Daft Punk - TRON: Legacy Reconfigured Album

Tracklist

1	Rinzler (Remixed By Kaskade) Remix – Kaskade
2	Fall (Remixed By M83 Vs. Big Black Delta) Remix – Big Black Delta, M83
3	Encom Part 2 (Remixed By Com Truise) Remix – Com Truise
4	C.L.U. (Remixed By Paul Oakenfold) Remix – Paul Oakenfold
5	End Of Line (Remixed By Boys Noize) Remix – Boys Noize
6	Arena (Remixed By The Japanese Popstars) Remix – The Japanese Popstars
7	Solar Sailer (Remixed By Pretty Lights) Remix – Pretty Lights
8	The Grid (Remixed By The Crystal Method) Remix – The Crystal MethodVoice [Uncredited] – Jeff Bridges
9	The Son Of Flynn (Remixed By Ki:Theory) Remix – Ki:Theory
10	Derezzed (Remixed By The Glitch Mob) Remix – The Glitch Mob
11	End Of Line (Remixed By Photek) Remix – Photek
12	Adagio For TRON (Remixed By Teddybears) Remix – Teddybears
13	Derezzed (Remixed By Avicii) Remix – Avicii
14	The Son Of Flynn (Remixed By Moby) Remix – Moby
15	TRON Legacy (End Titles) (Remixed By Sander Kleinenberg) Remix – Sander Kleinenberg

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
none	Daft Punk	TRON: Legacy Reconfigured ‎(15xFile, AAC, Album, 256)	Walt Disney Records	none	US	2011
none	Daft Punk	TRON: Legacy Reconfigured ‎(15xFile, AAC, Album, 256)	Walt Disney Records	none	Australia & New Zealand	2011
5099902746128	Daft Punk	TRON: Legacy Reconfigured ‎(CD, Album)	Walt Disney Records	5099902746128	Europe	2011
D001354002	Daft Punk	TRON: Legacy Reconfigured ‎(CD, Album)	Walt Disney Records	D001354002	Argentina	2011
none	Daft Punk	TRON: Legacy Reconfigured ‎(15xFile, MP3, Album, 192)	Walt Disney Records	none	Europe	2011

Credits

• Music By – Daft Punk

Notes

Numbered & watermarked CDr with custom printed artwork and disc label in standard CD jewel box .
The registered recipient's information has been blurred in image of the disc.

SECURITY ADVANCE DO NOT DUPLICATE D001354002

Companies

• Phonographic Copyright (p) – Walt Disney Records

Short intro

Tron: Legacy Reconfigured stylized on the album artwork as Tron: Legacy R3C0NF1GUR3D is a remix album of music by Daft Punk, released by Walt Disney Records on April 5, 2011. The album features remixes of selections of the Tron: Legacy film score by various contemporary electronic musicians. Tron: Legacy Reconfigured charted in several countries and peaked at number one in the Billboard DanceElectronic chart. Album 2011 15 Songs. TRON: Legacy Reconfigured. Daft Punk. Soundtrack 2011. Derezzed Remixed by The Glitch Mob. Daft Punk & The Glitch Mob. Tron: Legacy Reconfigured also known as Tron: Legacy R3C0NF1GUR3D or RECONFIGURED is a 2011 remix album featuring remixes of selections from the Tron: Legacy Soundtrack, by notable electronic artists. It was released April 5 to coincide with the movie's release in DVD. Categories: Tron: Legacy. Remix albums. Community content is available under CC-BY-SA unless otherwise noted. Daft Punk - End Of Line Tame : Legacy Reconfigured. Daft Punk Format: Audio CD. Please retry. 2011 release, a remixed and reconfigured version of Daft Punk's mind-blowing soundtrack. TRON: Legacy is a 3D high-tech adventure set in a digital world that's unlike anything ever captured on the big screen. The original motion picture score for TRON: Legacy debuted on the Billboard 200 at 10. Title is styled TRON LEGACY R3C0NF1GUR3D on cover. Teddybears appear courtesy of Atlantic Records Group Boys Noize appears courtesy of Boysnoize Records The Japanese Popstars appear courtesy of Virgin Records. All music published by Wonderland Music Company, Inc. Dialog on The Grid and Tron Legacy End Titles from the motion picture Tron: Legacy. Summary: Daft Punk's new remix release takes the original Tron movie soundtrack and enlists a bunch of A-list producers to rework the album, including Moby, The Crystal Methon, and Kaskade. Buy On. Record Label: Walt Disney. Daft Punk's TRON: Legacy work gets remixed by an odd crossection of producers, including Moby, Paul Oakenfold, Photek, and the Crystal Method. Their last proper album, 2005's Human After All, was poorly sequenced and way too long, full of tracks that were just blandly, grindingly repetitive. It was almost anti-pop but not in a truly out-there way. Good for DJs, in other words, and bad for those of us playing along at home