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John Cage - Eberhard Blum - Fontana Mix & Solo For Voice 2 Album

John Cage - Eberhard Blum - Fontana Mix & Solo For Voice 2 Album
Performer: John Cage - Eberhard Blum
Title: Fontana Mix & Solo For Voice 2
Country: Switzerland
Genre: Classical
Released: 1993
Catalog number: hat ART CD 6125
Label: hat ART
MP3 album szie: 2123 mb
FLAC album size: 1197 mb


3 Fontana Mix & Solo For Voice 2


  • Composed ByJohn Cage
  • Engineer [Sound]Wolfgang Zülch
  • Flute, VoiceEberhard Blum
  • Mastered By [CD-Master]Peter Pfister
  • ProducerMartin Demmler, Pia & Werner X. Uehlinger
  • Recording SupervisorWolfgang Hoff
  • Technician [Sound]Wolfgang Weber
  • Typography [Cover], Photography ByAnn Holyoke Lehmann


The present recording which superimposes digital tapings of three parts of "Fontana Mix" in a realization for flutes and "Solo for Voice 2" , is dedicated to the "White Paintings" of Robert Rauschenberg.

The index points are provided for convenience of reference to "Solo for Voice 2" and are not indications of divisions in "Fontana Mix" or the recording as a whole.

Total time 50:03

Co-Production: Sender Freies Berlin/Hat Hut Records Ltd., Therwil; Digital recording: 13/14 Novermber 1992, Sender Freies Berlin; With kind support from Lufthansa Cultural Affairs.

8-page booklet includes instructions for the two pieces in English.

℗ + © 1993 Hat Hut Records Ltd.


  • Barcode: 7 619925 612521
  • Matrix / Runout: TECVAL 01 HATART 20605 6125
  • Label Code: LC 6048
  • SPARS Code: DDD
  • Rights Society: SUISA


  • Record Company – Hat Hut Records Ltd.
  • Phonographic Copyright (p) – Hat Hut Records Ltd.
  • Copyright (c) – Hat Hut Records Ltd.
  • Copyright (c) – Henmar Press Inc.
  • Recorded At – Sender Freies Berlin
  • Pressed By – Tecval

Short intro

Three parts of the classic tape music piece Fontana Mix are superimposed while the Solo for Voice 2 is performed simultaneously with them. When certain pieces employed the same chance operations or other similar methods in their composition, Cage would often specify in the score that they could be played at the same time. Fontana Mix & Solo for Voice 2: Part 2 - John Cage, Eberhard Blum. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Album 1993 3 Songs. Fontana Mix & Solo for Voice 2: Part 1. By John Cage. Fontana Mix & Solo for Voice 2: Part 2. Fontana Mix & Solo for Voice 2: Part 3. Composed By John Cage Flute, Voice Eberhard Blum. About this release. hat ART hat ART CD 6125 Switzerland. Digital recording: 1314 Novermber 1992, Sender Freies Berlin. Thanks to snobb for the addition. Buy JOHN CAGE - JOHN CAGE - EBERHARD BLUM : FONTANA MIX & SOLO FOR VOICE 2 music. John Cage - Eberhard Blum : Fontana Mix & Solo For Voice 2 Contents. Album infos. Buy music. by Eberhard Blum. Released: January 1, 1993. Track Listing. Fontana Mix. Solo for Voice 2. Download SoundHound. The only App that can give you results through singing and humming search . John Cage Eberhard Blum. Other Albums by Eberhard Blum. Eberhard Blum. The New York School 3. The New York School 2. Four Systems. Works For Flute And Piano. John Cage: Sixty-Two Mesostics Re Merce Cunningham. The New York School. John Cage: Atlas Eclipticalis for Three Flutes. Morton Feldman: Why Patterns, . The New York School 3 - John Cage, Eberhard Blum, Art Lange, Jan Williams. Provided to YouTube by The Orchard Enterprises Fontana Mix & Solo for Voice 2: Part 3 John Cage Eberhard Blum Fontana Mix 1958 & Solo For Voice cage - fifty-eight - blasorchester & zutphen CD 1993 hat hut used mint. john cage - roaratorio CD 1994 wergo germany used mint. john cage - four walls - mcalpine piano & griffith voice CD largo germany used mint. This is a tape realization of John Cages 1958 composition Fontana Mix. More of an indeterminate plan for a piece than a piece itself, Fontana Mix has a graphic score consisting of 10 sheets of paper with curved lines and 12 transparencies, 10 of which contain a varied number of randomly distributed dots, 1 with a straight line, and the last with a grid pattern. According to Cages instructions these sheets could be superimposed upon each other and then interpreted so as to indicate differences in such elements as tone, duration, or volume of a variety of different sound events