Giovanni Fontana / Enzo Minarelli - Polipoetry Issues Numero 2 Album

Tracklist

1	–Enzo Minarelli	Neotonemi Per Campane E Fruscii (Neotonemes For Bells And Rustles)	6:40
2	–Giovanni Fontana	Poema Larsen (Larsen Poem)	5:53

Notes

Second issue of 3Vitre Polypoetry series. Comes in threefold cardboard sleeve with small insert reading : "For a correct understanding of "Neotonemes for bells and rustles", Enzo Minarelli does recommend listening both 45 and 33 turns."

Includes liner notes by both artists in italian and english.

Limited edition of 500

Barcodes

• Matrix / Runout: EM - 0283 - A - 3-11-83
• Matrix / Runout: EM - 0283 - B - 3-11-83

Short intro

Born in 1951, Enzo Minarelli has been involved in relationships with sound, writing, and video since the early Seventies. He has published many books of poetry, among them: Poesie Doccaso Reggio Emilia,1993, El Poemméxico Mexico City 1988, Multipoesie Melogrammatiche Mulino di Bazzano 1981, as well as essays about the history of sound poetry in the twentieth century, such as Vocalità & Poesia Elytra 1995, and La Voce della Poesia - Vocoralità del Novecento Campanotto 2008. Giovanni Fontana, Enzo Minarelli - Polipoetry Issues Numero 2 7, Comp, Ltd. 3Vitre. Numero 2. 95 Votes: 337 Format: MP3 FLAC VOX MP4 MIDI. Voc ape aa ra. Other albums: Enzo Stuarti - Yours Is My Heart Alone. Songs in album Polipoetry Issues Numero 3: American Sound Poetry 1983. Ernest Robson - 17 Noises In Testicles Of An Old Giant. Bliem Kern - Ke Kee Kee Alahboo. Beth Anderson - I Wish I Was Single Again. Listen to music from Enzo Minarelli like First Polypoem for a Great Man: Genghis Khan, Lablingdent & more. Find the latest tracks, albums, and images from Enzo Minarelli. Track . by Enzo Minarelli. Digital Album. Streaming Download. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. All compositions and sounds: Enzo Minarelli. Mastered by Tom Hamilton. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word. He has been active in the field of linear and visual poetry, He was the publisher of the vinyl series 3ViTre Records, producing about twenty records both as 45s and LPs, and founding the 3ViTre Archive of Polypoetry which has been collecting verbo-voco-visual materials. Sound poetryphonetic poem with quite an electronicmusique concrete touch to it by C. Published on the Polipoetry Issues Numero 3 7 ep Minarelli. Questo è l'Archivio 3Vitre di Polipoesia creato da Enzo MInarelli nei primi anni Ottanta. Giovanni Fontana poesia epigenetica. Frédéric Develay artiste. Dante Losanna. Non-profit organisation. Opera Stravagante. Minarelli developed a Manifesto of Polypoetry, containing his theories of the performance of sound poetry, touching on the rhythms of language, exploitation of sounds and use of electronic media. Numero 3. His recordings also feature sound poetry performance artists from France, Italy, Portugal, Scandinavia, Spain and the United States. In the fall of 2008, Enzo Minarelli interviewed Sara Velez, Curator of the Sound Archives, for an article discussing the Rodgers & Hammerstein Archives of Recorded Sound, which was published, in the Juliet Art Magazine from Trieste, Italy. Giovanni Battista Fontana 15891630 was an early Baroque Italian composer and violinist. Fontana was born in Brescia, and worked there and in Rome, Venice, and Padua. He died in Padua during the plague of 162931. Nearly all information on Fontana comes from the preface by Fr. Giovanni Battista Reghino to his posthumously published 18 sometimes incorrectly stated 12 sonatas Sonate a . per il violino, o cornetto, fagotto, chitarone, violoncino o simile altro istromento, Venice: Bartolomeo. Giovanni Fontana poet. Giovanni Fontana 1946 is an Italian poet, performance artist, author and publisher. YouTube Encyclopedic. Fontana was born in Frosinone, Lazio. He has been dealing for forty years with multi-code languages, intermedia techniques, sound poetry and visual poetry. Interested in the relationship between the arts, he came to a new conception of text and theorized the concepts of pre-textual poetry and the epigenetic poetry. His visual compositions present themselves as real scores, as pre-texts through which to attain a performance dimension. From the latter half of the 60s he has