Grizzly Bear - Painted Ruins Album

Tracklist

1	Systole	3:16
2	Sky Took Hold	5:33
3	Aquarian	4:18
4	Four Cypresses	4:48
5	Glass Hillside	4:54
6	Neighbors	4:44
7	Cut-Out	3:46
8	Three Rings	4:49
9	Losing All Sense	5:06
10	Mourning Sound	4:22
11	Wasted Acres	2:52

Credits

• Mastered By – Joe LaPorta
• Mixed By – Shawn Everett
• Performer, Written By – Grizzly Bear
• Producer, Mixed By – Chris Taylor

Notes

Gatefold cardsleeve with 16 page booklet
℗ & © 2017 Grizzly Bear Music.

Barcodes

• Barcode (Scanned): 889854357924
• Barcode (Text): 8 8985-43579-2 4
• Matrix / Runout (Variant 1): DIDX-1086406 1 A02
• Matrix / Runout (Variant 2): DIDX-1086406 1 A01
• Mastering SID Code (Variant 1 & 2): IFPI L328
• Mould SID Code (Variant 1): IFPI 50BK
• Mould SID Code (Variant 2): IFPI 50BJ

Companies

• Recorded At – Allaire Studios
• Recorded At – Vox Recording Studios
• Recorded At – Terrible Studios
• Mixed At – Eastwest Studios
• Mastered At – Sterling Sound
• Published By – Doomed Beauty Music
• Phonographic Copyright (p) – Grizzly Bear Music, LLC
• Copyright (c) – Grizzly Bear Music, LLC
• Licensed To – RCA Records
• Marketed By – Sony Music Entertainment
• Distributed By – Sony Music Entertainment
• Made By – Sony DADC

Short intro

Painted Ruins is the fifth studio album by American indie rock band Grizzly Bear as the follow-up to their 2012 album Shields. It was released on August 18, 2017 by RCA. Along with the announcement of the album, the band announced a fall European and North American tour. Grizzly Bear spent two years writing and recording for the album. Band member Chris Taylor produced Painted Ruins, with recording sessions occurring primarily at Allaire Studios in New York, but also at various locations around Los. Consider this: Though Painted Ruins is Grizzly Bears most synth-heavy and beat-driven album to date short of the Horn of Plenty remix collection, theres nothing here that approaches the pluck of Two Weeks, one of the catchiest hits of 00s indie rock. Mourning Sound certainly aims for a similar strain of driving pop power and comes as close to it as the album gets, with new wave synths and a steady beat. Страна: США. Songs in album Grizzly Bear - Painted Ruins 2017. Grizzly Bear - Wasted Acres. Grizzly Bear - Mourning Sound. Grizzly Bear - Four Cypresses. Grizzly Bear - Three Rings. Grizzly Bear - Losing All Sense Unavailable. Grizzly Bear - Aquarian. Grizzly Bear - Cut-Out. Grizzly Bear - Glass Hillside. Grizzly Bear - Neighbors. 4: Painted Ruins, Grizzly Bear continue to revel in the dynamic between relaxed and urgent. Breathy vocals, arrangements that move from stripped-down and subdued to grand and cathartic-it's all there. But theyve also found a new groove. Wasted Acres is bathed in lush, buzzing atmospheres, but its almost loungey swing fits like a worn-in pair of jeans. The intricate drumming that propels Three Rings also falls right in the pocket. But those newfound comforts are most apparent in the thrumming bass of the New Wave-kissed Mourning Sound and on Glass Hillside, where the band cha. Album after album, Grizzly Bears sound continues to grow, the songs themselves becoming more cryptic and advanced than ever. The Brooklyn band is always one step ahead of their audience, but never disappoints in making thorough albums that showcase every members skillset. For example, Chris Bears talent in modern percussion shines through more than ever before on Three Rings, and Drostes vocals are hugely instrumental to the LPs atmosphere, soaring above complex rhythms and harmonies, creating a soundscape that is present in every song. Painted Ruins - Grizzly Bear. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Listen free to Grizzly Bear Painted Ruins Wasted Acres, Mourning Sound and more. 11 tracks 48:24. A more than a welcome return, Painted Ruins is the album you suspect Grizzly Bear didn't think they'd ever make. Even its structure suggests an old-school album, beginning with the somber prologue Wasted Acres, which offers a welcome return to the band's postmodern chamber pop even as it mentions a Honda TRX 250 all-terrain-vehicle, and closes with the sweeping, brass-driven melancholy of Sky Took Hold