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Felix Kubin - The Tetchy Teenage Tapes Of Album

Felix Kubin - The Tetchy Teenage Tapes Of Album
Performer: Felix Kubin
Title: The Tetchy Teenage Tapes Of
Country: France
Genre: Electronic
Style:Electro, Experimental
Released: 2003
Catalog number: skipp 005
Label: Ski-pp
MP3 album szie: 2867 mb
FLAC album size: 1621 mb

Tracklist

1Klaustrophobie
2Hans, Der Ist Nicht Artig
3Brandstiftung
4Dreamer's Traum
5Squeaky Noise
6Japan Japan
7Mono Vomit
8Gelegenheitsexperiment 1
9Qualität des Staates
10What about?
11Krematorien
12Fremdzeitig
13Fernsehpropheten

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
a23Felix Kubin The Tetchy Teenage Tapes Of ‎(LP)A-Musika23Germany2003

Short intro

Album 2003 15 Songs. Teenage Tapes. Suppe für die Teenage Tapes by Felix Kubin, released 04 April 2019 1. Japan Japan 2. Agitabo 3. The Germans 4. Melancholia 5. Krematorien 6. Calling My Brain 8. Sie Traumen Alle 9. Gelegenheitsexperiment 10. Hans, Der Ist Nicht Artig 11. Qualitat Des Staates 12. Kunststoff Version. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Buy Digital Album. 11 USD or more. RecordVinyl Digital Album. Minimal Wave is proud to present Teenage Tapes, an LP of selections from the early tape archives of Felix Kubin. Felix Kubin born Felix Knoth 1969 in Hamburg, West Germany is an electronic musician. He has been involved with music since he was 8 years old, when he studied piano, organ and glockenspiel. His youthful experiments took off in 1980 when he got a Korg MS-20 synthesizer. The Tetchy Teenage Tapes of Felix Kubin 1981-85 - LPCD, A-Musik, Skipp 2002. I hate art galleries - 7, Meeuw Muzak 2003. Die kulturelle Revolution - 7, A-Musik 2003. The best album by Felix Kubin is Jetlag Disko which is ranked number 23326 in the list of all-time albums with a total rank score of 35. Felix Kubin album bestography. Higher ranked 65,613th This album 69,808th Lower ranked 96,248th Atoma Exi MonoThe Tetchy Teenage Tapes Of Felix KubinTXRF. Upcoming concerts. The Tetchy Teenage Tapes Of Felix Kubin favourites. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2003 CD от The Tetchy Teenage Tapes Of на Kubin. Release Date 2003-03-01. Label A-Musik. Catalog A23. Die Fahigkeit Des Korpers Original Mix. Felix Kubin. Electronica, Downtempo. C min. Listen free to Felix Kubin The Tetchy Teenage Of Tapes Mono Vomit, Squeaky Noise and more. 13 tracks 34:59. Felix Kubin - Teenage Tapes 2012. To favorites 0 Download album. Listen album. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Teenage Tapes, 2012. Japan Japan, 02:14. Agitabo, 02:51. Felix Kubin: Electronic musician. His early works have been released under the title The Tetchy Teenage Tapes of Felix Kubin. During this time he also played in a punk band Die Egozentrischen 2. In 1987 Felix Kubin co-founded an experimental noise group Klangkrieg with Tim Buhre
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Reviews: (1)
Shaktiktilar
Shaktiktilar
„ Step into my trap, for we’re all insane“ (Die Egozentrischen 2, 1982) The idea for the release came about as I was making a minidisk recording of German electronic music, for my friends of SKIPP label and as a gag mixed in some of earlier pieces on tape. My answer to the question, of what it be, knocked them off their feet: “And the high voice… that’s YOU?” Once they asked me if I had any other material, I sent them a load of pieces, of which they then chose their favorites for a CD. For the planned LP version for A-Musik of Cologne, we followed the same pattern. So different were the results, that this lead to two variations for “Tetchy Teenage Tapes”. The cut amount From LP to CD lays around the 50%. I’m quite aware that my “Teenage Tapes” represent a load of nervous wreck. As I on rainy Sunday afternoons in the living room, with the help of my 4 track recorder, several synthesizers, an extra large and lousy electronic home organ and a drum computer, recorded I was far from a voice brake. With this music I wasn’t about to impress neither girls nor people of my same age. That what I did was defined as “idiot music”. However there was a small circle of friends whom my action stimulated, who also wanted to then make music. It had to sound weird and experimental. As a consequence, an absurd scene of kid bands evolved, in my suburb outside of Hamburg, with names like “Voll die Goennung”, “Intensive Styroporsymbole”, “Rekonstruirtes Relativpronomen” (no misspelling and no translation) and “Universum”; excluded mainly from the public. Along with these many a funny instrument came to use of hand, from mini Casio keyboards to old beat-up acoustic guitars all the way to objects totally foreign to music such as rulers, night-stand lamps and detergent-box drums. One of the most original inventions was the so-called “Dosophon” (Can-o-phone). A drum set composed of tin cans for candy, by my co-musician Stefan Mohr, whom I then performed with in several small clubs and galleries, as the “Egozentrischen 2” (“Egocentric 2“). By more or less coincidence, we came upon in 1983, the punk-pope Alfred Hilsberg. He saw one of our concerts at the Hamburger Hafenklangstudio and was impressed to see how we managed to, within 20 minutes, chase all visitors out the hall. Hilsberg offered us many gigs at his festivals, for example: “In der Hitze der Nacht” (“In the heat ot the night”), 1985 with Rainald Goetz, Freiwillige Selbstkontrolle, Dietrich Diederichsen, Kosmonautentraum, Hometaping Is Killing Music and others. We gladly accepted. For years he had promised to bring out our record, by his renowned label Zick-Zack, but we came two years too late. He had too little money for big experiments. The dream of German underground music had already been dreamt. When I now hear these old recordings, I get a little dizzy. I was a hyperactive child, which can be heard. The pieces are way too fast, especially considering that in the 1980’s the common fuck-tempo was 120 BPM and not, as now days, 125 BPM. The time wasn’t then yet quite ripe for Speed Metal and Gabba. Therefore, however, the readiness to listen to nerve exterminating music was greater back then, than it is now. This stuff was, in any case, not fitting for use in restaurants and hotel elevators. Today less than ever. The lyrics also make an unusual feeling come over me. What must have been going through my mind there? Meanwhile, I’m certain that kids function like mediums in séances, they soak up every happening of their point in time in a twisted, yet clairvoyant manner which in turn is sent back to the outside world. That this sometimes manifests itself as a nightmare lies in the psychoanalytical tradition of Surrealism. This Surrealism was acted out on the behalf of naïve pride. We were monster kids of monster times. We considered ourselves young foreskin of Anti-pop, who grind accumulated aggression and the information floods of our environment away through music. Along with this came that at the beginning of the 1980’s a unique feeling of freedom and confidence came about the German underground scene, triggered by Punk, Neue Deutsche Welle, the Berliner Geniale Dilletanten and many other factors. A do-it-yourself climate, which set lot’s of energy free never letting a single doubt over its actions come about. So let us dive into the old ocean of resentment and old listening habits, only to scream along with every wrong tone, much like ripped out sirens after the electric Grandmother. Felix Kubin Hamburg, 9.9.2002 translated by Barbara Brockhaus
3 trax are by Egozentrischen 2 (with Stefan Mohr,from their Grotesk k7 release/label)& most others by Felix Kubin under his early X2 pseudonym.Shouldn't this compilation be under Egozentrischen Zwei?