Jackson Browne - Hold Out Album
Performer:
Jackson Browne
Title:
Hold Out
Country:
US
Genre:
Rock Music
Style:Pop Rock
Released: 1980
Catalog number: 5E-511
Label: Asylum Records
MP3 album szie: 1968 mb
FLAC album size: 2034 mb
Tracklist
| 1 | Call It A LoanWritten-By – David Lindley, Jackson Browne | 4:35 |
| 2 | Of Missing PersonsWritten-By – Jackson Browne | 6:31 |
| 3 | That Girl Could SingHihat [High Hat], Tom Tom [Toms] – Rick MarottaWritten-By – Jackson Browne | 4:34 |
| 4 | BoulevardDrums – Rick MarottaMaracas [Maraccas] – Danny KortchmarWritten-By – Jackson Browne | 3:15 |
| 5 | Disco ApocalypsePerformer [Doves] – Joe LalaWritten-By – Jackson Browne | 5:08 |
| 6 | Hold OutOther [Thanks To The] – Moog And David HornsWritten-By – Jackson Browne | 5:37 |
| 7 | Hold On Hold OutPiano [Acoustic Piano] – Craig DoergeSynthesizer [String Synthesizer] – Bill PayneWritten-By – Craig Doerge, Jackson Browne | 8:08 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 5E-511 | Jackson Browne | Hold Out (LP, Album) | Asylum Records | 5E-511 | US | 1980 |
| 7559-60324-2 | Jackson Browne | Hold Out (CD, Album, RE) | Asylum Records | 7559-60324-2 | Europe | Unknown |
| 52226 | Jackson Browne | Hold Out (LP, Album) | Asylum Records | 52226 | Greece | 1980 |
| 5E-511 | Jackson Browne | Hold Out (LP, Album, AR ) | Asylum Records | 5E-511 | US | 1980 |
| 52226 | Jackson Browne | Hold Out (LP, Album, RE) | Asylum Records | 52226 | Spain | 1984 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 5E-511 | Jackson Browne | Hold Out (LP, Album) | Asylum Records | 5E-511 | US | 1980 |
| 7559-60324-2 | Jackson Browne | Hold Out (CD, Album, RE) | Asylum Records | 7559-60324-2 | Europe | Unknown |
| 52226 | Jackson Browne | Hold Out (LP, Album) | Asylum Records | 52226 | Greece | 1980 |
| 52226 | Jackson Browne | Hold Out (LP, Album, RE) | Asylum Records | 52226 | Spain | 1984 |
| S 90.249 | Jackson Browne | Hold Out (LP, Album) | Asylum Records | S 90.249 | Spain | 1980 |
Credits
- Bass – Bob Glaub
- Drums – Russ Kunkel
- Electric Piano [Fender Rhodes, Wurlitzer], Organ, Synthesizer [String] – Craig Doerge
- Engineer [Assistant] – Brent Averill, George Ybarra, James Ledner, Jim Nipar, Karen Siegal, Niko Bolas, Serge Reyes
- Mastered By – Doug Sax
- Photography By – Jimmy Wachtel
- Producer – Greg Ladanyi, Jackson Browne
- Recorded By – Greg Ladanyi
- Vocals – Doug Haywood, Rosemary Butler
- Vocals, Piano [Acoustic], Electric Guitar – Jackson Browne
- Written-By – Jackson Browne
- Bass – Bob Glaub
- Cover [Album Cover By] – Dawn Patrol
- Drums – Russ Kunkel
- Electric Guitar [Electric Guitars], Lap Steel Guitar [Lap Steel Guitars] – David Lindley
- Management – Peter Golden & Associates
- Mastered By [Mastering By] – Doug Sax
- Mixed By [Thanks To, For His Help With The Mix] – Buford Jones
- Organ – Bill Payne (tracks: A1, A2, B1 to B3)
- Other [Advise And Consent] – Craig Doerge
- Photography By, Design – Jimmy Wachtel
- Piano [Fender Rhodes], Piano [Wurlitzer], Organ, Synthesizer [String Synthesizer] – Craig Doerge
- Producer – Greg Ladanyi, Jackson Browne
- Producer [Production Assistance] – Donald "Buddha" Miller, Rusty Conway
- Recorded By – Greg Ladanyi
- Recorded By [Assisted By] – Brent Averill, George Ybarra, James Ledner, Jim Nipar, Karen Siegal, Niko Bolas, Serge Reyes
- Vocals – Doug Haywood, Rosemary Butler
- Vocals, Piano [Acoustic Piano], Electric Guitar – Jackson Browne
- Written-By – Jackson Browne
Notes
"AR" in label matrix denotes an Allied Record Company pressing.Recorded at The Sound Factory, Los Angeles and Record One, Los Angeles
Mixed at Record One, Los Angeles
Mastering Lab, Los Angeles
Thanks to Curt Knoppel for Aphex
Thanks to David Geffen
This is for Lynne.
Bill Payne appears courtesy of Warner Bros. Record Inc.
Rick Marotta appears courtesy of Phonogram/Mercury Records.
Special thanks to:
Rick Marotta, Danny Kortchmar, Andrew Gold and Lowell George for their help in arranging this album.
A1, A2, A3, A4: Swallow Turn Music ASCAP
All rights administered by WB Music Corp.
B1: Inara Music ASCAP
B2: Swallow Turn Music / Neuoleum Music ASCAP
All rights administered by WB Music Corp.
B3: Swallow Turn Music / Fair Star Music ASCAP
All rights administered by WB Music Corp.
[labels]
℗ 1980 Asylum Records
[inner sleeve]
© 1980 Elektra/Asylum Records, A Division of Warner Communications, Inc.
Printed in U.S.A.
[sleeve]
℗&© 1980 Elektra/Asylum Records
Re: runouts
TML- The letter after the dash indicates which lathe was used (M = Master, S = Slave)
"SLM △" in the runout etching indicates that the lacquer disc was processed at, and the metal parts used to manufacture the record were made at Sheffield Lab Matrix.With inner lyric sleeve.
Barcodes
- Matrix / Runout (Label side A): 5E-511-A (AR)
- Matrix / Runout (Label side B): 5E-511-B (AR)
- Matrix / Runout (Runout A etched; TML-M SLM stamped): 5E 511-A-6 SH + :+: + △430 B-15126-1 1 TML-M SLM
- Matrix / Runout (Runout B etched; TML-S stamped): 5E 511-B-9 AR B-15127-② TML-S
- Rights Society: ASCAP
- Pressing Plant ID: AR
- Matrix / Runout (Label, Side A): AUC 4538
- Matrix / Runout (Label, Side B): AUC 4538
- Matrix / Runout (Runout, Side A - etched): AUC4538 - A
- Matrix / Runout (Runout, Side B - etched): AUC4538 - B
- Other (back cover, bottom centre - stamped [inverted]): 15 8 80 5
Companies
- Manufactured By – Elektra/Asylum/Nonesuch Records
- Published By – Swallow Turn Music
- Published By – Inara Music
- Published By – Neuoleum Music
- Published By – Fair Star Music
- Phonographic Copyright (p) – Asylum Records
- Phonographic Copyright (p) – Elektra/Asylum Records
- Copyright (c) – Elektra/Asylum Records
- Recorded At – The Sound Factory
- Recorded At – Record One, Los Angeles
- Mixed At – Record One, Los Angeles
- Mastered At – The Mastering Lab
- Lacquer Cut At – Sheffield Lab Matrix – △430
- Pressed By – Allied Record Company
- Record Company – Warner Communications Inc.
- Marketed By – WEA Records (Pty) Ltd.
- Phonographic Copyright (p) – Asylum
- Copyright (c) – Asylum
- Printed By – Interpak
- Published By – Warner Bros. Music S.A. (Pty) Ltd.
- Published By – Inara Music
- Published By – Warner Bros. Music (SA)
- Published By – Neuoleum Music
- Published By – Fair Star Music
Short intro
In Of Missing Persons, he once again took on a eulogy as his subject, but unlike Song to Adam or For a Dancer, there the song was directed to his late friend's daughter and encouraged her recovery: it was more a song for the living than for the dead. Buy this album. It represents a welcome broadening of idiom. Исполнитель: Jackson Browne. His songs were less philosophical, but they were also more personal. Disco Apocalypse. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. In Of Missing Persons, he once again took on a eulogy as his subject, but unlike Song to Adam or For a Dancer, there the song was directed to his late friend's daughter and encouraged her recovery: it was more a song for the living than for the dead. Chart Date. Exploration Group Music Publishing, CMRRA и другие авторские общества 4. Boulevard 5. Standing in the Breach. Eight minutes long, Hold On Hold Out is the LP's anthem, its farewell address and would-be summation. Other productions from Jackson Browne. The song Of Missing Persons was written for Inara George, the daughter of Lowell George formerly of the band Little Feat, a songwriting collaborator and longtime friend of Jackson Browne's who died a year prior to the release. Hold Out, 1980 by Jackson Browne There was no full version on YouTube yet, so here ya go SONG LIST: Disco Apocalypse: 0:00 - 5:06 Hold Out: 5:06 - 10:42 Tha. 3 on the album chart, an all-time best showing. Hold Out. Hold on Hold Out. Of Missing Persons 6. WMG CMRRA, ASCAP, Exploration Group Music Publishing и другие авторские общества 4. Chart information for: Jackson Browne. Hailed as one of the brightest artists of the '70s Los Angeles scene that spawned an entire genre of music in the decade, Browne grew bolder with each work. Track List: 1. Hold Out is the sixth album by American singer-songwriter Jackson Browne, released in 1980 see 1980 in music. Eight minutes long, Hold On Hold Out is the LP's anthem, its farewell address and would-be summation. That Girl Could Sing 4. Weekly chart history for the Jackson Browne album Hold Out along with track listing and links to charting singles from the album. Disco Apocalypse 2. 1986 pop. Chart History. Up until Jackson Browne 's sixth album, the singer-songwriter was pretty much adored by critics. Hold On Hold Out. It confirms his growth as an artist. Everything thats right and everything thats wrong about Hold Out, Jackson Brownes first studio album since The Pretender 1976, can be found in its climax: the spoken confession at the end of the last cut, Hold On Hold Out. To favorites 0 Download album. Hold Out 3. Jackson Browne. Listen album. Jackson Browne : Hold Out,альбом, рецезия, трек-лист, mp3, тексты песен. Although critically the album has not been as well received as other Browne recordings, it remains his only album to date to reach number 1 on the Billboard chart. Everything that's right and everything that's wrong about Hold Out, Jackson Browne's first studio album since The Pretender 1976, can be found in its climax: the spoken confession at the end of the last cut, Hold On Hold Out. Up until Jackson Browne 's sixth album, the singer-songwriter was pretty much adored by critics. Release Date: June 24, 1980. That Girl Could Sing. Its a measure of both the grandiosity and simplicity of Brownes intentions that this album comes down to his saying - without the aid of melody or harmony - I love you. Pop-Rock Soft Rock. Call It a Loan. Узнать больше. With Technicolor clarity, the drive of the drums, the zing of the string synthesizer and the shoulders-thrust-back momentum of the piano jump out at you-big and bright and basic. WMG ASCAP, LatinAutor, Wixen Music Publishing, Inc. Hold Out is a fine record perhaps his finest, overall. Time the Conqueror. If Jackson Browne had convincingly lowered the bar set by his first three albums on his fourth and fifth ones, his sixth, Hold Out, found him once again seeking some measure of satisfaction, albeit in reduced circumstances. Jackson Browne - Hold Out 1980. Eight minutes long, Hold On Hold Out is the LPs anthem, its farewell address and would-be summation. So, when Browne took a three-year break between records and resurfaced on June 24, 1980, with Hold Out , expectations were high from both critics and fans, who pushed Running on Empty to No. Hailed as one of the brightest artists of the '70s Los Angeles scene that spawned an entire genre of music in the decade, Browne grew bolder with each work. Everything that's right and everything that's wrong about Hold Out, Jackson Browne's first studio album since The Pretender 1976, can be found in its climax: the spoken confession at the end of the last cut, Hold On Hold Out. Hold Out - Jackson Browne. The song Of Missing Persons was written for Inara George, the daughter of Lowell George formerly of the band Little Feat, a songwriting collaborator and longtime friend of Jackson Browne's who died a year prior to the release. Call It A Loan 7. Duff lines war with taut ones. Of Missing Persons. Hold Out is a trade-off of such momentsRelated to Jackson Browne - Hold Out
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