Claude Debussy - The Debussy Edition Album
Tracklist
| 1 | II Sarabande |
| 2 | Deux Danses Pour Harpe Et OrchestreHarp – Vera Badings |
| 3 | Préludes IIe LivrePiano – Krystian Zimerman |
| 4 | KhammaOrchestrated By [Orch. In Collaboration With] – Charles Koechlin |
| 5 | Marche Écossaise Sur un Thème Populaire |
| 6 | Fêtes |
| 7 | Le Martyre De Saint Sébastien / Trois Chansons De Charles D'Orléans |
| 8 | I Prologue |
| 9 | Suite BergamasquePiano – Zoltán Kocsis |
| 10 | Images Pour Orchestre |
| 11 | Les Papillons |
| 12 | Mazurka |
| 13 | Valse Romantique |
| 14 | IX Hommage À S.Pickwick, Esq. P.P.M.P.C. |
| 15 | III Finale. Très Animé |
| 16 | VI Pour Les Huit Doights |
| 17 | VI «General Lavine» - Eccentric |
| 18 | III Dialogue Du Vent Et De La Mer |
| 19 | I Lent (Mélancolique Et Doux) |
| 20 | IV Ballet |
| 21 | I Andantino Con Moto |
| 22 | VI Golliwogg's Cakewalk |
| 23 | Symphonie En Si MineurPiano – Alfons & Aloys Kontarsky |
| 24 | Deux Romances |
| 25 | V Pour Les Octaves |
| 26 | I Pastorale |
| 27 | I Prélude |
| 28 | II Ibéria: 1. Par Les Rues Et Par Le Chemins |
| 29 | IV Après Fortune Faite |
| 30 | I En Sourdine |
| 31 | II Placet futile |
| 32 | Le Martyre De Saint Sébastien Chorus – Union Chorale De La Tour De PeilzConductor – Ernest AnsermetContralto Vocals – Marie Lise De Montmollin, Nancy WaughOrchestra – Orchestre De La Suisse RomandeSoprano Vocals – Suzanne Danco |
| 33 | I Magasin De Jouets |
| 34 | Ballade |
| 35 | Sonate Pour Violon Et PianoPiano – Maria João PiresViolin – Augustin Dumay |
| 36 | Danse (Tarentelle Styrienne)Orchestrated By – Maurice Ravel |
| 37 | Pelléas Et MélisandeChorus – Konzertvereinigung Wiener StaatsopernchorChorus Master – Helmuth FroschauerConductor – Claudio AbbadoLibretto By – Maurice MaeterlinckMusical Assistance, Other [French Language Coach] – Claire GibaultOrchestra – Wiener PhilharmonikerVocals [Arkel] – Jean-Philippe CourtisVocals [Geneviène] – Christa LudwigVocals [Golaud] – José van DamVocals [Mélisande] – Maria EwingVocals [Pelléas] – François Le Roux |
| 38 | Au Lieutenant Jacques Charlot Tué À L'Ennemi En 1915, Le 3 Mars |
| 39 | NocturnesChorus – The Ladies Of The Cleveland Orchestra ChorusChorus Master – Gareth Morrell |
| 40 | Le Lilas |
| 41 | Noël Des Enfants Qui N'Ont Plus De Maison |
| 42 | Quatrième Acte |
| 43 | III Menuet |
| 44 | Fêtes Galantes Ier Recueil |
| 45 | Chamber Music |
| 46 | II Lorsqu'Elle Est Entrée |
| 47 | RêveriePiano – Zoltán Kocsis |
| 48 | Dans Le Jardin |
| 49 | VIII Ondine |
| 50 | Recueillement |
| 51 | I De L'Aube À Midi Sur La Mer |
| 52 | La Grotte (Trois Chansons De France) |
| 53 | L'Archet |
| 54 | Chansons De Bilitis |
| 55 | IV Les Fées Sont D'Exquises Danseuses |
| 56 | L'Échelonnement Des Haies |
| 57 | Orchestral Works |
| 58 | III Clair De Lune |
| 59 | Petite SuitePiano – Alfons & Aloys Kontarsky |
| 60 | SyrinxFlute – Wolfgang Schulz |
| 61 | De Rêve |
| 62 | IX Pour Les Notes Répétées |
| 63 | III Toccata |
| 64 | V Bruyères |
| 65 | Spleen |
| 66 | IV Très Modéré |
| 67 | IV The Snow Is Dancing |
| 68 | IX La Sérénade Interrompue |
| 69 | Les Angélus |
| 70 | Le Promenoir Des Deux Amants |
| 71 | I Soupir |
| 72 | Images Ière SériePiano – Arturo Benedetti Michelangeli |
| 73 | III Final |
| 74 | III Rondes De Printemps |
| 75 | The Little Nigar |
| 76 | IV Pour La Danseuse Aux Crotales |
| 77 | Aimons-Nous Et Dormons |
| 78 | III Finale |
| 79 | Tragédie |
| 80 | En Blanc Et NoirPiano – Alfons & Aloys Kontarsky |
| 81 | Préludes Ier LivrePiano – Krystian Zimerman |
| 82 | Sonate Pour Violoncelle Et PianoCello – Mischa MaiskyPiano – Martha Argerich |
| 83 | I La Cour Des Lys |
| 84 | Page D'AlbumPiano – Zoltán Kocsis |
| 85 | Pour Le PianoPiano – Zoltán Kocsis |
| 86 | II Cortège |
| 87 | I En Bateau |
| 88 | Trois Ballades De François VillonText By [Poetry] – François Villon |
| 89 | I Cloches À Travers Les Feuilles |
| 90 | Cinq Poèmes De Baudelaire |
| 91 | I La Flûte De Pan |
| 92 | Jane |
| 93 | I Doctor Gradus Ad Parnassum |
| 94 | La Mer Est Plus Belle |
| 95 | Andante Ma Non troppo - Allegro Giusto |
| 96 | X Canope |
| 97 | I Danseuses De Delphes |
| 98 | Romance («L'Âme Évaporée Et Souffrante») |
| 99 | Trois Mélodies De VerlaineText By [Poetry] – Verlaine |
| 100 | II Danse Profane |
| 101 | Trois Poème De Stèphane MallarméText By [Poetry] – Stéphane Mallarmé |
| 102 | XI La Danse De Puck |
| 103 | La Mer |
| 104 | De Fleurs |
| 105 | II Hommage À Rameau |
| 106 | I'Isle JoyeusePiano – Friedrich Gulda |
| 107 | I Dieu! Qu'Il La Fait Bon Regarder! |
| 108 | XII Feux D'Artifice |
| 109 | III La Bergerie À Vendre |
| 110 | Proses Lyriques |
| 111 | Premier Acte |
| 112 | Bonus CD |
| 113 | Romance («Silence Ineffable De L'Heure») |
| 114 | Masques |
| 115 | III Le Tombeau Des Naïades |
| 116 | Six Épigraphes AntiquesPiano – Alfons & Aloys Kontarsky |
| 117 | II Quant J'Ai Ouy Le TabourinSoprano Vocals – Nicola Jenkin |
| 118 | La Grotte |
| 119 | I Auprès De Cette Grotte simbre |
| 120 | Printemps |
| 121 | III Quelques Aspects De «Nous N'Irons Plus Au Bois» |
| 122 | Fantaisie Pour Piano Et OrchestrePiano – Jean-Rodolphe Kars |
| 123 | L'Isle JoyeusePiano – Zoltán Kocsis |
| 124 | Première Rhapsodie Pour Clarinette Et OrchestreClarinet – Franklin Cohen |
| 125 | Paysage Sentimental |
| 126 | II Ibéria: 2. Le Parfums De La Nuit |
| 127 | III Andantino, Doucement Expressif |
| 128 | La Mort Des Amants |
| 129 | Troisième Acte (Cont.) |
| 130 | Il Dort Encore |
| 131 | I Ballade De Villon À S'Amye |
| 132 | Deux ArabesquesPiano – Zoltán Kocsis |
| 133 | Il Pleure Dans Mon Coeur |
| 134 | La Belle Au Bois Dormant |
| 135 | II Menuet |
| 136 | Les Roses |
| 137 | I Bruillards |
| 138 | V Pour L'Égyptienne |
| 139 | Nuages |
| 140 | Douze ÉtudesPiano – Mitsuko Uchida |
| 141 | Cinquième Acte |
| 142 | II Ibéria: 3. Le Matin D'Un Jour De Fête |
| 143 | L'Ombre Des Arbes |
| 144 | VIII La Fille Aux Cheveux De Lin |
| 145 | Chevaux De Bois |
| 146 | II Feuilles Mortes |
| 147 | Danse Bohémienne |
| 148 | I Pour Les «Cinq Doigts» - D'Après Monsieur Czerny |
| 149 | III Je Tremble En Voyant Ton Visage |
| 150 | Trois Chansons De Charles D'OrléansChorus – The Monteverdi ChoirConductor – John Eliot GardinerSoprano Vocals – Suzanne FlowersTenor Vocals – Neil McKenzieText By [Poetry] – Charles d'Orléans |
| 151 | I Gugues |
| 152 | Rondel («Pour Ce Que Plaisance Est Morte») |
| 153 | Les Cloches |
| 154 | Nuits Blanches |
| 155 | La Romance D'Ariel |
| 156 | III Ballade Des Femmes De Paris |
| 157 | Beau Soir |
| 158 | VII La Terrasse Des Audiences Du Clair De Lune |
| 159 | II Souvenir Du Louvre (Sarabande) |
| 160 | III Pour Que La Nuit Soit Propice |
| 161 | IV Passepied |
| 162 | II Et La Lune Descend Sur Le Temple Qui Fut |
| 163 | Sonate En TrioFlute – Wolfgang Schulz Harp – Margit-Anna SüssViola – Wolfram Christ |
| 164 | Nuit D'Étoiles |
| 165 | La Damoiselle Élue |
| 166 | La Boîte À JoujouxConductor – Ernest AnsermetOrchestra – Orchestre De La Suisse RomandeOrchestrated By – André Caplet |
| 167 | D'Un Cahier D'EsquissesPiano – Zoltán Kocsis |
| 168 | Ballade Que Villon Feit À La Request De Sa Mère Pour Prier Nostre-Dame (Trois Ballades De François Villon)Text By [Poetry] – François Villon |
| 169 | Rondel («le Temps A Laissé Son Manteau») |
| 170 | I Pagodes |
| 171 | I Danse Sacrée |
| 172 | II Jimbo's Lullaby |
| 173 | Fête Galante |
| 174 | Sérénade |
| 175 | V The Little Shepherd |
| 176 | I Animé Et Très Décidé |
| 177 | VII Ce Qu'A Vu Le Vent D'Ouest |
| 178 | III Le Vent Dans La Plaine |
| 179 | II Sérénade |
| 180 | Ariettes Oubliées |
| 181 | Green |
| 182 | I Pour Invoquer Pan, Dieu Du Vent D'Été |
| 183 | X La Cathédrale Engloutie |
| 184 | Solo Piano Works |
| 185 | II Le Faune |
| 186 | De Soir |
| 187 | Fêtes Galantes IIe Requeil |
| 188 | II Interlude |
| 189 | III Éventail |
| 190 | IV Pour Les Sixtes |
| 191 | Images IIe SériePiano – Arturo Benedetti Michelangeli |
| 192 | VI Des Pas Sur La Neige |
| 193 | XII Minstrels |
| 194 | I Allegro vivo |
| 195 | I Nuit Sans Fin |
| 196 | Troisième Acte |
| 197 | III Colloque Sentimental |
| 198 | V Le Collines D'Anacapri |
| 199 | Le Son du Cor S'Afflige |
| 200 | I Très Modéré |
| 201 | II Crois Mon Conseil, Chère Chimène |
| 202 | En Sourdine (1ère Version) |
| 203 | Quatuor À CordesEnsemble – Melos Quartett |
| 204 | Berceuse Héroïque |
| 205 | I Reflets Dans L'Eau |
| 206 | III le Concile Des Faux Dieux |
| 207 | III Serenade For The Doll |
| 208 | Lento E Molto Espressivo |
| 209 | Cortège Et Air De Dance (L'Enfant Prodigue)Piano – Alfons & Aloys Kontarsky |
| 210 | Triolet À Philis (Zéphyr) |
| 211 | Nocturne |
| 212 | Prélude À L'Après-Midi D'Un Faune |
| 213 | IV Le Laurier Blessé |
| 214 | Sept Poèmes De BanvilleText By [Poetry] – Banville |
| 215 | Le Jet D'Eau |
| 216 | II Allegretto Scherzando |
| 217 | XI Les Tierces Alternées |
| 218 | II La Soirée Dans Grenade |
| 219 | Mandoline |
| 220 | Trois Chansons De France |
| 221 | III Jardins Sous La Pluie |
| 222 | VII Pour Les Degrés Chromatiques |
| 223 | EstampesPiano – Zoltán Kocsis |
| 224 | Works For Piano Duet & Two Pianos |
| 225 | III Mouvement |
| 226 | Regret |
| 227 | II Le Champ De Bataille |
| 228 | Deuxième Acte |
| 229 | Rêverie |
| 230 | Souhait |
| 231 | Mélodies |
| 232 | X Pour Les Sonorités Opposées |
| 233 | Flots, Palmes, SablesHarp – Justine Jumez-Caro |
| 234 | BalladePiano – Alfons & Aloys Kontarsky |
| 235 | II Pour Un Tombeau Sans Nom |
| 236 | III Yver, Vous N'Estes Qu'Un VillainAlto Vocals – Frances JellardBass Vocals – Julian Clarkson |
| 237 | À Mon Ami A. [Sic] koussevitzky |
| 238 | Le Balcon |
| 239 | C'Est L'Extase Landoureuse |
| 240 | VIII Pour Les Agréments |
| 241 | II Pour Les Tierces |
| 242 | II Intermède. Fantasque Et Léger |
| 243 | Images OubliéesPiano – Zoltán Kocsis |
| 244 | II Voiles |
| 245 | II Assez Vid Et Bien Rythmé |
| 246 | Jeux |
| 247 | Harmonie Du Soir |
| 248 | II La Chevelure |
| 249 | Clair De Lune (1ère Version) |
| 250 | III Pour Les Quartes |
| 251 | Madrid |
| 252 | Sirènes |
| 253 | XI Pour Les Arpèges Composés |
| 254 | III La Puerta Del Vino |
| 255 | II Ballade Que Villon Feit À La Request De Sa Mère Pour Prier Nostre-Dame |
| 256 | II Fantoches |
| 257 | Apparition |
| 258 | II La Chambre Magique |
| 259 | III Poissons D'Or |
| 260 | Caprice |
| 261 | Air De Lia «L'Année En Vain Chasse L'Année» (L'Enfant Prodigue)Conductor – Anatole FistoulariSoprano Vocals – Inge Borkh |
| 262 | Hommage À HaydnPiano – Zoltán Kocsis |
| 263 | De Grève |
| 264 | VI Pour Remercier La Pluie Au Matin |
| 265 | IV «Les Sons Et Les Parfums Tournent Dans L'Air Du Soir» |
| 266 | Romance («Voici Que Le Printemps» |
| 267 | I Les Ingénus |
| 268 | Children's CornerPiano – Arturo Benedetti Michelangeli |
| 269 | II Jeux De Vagues |
| 270 | V Le Paradis |
| 271 | XII Pour Les Accords |
| 272 | LindarajaPiano – Alfons & Aloys Kontarsky |
| 273 | À Mon Ami Igor Stravinsky |
| 274 | II Modéré |
Credits
- Art Direction – Fred Münzmaier
- Baritone Vocals – Gérard Souzay (tracks: 18-13 to 18-15)
- Booklet Editor – Manuela Amadei, Texthouse
- Chorus – Solistes Des Chœurs De Lyon (Voix De Femmes) (tracks: 12-1 to 12-14)
- Chorus Master – Bernard Tétu (tracks: 12-1 to 12-14)
- Conductor – Sir Alexander Gibson (tracks: 3-1, 3-2), Bernard Haitink (tracks: 3-3 to 3-5), Édouard Lindenberg (tracks: 18-13 to 18-15), Eduard van Beinum (tracks: 3-6), Pierre Boulez (tracks: 1-1 to 1-8, 2-1 to 2-8), Riccardo Chailly (tracks: 3-7, 3-8)
- Coordinator [Recording] – Gilles Chevalier (tracks: 14-1 to 14-22)
- Engineer [Balance / Mono] – Gil Went (tracks: 18-1 to 18-4), Kenneth Wilkinson
- Engineer [Balance] – Andrew Rosner (tracks: 3-1, 3-2), Heinz Wildhagen (tracks: 6-1 to 6-12, 10-1 to 10-4), Helmut Burk (tracks: 4-1 to 4-12, 5-1 to 5-12, 10-5 to 10-7), John Dunkerley (tracks: 3-7, 3-8), Klaus Hiemann (tracks: CD15, CD16), Klaus Scheibe (tracks: 9-1 to 9-17), Onno Scholtze (tracks: 8-14 to 8-20), Roy Wallace (tracks: 17-1 to 17-5), Roy Wallace (tracks: 18-1 to 18-4), Takashi Sakurai (tracks: 10-8 to 10-10), Wolfgang Mitlehner (tracks: 10-11 to 10-14)
- Engineer [Recording] – Christian Prévot (tracks: 13-1 to 13-23), Laurent Pélissier (tracks: 14-1 to 14-22), Manuel Mohino (tracks: 12-1 to 12-14), Musica Numeris (tracks: 12-1 to 12-14), Nicolas Bartholomée (tracks: 11-1 to 11-16), Philippe Pélissier (tracks: 14-1 to 14-22)
- Executive-Producer – Alison Ames (tracks: 1-4, 2-1 to 2-8), Christopher Alder (tracks: 10-5 to 10-7), Dr. Rudolf Werner (tracks: 9-1 to 9-17), Ewald Markl (tracks: 10-8 to 10-10), Hanno Rinke (tracks: 4-1 to 4-12, 5-1 to 5-12), Karl Faust (tracks: 6-1 to 6-12), Martin T:son Engstroem (tracks: 10-8 to 10-10), Roger Wright (tracks: 1-1 to 1-3, 1-5 to 1-8), Dr. Steven Paul (tracks: 10-11 to 10-14), Yann Ollivier (tracks: 14-1 to 14-22)
- Liner Notes – Roger Nichols
- Mezzo-soprano Vocals – Doris Lamprecht (tracks: 12-1 to 12-14)
- Orchestra – Royal Concertgebouw Orchestra (tracks: 3-3 to 3-8), Orchestre De La Société Des Concerts Du Conservatoire (tracks: 18-13 to 18-15), The Cleveland Orchestra (tracks: 1-1 to 1-8, 2-1 to 2-8), London Symphony Orchestra (tracks: 3-1, 3-2, 18-16)
- Piano – Daniel Éricourt (tracks: 18-6 to 18-12), Emmanuel Strosser (tracks: 13-1 to 13-23, 14-1 to 14-22), Philippe Cassard (tracks: 11-1 to 11-16, 12-1 to 12-14)
- Producer – Andrew Cornall (tracks: 3-7), Arend Prohmann (tracks: 10-5 to 10-7), Christopher Alder (tracks: CD15, CD16), Christopher Raeburn (tracks: 3-8), Dr. Rudolf Werner (tracks: 10-1 to 10-4), Erik Smith (tracks: 18-6), James Mallinson (tracks: 3-1, 3-2), James Walker (tracks: 18-1 to 18-4), Julien Azaïs (tracks: 11-1 to 11-16, 12-1 to 12-14, 13-1 to 13-23), Karl-August Naegler (tracks: 1-1 to 1-8, 2-1 to 2-8), Louwrens Langevoort (tracks: 7-1 to 7-12), Rainer Brock (tracks: 6-1 to 6-12), Sid McLauchlan (tracks: 10-8 to 10-12), Victor Olof (tracks: 17-1 to 17-5), Werner Mayer (tracks: 9-1 to 9-17), Wilhelm Hellweg (tracks: 7-1 to 7-12, 8-14 to 8-20), Wolfgang Mitlehner (tracks: 10-11 to 10-14)
- Producer [Recording] – Helmut Burk (tracks: 4-1 to 4-12, 5-1 to 5-12)
- Product Manager [Project Manager] – David Butchart
- Research, Compiled By – Alan Newcombe
- Soprano Vocals – Véronique Dietschy (tracks: 11-1 to 11-16, 12-1 to 12-14, 13-1 to 13-23, 14-1 to 14-22)
Notes
CD1 & CD2Recordings: Cleveland Masonic Auditorium, 3/1991 (tracks 1-4, 2-1 to 2-8) & 3-1993 (tracks 1-1 to 1-3, 1-5 to 1-8).
(P) 1992 (tracks 1-4, 2-1 to 2-8) / 1995 (tracks 1-1 to 1-3, 1-5 to 1-8) Deutsche Grammophon GmbH, Berlin
CD3
Recordings: Amsterdam, Concertgebouw, Grote Zaal, 1957 (track 3-6), 12/1976 (track 3-5), 8/1986 (track 3-8),
12/1994 (track 3-7); London, Kingsway Hall, 5/1969 (tracks 3-1, 3-2), 12/1977 (tracks 3-3, 3-4).
(P) 1958 (track 3-6) / 1977 (track 3-5) / 1978 (tracks 3-3, 3-4) Universal International Music B.V.
(P) 1970 (tracks 3-1, 3-2) / 1987 (track 3-8) / 1995 (track 3-7) Decca Music Group Limited.
Publisher: Durand & Cie., Paris (track 3-7).
CD4 & CD5
Recordings: Kassel, Stadhalle, Festsaal, 8/1991 (tracks 4-1 to 4-12, 5-1 to 5-12).
(P)1994 (tracks 4-1 to 4-12, 5-1 to 5-12) Deutsche Grammophon GmbH, Berlin.
CD6
Recordings: Munich, Residenz, Plenarsaal der Akademie der Wissenchaften, 7-8/1971 (tracks 6-1 to 6-12).
(P) 1971 (tracks 6-1 to 6-12) Deutsche Grammophon GmbH, Berlin.
CD7
Recordings: Snape, "The Maltings", Concert Hall, 4/1989 (tracks 7-1 to 7-12)
(P) 1990 Universal International Music B.V. (tracks 7-1 to 7-12).
CD8
Recordings: 9/1983 (tracks 8-5 to 8-10); London, Henry Wood Hall, 9/1983 (tracks 8-1 to 8-4, 8-11 to 8-13);
10/1988 (8-18 to 8-20); Hamburg, Friedrich-Ebert-Halle, 10/1988 (8-14 to 8-17, 8-19).
(P) 1984 (tracks 8-1 to 8-13) / 1990 (tracks 8-14 to 8-20) Universal International Music B.V.
CD9
Recording: Berlin, Jesus-Christus-Kirche, 6/1973 (tracks 9-1 to 9-17).
(P) 1973 Deutsche Grammophon GmbH, Berlin (tracks 9-1 to 9-17).
CD10
Recordings: Stuttgard, Liederhalle, 2/1979 (tracks 10-1 to 10-4); Abersee, Kirche St. Konrad, 8/1989 (tracks 10-11 to 10-14);
Munich, Hochschule für Musik, Grosser Saal, 9 & 10/1993 (tracks 10-5 to 10-7);
Live Recording, Kyoto Concert Hall, 11/2000 (tracks 10-8 to 10-10).
(P) 1979 (tracks 10-1 to 10-4) / 1990 (tracks 10-11 to 10-14) / 1995 (tracks 10-5 to 10-7) / 2001 (tracks 10-8 to 10-10) Deutsche Grammophon GmbH, Berlin.
CD11
Recording: Metz, Arsenal, 5/1993. (P) 1993 Classics Jazz France.
CD12
Recording: Lyon, Salle Molière, 10/1994. (P) 1995 Classic Jazz France/Alain Zaepffel/Véronique Dietschy.
CD13
Recording: Paris, Maison de Radio France, Studio 103, 12/1999. (P) 2000 Classics Jazz France.
CD14
Recording: Paris, Église Notre Dame du Liban, 1-2/2002. (P) 2002 Classics Jazz France.
CD15 & CD16
Recording: Vienna, Konzerthaus, Grosser Saal, 1/1991. (P) 1992 Deutsche Grammophon GmbH, Berlin.
Publisher: Durand & Cie., Paris.
CD17
Recordings: Geneva, Victoria Hall, 6/1954 (tracks 17-1 to 17-5); 7/1992 (tracks 17-6 to 17-8).
(P) 1955 (tracks 17-1 to 17-5) Decca Music Group Limited.
(P) 1994 (tracks 17-6 to 17-8) Universal International Music B.V.
CD18 (Bonus)
Recordings: 12/1948 (Mono) (track 18-5); Paris, Maison de la Mutualité, 2/1950 (Mono) (tracks 18-13 to 18-15);
Geneva, Victoria Hall, 5/1957 (tracks 18-1 to 18-4); London, Kingsway Hall, 11/1957 (Mono) (track 18-16):
6/1961 (tracks 18-7 to 18-10); 11/1961 (tracks 18-6, 18-11); 12/1961 (track 18-12).
(P) 1948 (track 18-5) / 1951 (tracks 18-13 to 18-15) / 1958 (tracks 18-1 to 18-4, 18-16) Decca Music Group Limited.
(P) 1961 (tracks 18-6 to 18-12) Deutsche Grammophon GmbH, Berlin; Recorded by Kapp Classics, New York.
This compilation (P) 2012 Deutsche Grammophon GmbH, Berlin.
(C) 2012 Deutsche Grammophon GmbH, Berlin.
Made in E.U.
Cardboard box contain 18 CDs in cardboard wallets (with same/similar artwork) and 46-page booklet.
Barcodes
- Barcode (Scanned): 028947900566
- Barcode (Printed): 0 28947 90056 6
- Label Code: LC 0173
- Other (Follows Category (Boxed)): G/B18
- SPARS Code: ADD / DDD
- Other (Category CD1): 00289 479 0230
- Other (Category CD2): 00289 479 0231
- Other (Category CD3): 00289 479 0232
- Other (Category CD4): 00289 479 0233
- Other (Category CD5): 00289 479 0234
- Other (Category CD6): 00289 479 0235
- Other (Category CD7): 00289 479 0236
- Other (Category CD8): 00289 479 0237
- Other (Category CD9): 00289 479 0238
- Other (Category CD10): 00289 479 0239
- Other (Category CD11): 00289 479 0240
- Other (Category CD12): 00289 479 0241
- Other (Category CD13): 00289 479 0242
- Other (Category CD14): 00289 479 0243
- Other (Category CD15): 00289 479 0244
- Other (Category CD16): 00289 479 0245
- Other (Category CD17): 00289 479 0246
- Other (Category CD18): 00289 479 0247
- Rights Society (Public Domain): D.P.
- Rights Society: BIEM /SDRM
Companies
- Phonographic Copyright (p) – Deutsche Grammophon GmbH
- Phonographic Copyright (p) – Universal International Music B.V.
- Phonographic Copyright (p) – Decca Music Group Limited
- Phonographic Copyright (p) – Classics Jazz France
- Recorded At – Masonic Auditorium, Cleveland
- Recorded At – Concertgebouw, Amsterdam
- Recorded At – Kingsway Hall
- Recorded At – Stadthalle, Kassel
- Recorded At – Plenarsaal Der Akademie Der Wissenschaften
- Recorded At – The Maltings
- Recorded At – Henry Wood Hall, London
- Recorded At – Friedrich-Ebert-Halle, Hamburg
- Recorded At – Jesus-Christus-Kirche, Berlin
- Recorded At – Liederhalle Stuttgart
- Recorded At – St. Konrad, Abersee, Austria
- Recorded At – Musikhochschule München
- Recorded At – Kyoto Concert Hall
- Recorded At – Arsenal De Metz
- Recorded At – Salle Molière, Lyon
- Recorded At – Studio 103
- Recorded At – Notre-Dame du Liban
- Recorded At – Großer Saal, Wiener Konzerthaus
- Recorded At – Victoria Hall, Geneva
- Recorded At – Maison de la Mutualité
- Recorded By – Kapp Classics
- Published By – Durand & Cie.
- Pressed By – EDC, Germany
Short intro
Nuages, Nocturnes, : 2. Fêtes and more. 200 tracks 835:54. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Super Hits - Debussy. Also appearing on the album are John Hurt, soprano Sally Bradshaw, Rakim, and Donna Lewis. The group blended the music of French impressionist composer Claude Debussy with drum and bass, opera, hip hop, jazz, and narration, and described the album as the soundtrack to a film that wasn't made about the life of Claude Debussy. Клод Дебюсси - Claude debussy 2018. Claude debussy 2018 - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Most important - you can download the album Claude debussy to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Claude debussy 2018. Your current browser isn't compatible with SoundCloud. Please download one of our supported browsers. Need help Sorry Something went wrong. Is your network connection unstable or browser outdated. Claude Debussy: Réverie. Gustaf Oloveson. 2020 сингл. The Greatest Classical Guitar Pieces. Classical Study Music, Exam Study Classical Music Orchestra, Exam Study Classical Music. Calm Classical Piano. Classical Sleep Claude Debussy - Suite Bergamasque In 432Hz tuning. Philipp Eichholzer. Classical Guitar Study Music. Valentine's Day Classical Music. Bayerisches Staatsorchester, Sinfonieorchester des Bayerischen Rundfunks, Carl Seemann, Wiener Philharmoniker, Gerhard Oppitz, Boris Pergamenschikow. Background Orchestra Music. Achille-Claude Debussy was born on the 22nd August 1862 in the small town of St Germain-en-laye. He experimented with many types of musical techniques and intricacies in his studies, from serialism to chromaticism and has been labelled one of the main exponents for impressionistic music. Claude Debussy - The Essential Collection. Jan 2014. contact, help. Claude Debussy 1862-1918 was the first composer to radically break with the Romantic tradition, giving rise to the explorations of sound and form that dominated the twentieth century. In sharp contrast to the Wagnerian attention to leitmotif and development, Debussy's music deals with light, color and mood. Critics dubbed Debussy's style Impressionism after the mysterious, sensuous landscapes of Monet and Cezanne. Debussy believed his music captured the essence of French culture, emphasizing clarity, natural beauty and elegance over the solemnity and over-ripe developments of the Romantic composers. Noah Enelow. Everyday low prices and free delivery on eligible orders. Listen Playing. Learn more. See this image. Debussy Album Paperback 24 May 2012. by Claude Debussy AuthorRelated to Claude Debussy - The Debussy Edition
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