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Charlie And His Orchestra - Propaganda Swing Vol. 2 Album

Charlie And His Orchestra - Propaganda Swing Vol. 2 Album
Performer: Charlie And His Orchestra
Title: Propaganda Swing Vol. 2
Country: Germany
Genre: Jazz
Style:Swing
Released: Sep 1975
Catalog number: DIS 13/UT-C-2
Label: Discophilia
MP3 album szie: 1956 mb
FLAC album size: 2047 mb

Tracklist

1I've Got A Pocketfull Of Dreams
2The Man With The Big Cigar
3Lilla Marleen
4I'm Sending You The Siegfried Line
5Avalon
6By, By, Blackbird
7I Found A Million Dollar Baby
8You Started Something
9You've Got Me This Way
10Who'll Buy My Bublitchky
11Laugh, Clown, Laugh (Waltz)
12So You Left

Credits

  • Baritone Saxophone, ClarinetKurt Wege
  • DrumsFritz Brocksieper
  • Leader, Tenor SaxophoneLutz Templin
  • PianoFranz Mück
  • Tenor Saxophone, ClarinetEugen Henkel
  • TromboneWilly Berking
  • TrumpetAlfredo Marzaroli, Nino Impallomeni

Barcodes

  • Rights Society: GEMA

Short intro

2: 1941-1944 was a. The formula for most of these peculiar charades consisted of popular swing tunes played in a convincing manner but peppered with Nazified lyrics so as to undermine the confidence of Allied Armed Forces personnel. Most of the songs were sung by Karl Schwedler, one of the architects of this entire project. German Propaganda Swing, 1941 - 1942 - Charlie And His Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. World War II Era German Swing Music, Volume 1, Nazi Propaganda Parodies - Charlie & His Orchestra. Liner Notes Rainer E. Mastered By Charlie Crump. Штрих-код и другие идентификаторы. Barcode printed: 0 8637 20092 3. Privacy Preference Center. We process user's data to deliver content or advertisements and measure the delivery of such content or advertisements, extract insights and generate reports to understand service usage andor accessing or storing information on devices for that purpose. Below you may read further about the purposes for which we process data, exercise your preferences for processing, andor see our partners. More information. Allow All. Artist images. Charlie and His Orchestra. 2,779 listeners. German propaganda minister Joseph Goebbels conceived of using the style in short wave radio broadcasts aimed at the United States and particularly the United Kingdom. British listeners heard the band every Wednesday and Saturday at around 9 pm. The purpose of the band was to stir pro-Nazi sympathy, draw attention to World War II Allied losses, and carry Adolf Hitler's messages in an entertaining form. The songs stressed how badly the war was g read more. Despite characterizing jazz as Entartete musik, ironically the Third Reich had their own swing band for propaganda purposes. Artist: Charlie And His Orchestra Album: Nazi Propaganda Swing 1940-1945 II Label: The Tomahawk Films WW-II German Archive Year: 2003 Genre: Swing Against Communism Country: Germany Format: MP3192 kbps Size: 86,6 mb Time: 67:01 Scans: No. Tracklist: 1. Nice People 3:10 2. Thanks For The Memory 3:10 3. Indian Love Call 3:21 4. The Sheik Of Araby 2:49 5. Let's Put Out The Lights 3:15 6. Bei Mir Bist Du Schön 2:41 7. Lilli Marleen 3:24 8. Elmer's Tune 2:39 9. Picture Me Without You 2:40 10. I Double Dare You 2:30 11. Related News: People Haters - Race Riot 2008. Charlie And His Orchestra - Nazi Propaganda Swing 1940-1945 2003. World War II Era German Swing Music, Volume 2, Nazi Propaganda Parodies, 2008. Who's Afraid of the Big Bad Wolf, 02:38. Three Little Fishes, 02:08. Charlie and His Orchestra plays I Got Rhythm 1943, the Gershwin tune used. The name Charlie and his Orchestra was used by Germany's WWII propaganda swing. Charlie and his Orchestra Nazi Properganda Vol 2. The Orchard Music от лица компании. Album 2011 25 Songs. Swing Charlie and His Orchestra. World War II Era German Swing Music, Volume 1, Nazi Propaganda Parodies. Charlie and his Orchestra also referred to as the Templin band and Bruno and His Swinging Tigers were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States, after the German declaration of war on 11 December 1941