Giacomo Carissimi - Solistes, Choeurs & Orchestre De La Fondation Gulbenkian De Lisbonne, Michel Corboz - Jephté Et Trois Motets Album

Tracklist

1	Salve, Salve, Puellule
2	Trois Motets	(27:05)
3	O Quam Pulchra Es
4	O Vulnera Doloris
5	Jephté (Oratorio Pour Soli, Choeur Et Orchestre)	26:05

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
1C 065-28 299	Giacomo Carissimi - Orchestre De La Fondation Glubenkian De Lisbonne, Michel Corboz	Giacomo Carissimi - Orchestre De La Fondation Glubenkian De Lisbonne, Michel Corboz - Jephta Und Drei Motetten ‎(LP)	His Master's Voice, EMI Electrola	1C 065-28 299	Germany	1972

Credits

• Alto Vocals – Helena Claudio (tracks: A), Nicole Rossier (tracks: A)
• Baritone Vocals – Philippe Huttenlocher
• Choir – Choeurs De La Fondation Gulbenkian De Lisbonne
• Composed By – Giacomo Carissimi
• Conductor – Michel Corboz
• Engineer – Peter Willemoës
• Harp – Catherine Eisenhofer (tracks: A)
• Harpsichord – Cremilde Rosado Fernandes
• Liner Notes – Harry Halbreich
• Orchestra – Orchestre De La Fondation Gulbenkian De Lisbonne
• Organ – Antoine Sibertin-Blanc (tracks: B1 to B3)
• Soprano Vocals – Jennifer Smith , Joana Silva
• Tenor Vocals – Olivier Dufour (tracks: B1 to B3)

Notes

Gravure Universelle.

Distribution en France RCA.

Laminated gatefold jacket.

Liner notes in French

Short intro

Giacomo Carissimi - Jephté Et Trois Motets RAR arhchive FLAC version. Giacomo Carissimi - Jephté Et Trois Motets RAR archive WMA version. Size MP3 album: 1964 mb Size FLAC album: 1650 mb Size WMA album: 1430 mb. Jephté Oratorio Pour Soli, Choeur Et Orchestre. Trois Motets. Giacomo Carissimi - Orchestre De La Fondation Glubenkian De Lisbonne , Michel Corboz. Giacomo Carissimi - Orchestre De La Fondation Glubenkian De Lisbonne , Michel Corboz - Jephta Und Drei Motetten LP. His Master's Voice, EMI Electrola. Jephte Carissimi, Giacomo. First Publication. 1650 final chorus only. Giacomo Carissimi - Orchestre De La Fondation Glubenkian De Lisbonne , Michel Corboz - Jephté Et Trois Motets. 2 versionen. Claudio Monteverdi, Solistes , Ensemble Vocal & Orchestre De Chambre De Lausanne, Michel Corboz - Les Plus Beaux Madrigaux Vol. 3 versionen. Michel Corboz directs the Choeurs et Orchestre de la Fondation Gulbenkian de Lisbonne, a modern-instrument orchestra, in a recording of oratorios and other sacred choral works by Giacomo Carissimi 1605-1674. The works on this recording: 1. Historia de Ezechias, Oratorio. Tolle Sponza, Motet. Messe a Huit Voix. Historia di Abraham et Isaac, Oratorio. O Vulnera Doloris, Motet. Salve, Salve, Puellule, Motet. Choir Chœurs De La Fondation Gulbenkian De Lisbonne. Composed By Giacomo Carissimi. Contralto Vocals Hanna Schaer. Directed By Michel Corboz. Harpsichord Cremilde Rosado-Fernandes. Lute Manuel Morais. Organ Antoine Sibertin-Blanc. Recorded By Peter Willemoës. Sleeve Notes Carl De Nys. Soprano Vocals, Soloist Jennifer Smith , Karine Rosat. Tenor Vocals Fernando Serafim, John Elwes. Viola da Gamba Maria de Macedo. Violin, Soloist Carlos Laredo, Ortwin Noeth. Track carissimi gulbenkian orchestra michel corb ezechias, abraham et isaac, tolle sponza, messe a huit voix. Erato - STU 70762 - France - 1973. giacomo carissimi jephta und drei motetten michel corboz. His Master's Voice - Germany - 1C 065-28 299 - 1972. giacomo carissimi - solistes choeurs & orchestre jephté et trois motets. Erato - STU 70688 - France. Giacomo Carissimi Jephte Sacred Oratorio for 6 voices SSSATB, organ and basso continuo Composed: c. Jephte is based on the biblical text from Judges, but the oratorio uses a considerably expanded composed a playlist with the following 2 songs: Giacomo Puccini - Preludio Sinfonico. Giacomo Puccini Capriccio Sinfonico Claudio Scimone. Giacomo Puccini - Preludio Sinfonico. Giacomo Carissimi Italian pronunciation: listen baptized 18 April 1605 12 January 1674 was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of motets and cantatas. He was highly influential in musical developments in north European countries through his pupils and the wide