Get Up Kids, The - Something To Write Home About Album

Tracklist

1	Holiday
2	My Apology
3	The Company Dime
4	Out Of Reach
5	I'm A Loner Dottie, A Rebel
6	Close To Home
7	Long Goodnight
8	Ten Minutes
9	Valentine
10	Action & Action
11	I'll Catch You
12	Red Letter Day

Credits

• Band [The Get Up Kids Are] – James Dewees, Jim Suptic, Matthew Pryor, Robert Pope, Ryan Pope
• Co-producer – Alex Brahl, Chad Blinman
• Design, Layout – S. Spencer
• Engineer [Additional] – Alex Brahl
• Engineer [Assistant] – Dale Lawton
• Management – Rich Egan
• Mastered By – Ramon Breton
• Other [Booking] – Ellis Industries Booking
• Other [Legal] – Steve Nearemburg
• Producer – Get Up Kids, The
• Recorded By, Mixed By – Chad Blinman

Short intro

Something to Write Home About is the second full-length studio album by American rock band The Get Up Kids, released on September 21, 1999. The album was pro. Close To Home. The Get Up Kids. Something To Write Home About. Язык: Русский. Страна: США. Something To Write Home About - The Get Up Kids. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Something to Write Home About is the second studio album by American rock band The Get Up Kids, released on September 28, 1999. The album was produced by The Get Up Kids themselves, with co-producers Chad Blinman and Alex Brahl. Blinman also recorded and mixed the album, with Brahl assisting with additional engineering. Something to Write Home About is the first. The album was a financial success, peaking at 31 on Billboards Heatseekers 200 albums chart in North America, and gathered a great amount of critical acclaim. Something to Write Home About is the first Get Up Kids album to include James Dewees playing keyboards. Something to Write Home About Q&A. Close to Home. I'll Catch You. 12 Songs, 45 Minutes. Released: 21 Sep 1999. 2009 Vagrant Records. Under exclusive license to Hassle Records. More By The Get Up Kids. On a Wire. The Get Up Kids - Close to Home. The Get Up Kids - I'll Catch You. The Get Up Kids - Central Standard Time. Total votes: 7. D I think its really gonna happen this time. Bm C Our calls on the company dime. D Reluctance ties up the line. DF With irresponsibility. Interlude: G-D-C. Verse 1: C F Come tomorrow Ill be on my way back home G C F In the morning call from a roadside telephone C F One night doesnt mean the rest of my life. Chorus: G F G Am Em F If I go its not impossible G Am C F G Possible is probably wrong. Am Em So, let go. It must be tough being The Get Up Kids. Being accused of completely killing the world of emo is we know it. Well, that seems a little harsh, but the Kansas kids have always been compared to the term emo. I don't really understand why, since they music is incredibly poppy. Nevertheless, it was this album that got them that status. Valentine is the first real big highlight of the album, and a look at how The Kids can write such beautiful poetry. Your good intentions count for little anymore. If you're sorry why wage war are sung powerfully and almost effortlessly while the music feels like another track in itself. The Get Up Kids are a Kansas City-based American emo band. Formed in 1995, the band was a major player in the mid-90's emo scene, otherwise known as the second wave of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad read more. The Get Up Kids write from assumption, not passion. Each song is about missing, wanting, or needing a girl who is typically a world away. I'd like to get into the impossibilities and improbabilities of two people actually being a world away, but I'll let the obviously empty cliché fight for itself. I'd rather focus on meaningless lyrics masquerading as poetic insight, such as I smuggle myself into new nationalities. Yet, a merchandise catalog falls out of Something to Write Home About upon opening. The band's decision to not sign with a major just makes them seem financially inept in addition to their musical shortcoming. You guys, just sell out Independent music does not need you