Carter Burwell - The Man Who Wasn't There Album

Tracklist

1	I Met Doris Blind	1:15
2	The Fight	3:01
3	Adagio Cantabile From Piano Sonata No. 8 In C Minor, Op. 13 "Pathétique" Composed By – Beethoven	5:33
4	The Bank	1:03
5	Piano Sonata No. 14 In C Sharp Minor, Op. 27 "Moonlight" Composed By – Beethoven	2:29
6	Piano Sonata No. 23 In F Minor, Op. 57 "Appassionata" - Ed Returns Home Composed By – Beethoven	1:57
7	Pianos Sonata No. 25 In G Major, Op. 79 - Bringing Doris Home Composed By – Beethoven	1:18
8	Nirdlinger's Swing Arranged By – Alan Foust	5:12
9	Ed Visits Dave	1:03
10	The Trial Of Ed Crane	3:52
11	Andante Cantabile From Piano Trio No. 7 In B Flat, Op. 97 "Archduke" Composed By – BeethovenPerformer – Beaux Arts Trio	13:28
12	"Che Soave Zaffiretto" - Le Nozze Di Figaro Composed By – MozartConductor – Karl BöhmPerformer – Edith Mathis, Gundula Janowitz, Deutsche Oper Berlin	3:33
13	I Love You Birdy Abundas!	0:42
14	Piano Sonata No. 8 In C Minor, Op. 13 - Birdy's "Pathétique" Composed By – Beethoven	1:17

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
016 019-2	Carter Burwell	The Man Who Wasn't There ‎(CD, Album)	Decca	016 019-2	UK & Europe	2001
440 016 019-2	Carter Burwell	The Man Who Wasn't There ‎(CD, Album)	Decca, UMG Soundtracks	440 016 019-2	US	2001

Credits

• Alto Saxophone – Aaron Heicht
• Baritone Saxophone – Roger Rosenberg
• Bass – Jeremy McCoy, John Patitucci
• Cello – Alan Stepansky, Eileen Moon, Elizabeth Dyson, Jeanne Leblanc, Maria Kitsopolous, Qiang Tu, Sarah Seiver
• Composed By [Assistant] – Dean Parker
• Composed By, Conductor – Carter Burwell (tracks: 4, 5, 7, 8, 10, 11, 13)
• Concertmaster, Contractor – Sandra Park
• Copyist – Adriana Marinescu, Evan Barker, Tony Finno
• Drums – Ronnie Zito
• Engineer – Michael Farrow
• Guitar – James Chirillo
• Piano – Bill Mays
• Producer, Orchestrated By – Carter Burwell
• Tenor Saxophone – Andy Snitzer, Scott Robinson
• Trombone – Mike Davis
• Trumpet – Tony Kadleck
• Viola – Karen Dreyfus, Karen Brown, Nick Cords, Rebecca Young, Robert Rinehart, Sue Pray, Vivek Kamath
• Violin – Anait Arturian, Dan Reed , Elizabeth Lim, Ellen Payne, Gary Levinson, Jean Ingraham, Jenny Strenger, Jung Sun Yoo, Laura Park, Laura Seaton, Lisa E. Kim, Nancy McAlhany, Robert Shaw, Suzanne Ornstein, Sylvia Danburg

Barcodes

• Barcode: 0 44001 60192 7

Short intro

Soundtrack album by. Carter Burwell and various artists. October 30, 2001. The original soundtrack to The Man Who Wasn't There consists of classical music, mainly piano sonatas by Ludwig van Beethoven, interspersed with cues composed by Carter Burwell. The film is the ninth on which Burwell has collaborated with the Coen Brothers. In the film, the actor Adam Alexi-Malle, portraying the character of Jacques Carcanogues, plays the opening piano solo of the Piano Concerto No. 1 Liszt in EMajor. Compositions by Carter Burwell except where otherwise noted. There are seven music cues by Burwell, and they are typically serviceable. I Met Doris Blind is a lush, string-filled piece The Fight is ominous and Nirlinger's Swing is a big-band swing composition. But it is the classical music that dominates this collection. The Trial of Ed Crane From The Man Who Wasn't There - Brussels Philharmonic, Carter Burwell. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Man Who Wasn't There original title. R 1h 56min Crime, Drama 6 December 2001 Russia. 1:36 Trailer. And the brothers use Carter Burwell's variant on Beethoven's Moonlight Sonata in a way that's as crazily persistent, and ceaselessly effective, as the insanely repetitive romantic theme from Godard's CONTEMPT. Not even Godard has used late Beethoven so aptly. Like BARRY LYNDON, another movie whose central question is What kind of a man are you, THE MAN WHO WASN'T THERE has an elusive, smokelike plangency. It's a picture you'll puzzle over, and sigh achingly at its images, for many years to come. 5 of 5 people found this review helpf. Hello We have detected Русский as your language preference. To change your preferred language, please choose a language using the dropdown. English Deutsch Español Français Italiano 日本語 한국어 Português Brasil Русский. Altre immagini. Carter Burwell , Gundula Janowitz and others. Songs in album The Man Who Wasn't There - OST, Человек, Которого Не Было - Саундтрек 2001. Ludwig van Beethoven - Piano Sonata No. 8 In C Minor Op. Birdy's 'Pathetique'. Carter Burwell - The Fight. Carter Burwell - The Bank. Ludwig van Beethoven - Adagio Cantabile From Piano Sonata No. 13 Pathetique. Carter Burwell - The Trial Of Ed Crane. Beaux Art Trio - Andante Cantabile From Piano Trio No. 7 In B Flat Op. Carter Burwell - The Trial of Ed Crane From The Man Who Wasn't There 03:43, 320Kbs. Carter Burwell - Puppet Love From Being John Malkovich 01:42, 320Kbs. Carter Burwell - Friend. Most important - you can download the album Carter Burwell - Music for Film to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Carter Burwell - Music for Film 2018. 2009 г. The man who wasn't there 2001. Carter Burwell - Music For Film. The Orchard Music, Entertainment One U. LP, UMG от лица компании Silva Screen Records LatinAutor, CMRRA, UMPG Publishing, UNIAO BRASILEIRA DE Burwell born November 18, 1955, in New York City, New York is a Academy Award nominated composer of film soundtracks. As a film composer, Burwell has had a long working relationship with film makers the Coen brothers, scoring every film they have made. He enjoys working with leftfield directors and has also scored all of Spike Jonze's films. Among his best known non-Coen Brothers film scores are And the Band Played On 1993, Conspiracy Theory 1997 and The Spanish Prisoner 1997, Hamlet 2000, Before the Devil Knows Youre Dead 2007, In Bruges 2008 and Twiligh read more. Carter Burwell's official page about the score to Title. I wasn't going to sound like Beethoven - an impossibility - but the sound of piano would be so connected to Ed that it would have to be the focus of the score. Many of the score's musical structures are cyclical, representing Ed's inability to escape his situation. But the Coens also wanted the music to suggest a vague yearning that they felt was central to Ed's character