimalist Album

Tracklist

1	–	Hymning Slews	5:22
2	–John Adams	Shaker Loops	(24:46)
3	–	Loops And Verses	7:52
4	–Philip Glass	Façades Soprano Saxophone – John Harle, Simon Haram	7:48
5	–	Movement 1	2:36
6	–Steve Reich	Eight Lines Cello – Caroline Dale, Tony HinneganClarinet – Chris Craker, Glen MartinFlute – Dave Heath, Jonathan SnowdenPiano – Christopher Swithinbank, Gruffydd OwenViola – Graham Scott, Stephen TeesViolin – Beverly Davison, Cathy Thompson, Lyn Fletcher, Rosemary Furniss	17:56
7	–	Shaking And Trembling	7:59
8	–	Movement 3	1:58
9	–	Movement 4	2:30
10	–	A Final Shaking	3:42
11	–	Movement 2	1:53
12	–Dave Heath	The Frontier Double Bass – Chris Lawrence	8:13
13	–Philip Glass	Company	(7:17)

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
VC 7 91168-2, 260 665-218	London Chamber Orchestra - Adams / Glass / Reich / Heath	London Chamber Orchestra - Adams / Glass / Reich / Heath - Minimalist ‎(CD, Album)	Virgin Classics, Virgin Classics	VC 7 91168-2, 260 665-218	UK & Europe	1990
0777 7596102 7, 7596102	London Chamber Orchestra ⋅ Adams / Glass / Reich / Heath	London Chamber Orchestra ⋅ Adams / Glass / Reich / Heath - Minimalist ‎(CD, Album)	Virgin Classics, Virgin Classics	0777 7596102 7, 7596102	Germany	1990
7243 5 61851 2 8	London Chamber Orchestra, Christopher Warren-Green	London Chamber Orchestra, Christopher Warren-Green - Minimalist ‎(CD, Album, RE)	Virgin Classics	7243 5 61851 2 8	UK	2000
0946 363308 2 2	London Chamber Orchestra ⋅ Adams / Glass / Reich / Heath	London Chamber Orchestra ⋅ Adams / Glass / Reich / Heath - Minimalist ‎(CD, Album)	Virgin Classics	0946 363308 2 2	Europe	2006
082564604378	London Chamber Orchestra ⋅ Adams / Glass / Reich	London Chamber Orchestra ⋅ Adams / Glass / Reich - Minimalist ‎(LP, RE)	Erato, Warner Classics	082564604378	Germany	2015

Credits

• Composed By – Dave Heath (tracks: 11), John Adams (tracks: 1 to 4), Philip Glass (tracks: 5, 7 to 10), Steve Reich (tracks: 6)
• Design [Maguette:] – Carroll, Dempsey & Thirkell
• Directed By [Music Director] – Christopher Warren-Green
• Engineer [Sound Engineer] – Keith Grant
• Executive-Producer – Simon Foster
• Liner Notes [Translation] – Byword, London
• Liner Notes, Booklet Editor – Peter Avis
• Orchestra – The London Chamber Orchestra
• Photography By [Back Cover Photograph] – Kevin Davies
• Photography By [Front Cover Photograph] – Andy Seymour
• Producer – Tim Handley
• Violin [Habeneck Stradivarius] – Christopher Warren-Green

Notes

Recording: All Saints Church, Petersham, 1, 4 & 5 March 1990

20-page liner booklet with notes in English, French and German

Barcodes

• Barcode: 724356112124
• Rights Society: BIEM/GEMA
• Label Code: LC 7873
• Price Code: PM 517
• Matrix / Runout: SP 1-2-3 EMI JAX 61121 01# 07-21-94
• SPARS Code: DDD
• Other: CUV 5 61121 2

Companies

• Phonographic Copyright (p) – Virgin Classics Limited
• Copyright (c) – Virgin Classics Limited
• Recorded At – All Saints Church Petersham

Short intro

This superb collection of works by 20th century minimalist composers spotlights works written for string orchestra. It opens with John Adams' Shaker Loops, a piece with strings set on rapid tremolo throughout - creating a beautiful, shimmering quality counterbalanced by an aggressive scrubbing sound. The London Chamber Orchestra LCO is the longest established professional chamber orchestra in the United Kingdom. Based in London, LCO has a residency at Cadogan Hall in Sloane Square and regularly tours Asia, the UK, Europe and the United States. The London Chamber Orchestra was founded in 1921 by the English conductor, organist, pianist and composer Anthony Bernard. He conducted the LCO's first performance, in the salon of No. 4 St. James's Square on 11 May 1921. Royal connection. Minimalist: Philip Glass, John Adams, Steve Reich, Dave Heath. Покупка London Chamber Orchestra Adams , Glass , Reich , Heath - Minimalists - Virgin Classics - CD, Album - 5099973529927, включает Shaker Loops, Shaking And Trembling, Hymning Slews, Loops And Verses, A Final Shaking, Façades, Eight Lines, Company, Movement 1, Movement 2, Movement 3, Movement 4, The Frontier. Adams, Glass, Reich, Heath: Minimalist by Christopher Warren-Green, London Chamber Orchestra Year: 1990 Overall rank: 72,256th. Average Rating: 71100 from 1 vote. Album 1990 11 Songs. By John Adams. Hymning Slews. Loops and Verses. By Philip GlassChristopher Warren-Green, London Chamber Orchestra, John Harle & Simon Haram. Eight Lines. By Steve Reich. Quartet note 96. By Philip Glass. Movement 2. Movement 3. Steve Reich American composer 1983 track 6. Dave Heath British composer and flautist 1989 track 11. conductor: Christopher WarrenGreen violinist and conductor tracks 511. revised by: John Adams American minimalist composer 1983 tracks 14. London Chamber Orchestra. American Classics: John Adams. American Classics: Steve Reich & Philip Glass. The Most Relaxing Vivaldi Album In The World. Ever сборник. Listen free to London Chamber Orchestra Minimalist. Entering its tenth decade, the London Chamber Orchestra looks back on 90 years of outstanding concerts. Remarkable for its history as the UKs oldest professional chamber orchestra, LCO als read more. Remarkable for its history as the UKs oldest professional chamber orchestra, LCO also champions new music and effects real change read more. Music by John Adams, Philip Glass, Steve Reich, Dave Heath London Chamber Orchestra Christopher Warren-Green, director. During the late 1960s, after Reich had returned to New York from San Francisco and Glass had come back from Paris, the two composers would often come together to discuss music and play in each others ensembles, but in time they went their separate ways. NOTES ABOUT Steve Reich Steve Reich read music at the Juilliard School in New York and later studied with Darius Milhaud and Luciano Berio. Adams offered all the repetitive energy that propelled Philip Glasss and Steve Reichs most popular scores, but his quicker harmonic development, sudden dynamic changes and other startling touches pointed toward the next step - emotional and dramatic - that this style needed to take. Adamss later orchestration gave the work a graceful sheen, but the original chamber recording has an endearingly homespun quality. The companion piece, Light Over Water 1983, is a pleasantly spacey oddity for brass and synthesizers