Liquorice John Death - Ain't Nothin' To Get Excited About Album

Tracklist

1	I'm Ready	2:51
2	Breathless	2:59
3	Keep A Knockin'	1:24
4	Brand New Cadillac	1:37
5	Old Black Joe	3:07
6	Matchbox	2:28
7	High School Confidential	2:17
8	The Girl Can't Help It	2:07
9	Shopping For Clothes	3:33
10	Kansas City	3:40
11	Lucille	3:21
12	Well, I...	6:30
13	Everything I Do Is Wrong	3:11

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
REP 4982	Liquorice John Death	Ain't Nothin' To Get Excited About ‎(CD, Album)	Repertoire Records	REP 4982	Germany	2002
REP 4982	Liquorice John Death	Ain't Nothin' To Get Excited About ‎(CD, Album, Unofficial)	Repertoire Records	REP 4982	Russia	2017
8-2942110242-7	Liquorice John Death	Ain't Nothin' To Get Excited About ‎(CD, Album, RE, RM)	Friday Music	8-2942110242-7	US	2005
REP 4982	Liquorice John Death	Ain't Nothin' To Get Excited About ‎(CD, Album, Unofficial)	Repertoire Records	REP 4982	Russia	Unknown

Credits

• Alto Saxophone – Jack Lancaster (tracks: 9)
• Bass – Chris Copping
• Drums – B.J. Wilson
• Guitar – Robin Trower
• Piano, Vocals – Gary Brooker
• Producer – Chris Thomas

Notes

Released in a standard JewelBox with a 4 page foldout booklet.

Ain't Nothin' to Get Excited About is an album of rock and roll songs recorded in 1970 by the members of
Procol Harum under the name Liquorice John Death. It was not released until 1997.
Recorded 1970.

Licensed from TABS Ltd. Distributed in the UK by SAM. Made in England.

Barcodes

• Barcode: 5 017361 200373

Short intro

Ain't Nothin' to Get Excited About is an album of rock and roll songs recorded in 1970 by the members of Procol Harum under the name Liquorice John Death. It was not released until 1997. Strictly speaking, this is not a Procol Harum album it was recorded shortly after the band had finished working on their 1970 album Home. During these recording sessions, producer Chris Thomas asked the band to play some old favourites while he set up the equipment for recording. The band enjoyed playing these older. Ain't Nothin' to Get Excited About. Your Rating. Overview . Get album. Artist images. Liquorice John Death. 591 listeners. In 1969, after finishing A Salty Dog, organist Matthew Fisher and bassist Dave Knights decided to exit the lineup of Procol Harum. Liquorice John Death , Repertoire REP 4982, 2002. Liner note. Among the tunes played that night at Abbey Road were the Little Richard favourite Lucille, The Girl Cant Help It and Keep a Knockin. We had to use Daves idea and his album title Aint Nothin to Get Excited About, as our tribute to Dave, because he was a great guy. When the Liquorice John tape box came finally back, it meant that at last the world could hear the long lost record. I've heard rumors of this album for years and couldn't wait to get my hands on it. If you're a fan of Procol Harum's middle period Home thru Live this barely makes for a good listen. If you're a fan of the later years Grand Hotel on then you'll probably love this record. Missing Matthew Fisher, maybe Its like the title says unfortunately, Ain't Nothin' To Get Excited About, but old Procol Harum completists will and should get excited about this and buy it. Vervollständigen Sie Ihre Liquorice John Harum : Ain't Nothin' to Get Excited About,альбом, рецезия, трек-лист, mp3, тексты песен. Biography by Bruce Eder In 1969, after finishing A Salty Dog, organist Matthew Fisher and bassist Dave Knights decided to exit the lineup of Procol Harum. The remaining members - Gary Brooker, Robin Trower, and B. Wilson, in the course of reshaping the band - added Chris Copping, who played both bass and keyboards had been part of the original lineup of the Paramounts, whence the rest of Procol Har. Liquorice John Death In 1969, after finishing A Salty Dog, organist Matthew Fisher and bassist Dave Knights decided to exit the lineup of Procol Harum. Wilson, in the course of reshaping the band - added Chris Copping, who played both bass and keyboards had been part of the original lineup of the Paramounts, whence the rest of Procol Harum had come. The new version of the band was still working out their sound with neophyte producer Chris Thomas and in mid-January of 1970 decided to head to Abbey Road Studios for a series of inform