Bob Dylan - Street-Legal Album

Bob Dylan Columbia Folk Rock Blues Rock Classic Rock Country Rock Aor Pop Rock 1978

Performer: Bob Dylan

Title: Street-Legal

Country: US

Genre: Rock Music / Funk & Rythm / Blues / Pop

Style:Folk Rock, Blues Rock, Classic Rock, Country Rock, AOR, Pop Rock

Released: 15 Jun 1978

Catalog number: JC 35453, 35453

Label: Columbia

MP3 album szie: 2649 mb

FLAC album size: 2488 mb

Download MP3 Download FLAC

Tracklist

1	Señor (Tales Of Yankee Power)	5:42
2	Where Are You Tonight? (Journey Through Dark Heat)	6:16
3	We Better Talk This Over	4:04
4	Changing Of The Guards	6:36
5	True Love Tends To Forget	4:14
6	No Time To Think	8:19
7	Is Your Love In Vain? Trumpet – Steve Madaio	4:30
8	New Pony	4:28
9	Baby Stop Crying	5:17

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
JC 35453, 35453	Bob Dylan	Street-Legal ‎(LP, Album)	Columbia, Columbia	JC 35453, 35453	US	1978
CBS 86067, S CBS 86067, 86067	Bob Dylan	Street-Legal ‎(LP, Album)	CBS, CBS, CBS	CBS 86067, S CBS 86067, 86067	UK	1978
S CBS 86967	Bob Dylan	Street-Legal ‎(LP, Album, Eng)	CBS	S CBS 86967	Ireland	1978
JCT 35453	Bob Dylan	Street-Legal ‎(Cass, Album)	Columbia	JCT 35453	US	1978
MHCP 379	Bob Dylan	Street-Legal ‎(CD, Album, Ltd, RE, Pap)	Sony Records Int'l	MHCP 379	Japan	2004

Category	Artist	Title (Format)	Label	Category	Country	Year
CBS 86067, S CBS 86067, 86067	Bob Dylan	Street-Legal ‎(LP, Album)	CBS, CBS, CBS	CBS 86067, S CBS 86067, 86067	UK	1978
S CBS 86967	Bob Dylan	Street-Legal ‎(LP, Album, Eng)	CBS	S CBS 86967	Ireland	1978
JCT 35453	Bob Dylan	Street-Legal ‎(Cass, Album)	Columbia	JCT 35453	US	1978
MHCP 379	Bob Dylan	Street-Legal ‎(CD, Album, Ltd, RE, Pap)	Sony Records Int'l	MHCP 379	Japan	2004
none	Bob Dylan	Street-Legal 78 ‎(Cass, Unofficial)	Supir King	none	Unknown

Credits

Art Direction – Tim Bryant
Backing Vocals – Carolyn Dennis, Helena Springs, Jo Ann Harris, Steven Soles
Bass – Jerry Scheff
Design [Album] – George Corsillo
Drums – Ian Wallace
Engineer – Biff Dawes
Engineer [Assistant] – Billy Youdelman, Dennis Mays, Doug Field, Jim Seiter, Les Cooper , Paul Sandweiss
Keyboards – Alan Pasqua
Lead Guitar – Billy Cross
Lead Vocals, Guitar [Electric Rhythm] – Bob Dylan
Management – Jerry Weintraub
Mastered By – Stan Kalina
Percussion – Bobbye Hall
Photography By [Cover & Liner] – Howard Alk
Photography By [Inside] – Joel Bernstein
Producer – Don DeVito
Rhythm Guitar – Steven Soles
Tenor Saxophone, Soprano Saxophone – Steve Douglas
Violin, Mandolin – David Mansfield
Written-By – Bob Dylan

Artwork [Album Design] – Tim Bryant
Artwork [Direction] – George Corsillo
Backing Vocals – Carolyn Dennis, Helena Springs, Jo Ann Harris, Steven Soles
Bass – Jerry Scheff
Drums – Ian Wallace
Engineer – Biff Dawes
Guitar [Lead] – Billy Cross
Guitar [Rhythm] – Steven Soles
Keyboards – Alan Pasqua
Lead Vocals, Guitar [Electric Rhythm] – Bob Dylan
Mastered By – Stan Kalina
Percussion – Bobbye Hall
Photography [Cover & Liner] – Howard Alk
Photography [Inside] – Joel Bernstein
Producer – Don DeVito
Saxophone [Tenor And Soprano] – Steve Douglas
Violin, Mandolin – David Mansfield
Written-By – Bob Dylan

Art Direction – Tim Bryant
Backing Vocals – Carolyn Dennis, Helena Springs, Jo Ann Harris, Steven Soles
Bass – Jerry Scheff
Design [Album] – George Corsillo
Drums – Ian Wallace
Engineer – Biff Dawes
Engineer [Assistant] – Billy Youdelman, Dennis Mays, Doug Field, Jim Seiter, Les Cooper , Paul Sandweiss
Keyboards – Alan Pasqua
Lead Guitar – Billy Cross
Lead Vocals, Guitar [Electric Rhythm] – Bob Dylan
Management – Jerry Weintraub
Mastered By – Stan Kalina
Percussion – Bobbye Hall
Photography By [Cover & Liner] – Howard Alk
Photography By [Inside] – Joel Bernstein
Producer – Don DeVito
Rhythm Guitar – Steven Soles
Tenor Saxophone, Soprano Saxophone – Steve Douglas
Violin, Mandolin – David Mansfield
Written-By – Bob Dylan

Notes

Mastered At CBS Recording Studios, New York
Recorded At Rundown Studios, Santa Monica, California

Runout Grooves:
P AL 35453-2A (Side A)
P BL 35453-2E (Side B)

CAPTAIN IN CHARGE.......DON DE VITO
SECOND IN COMMAND.......ARTHUR ROSATO
QUEEN BEE.......MARY ALICE ARTES
SECRETARY OF GOOD WILL.......AVA MEGNA
CHAMPION OF ALL CAUSES.......LARRY KEGAN

David Mansfield and Steven Soles appear courtesy of Arista Records

In Memoriam Emmett Grogan

Barcodes

Matrix / Runout (Side A Label): AL 35453
Matrix / Runout (Side B Label): BL 35453
Matrix / Runout (Variant 1: Side A, Runout Etched): P AL 35453-2A
Matrix / Runout (Variant 1: Side B, Runout Etched): P BL 35453-2E
Matrix / Runout (Variant 2: Side A, Runout Etched): PAL 35453-2A
Matrix / Runout (Variant 3: Side A, Runout Etched): PAL 35453-2A
Matrix / Runout (Variant 3: Side B, Runout Stamped): PBL 35453-2A
Matrix / Runout (Variant 4: Side A, Etched): PAL 35453-2A
Matrix / Runout (Variant 4: Side B, Stamped): P BL 35453-2E
Matrix / Runout (Variant 5: Side A, Stamped): P AL 35453-2C
Matrix / Runout (Variant 5: Side B, Stamped (A7) etched): P BL 35453-2C A7

Matrix / Runout (Side A Label): AL 35453
Matrix / Runout (Side B Label): BL 35453
Matrix / Runout (Variant 1: Side A, Runout Etched): P AL 35453-2A
Matrix / Runout (Variant 1: Side B, Runout Etched): P BL 35453-2E
Matrix / Runout (Variant 2: Side A, Runout Etched): PAL 35453-2A
Matrix / Runout (Variant 3: Side A, Runout Etched): PAL 35453-2A
Matrix / Runout (Variant 3: Side B, Runout Stamped): PBL 35453-2A

Companies

Recorded At – Rundown Studios
Recorded By – Filmways/Heider Recording
Mastered At – CBS Studios, New York
Mixed At – CBS Studios, New York
Manufactured By – Columbia Records
Phonographic Copyright (p) – CBS Inc.
Copyright (c) – CBS Inc.

Recorded At – Rundown Studios
Mixed At – CBS Studios, New York

Short intro

В этом альбоме Дилан отступил от привычного стиля. name your price. After one session. In February 1977, Dylan spent several days at Gold Star Studios where Leonard Cohen was recording a new album, Death of a Ladies' Man, with Phil Spector and Allen Ginsberg. Стиль: Folk Rock, Blues Rock, Classic Rock, Country Rock, AOR, Pop Rock. Bob Dylan - Street-Legal 1978. Feels like I'm knockin' on heaven's door - Bob Dylan. Weed, Coke and Beer 14. Street-Legal is the eighteenth studio album by American singer-songwriter Bob Dylan, released on June 15, 1978 by Columbia Records. Street Legal LP, Album. Диск записан FilmwaysHeider на студии Rundown Studios в Санта-Монике, Калифорния. Retarded in the Mouth 5. Consequently, it's not surprising that there are factions of Dylanphiles that find this worth the time, while just as many consider it a missed opportunity. 出版公司 Legacy. To favorites 6 Download album. Too dark to see. I've Got a Problem 6. Street Legal is ranked 2,656th in the overall chart, 500th in the 1970s, and 52nd in the year 1978. Tandy 1000 3. Review of Bob Dylan's Street Legal album from 1978. He brings his poetic majesty to bear for waltz-time epic No Time to Think, and evokes the dark underbelly of international intrigue on the moody, mysterious Señor Tales of Yankee Power. Purchasable with gift card. All Songs Written by Bob Dylan. This is a marvelous album dealing with the necessity of personal , Bob Dylan has sounded sillier than he does on Street Legal who could forget Big Yellow Taxi , more uncomfortable The Boxer and as disinterested Let It Be Me , but hes never sounded so utterly fake. Fuck Nerds Still Hate Nerds 7. Bob Dylan. Band Name Bob Dylan. The album was a departure for Dylan, who uses a large pop-rock band including female backing vocalists. Consequently, it's not surprising that there are factions of Dylanphiles that find this worth the time, while just as many consider it a missed opportunity. Other productions from Bob Dylan. Street-Legal album. Universal Soldier 12. All Fucked Up 9. Продать эту версию. Never Realize 2. Buy it now. Masterhater 10. Формируйте собственную коллекцию записей Bob Dylan. Он использует большую поп-рок группу и впервые применяет женский бэк-вокал. Выпущен в июне 1978 на лейбле Columbia Records. Includes high-quality download in MP3, FLAC and more. Before work began on Street-Legal, Dylan's personal life underwent a major change. Street-Legal is the 18th studio album by American singer-songwriter Bob Dylan, released on June 15, 1978 by Columbia Records. The Bootleg Series, Vol. For other uses, see Street legal disambiguation. Жанр: Rock, Funk, Soul, Blues, Pop. Greater Than. It's getting dark. 9 tracks 49:26. Recorded By - FilmwaysHeider Biff Dawes - Engineer With - Dennis Mays, Les Cooper, Billy Youdelman, Paul Sandweiss, Doug Field, Jim Seiter. Listen free to Bob Dylan Street-Legal Changing of the Guards, New Pony and more. Формируйте собственную коллекцию записей Bob Dylan - Street-Legal 1978. Type Album. So, Street Legal becomes an interesting dichotomy, filled with songs that deserve close attention but recorded in arrangements that discourage such listening. This is a marvelous album dealing with the necessity of personal Legal is a music album by Bob Dylan released in 1978. 20 Nov. Год: 1978. I've Got a Problem 6. Paying supporters also get unlimited streaming via the free Bandcamp app. In February 1977, Dylan spent several days at Gold Star Studios where Leonard Cohen was recording a new album, Death of a Ladies Man, with Phil Spector and Allen Ginsberg. In February 1977, Dylan spent several days at Gold Star Studios where Leonard Cohen was recording a new album, Death of a Ladies' Man, with Phil Spector and Allen Ginsberg. 15: Travelin' Thru, 1967-1969. Before work began on Street Legal, Dylan's personal life underwent a major change. Toggle navigation Menu. Listen album. Street Legal 11. Street-Legal 1978. Street-Legal - восемнадцатый студийный альбом американского автора-исполнителя Боб Дилан. Album Name Street Legal. Captain In Charge - Don DeVito Second In Command - Arthur Rosato Queen Bee - Mary Alice Artes Secretary of Goodwill - Ava Megna Champion of all Causes - Larry Kegan. But the album expertly balances head and heart-Dylan sounds downright randy on the raw, bluesy New Pony, and shuts down a romance with an amiable mix of tenderness and finality on We Better Talk This Over. Surf Legal 4. Classic Rock Folk-Rock Country Rock. Review of Bob Dylan's Street Legal album from 1978. After one session where Dylan and others indulged in a substantial amount of alcohol, Dylan returned to his Malibu home with an old friend of Cohen's, a woman named Malka. 发布日期 15 六月 1978. I Hate Myself 8. Buy Digital Album. Before work began on Street-Legal, Dylan's personal life underwent a major change. Bob Dylan by Street Legal, released 09 July 2014 1. The album was a serious musical departure for Dylan, who uses a large pop-rock band-complete with female backing vocalists-for the first time. Bob Dylan Street-Legal. Rock 1978. Street Legal - Bob Dylan updated their cover photo. Street-Legal is the eighteenth studio album by American singer-songwriter Bob Dylan, released in June 1978 by Columbia Records. Street-Legal Remastered. PC 35453. As such, Street Legal is fascinating just for that reason - in another setting, these are songs that would have been hailed as near-masterpieces, but covered in gloss, they seem strange

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Reviews: (3)

Netlandinhabitant

Street Legal is a downright weird album, and I’m resisting calling it awful, an album filled with cranky songs regrading Dylan’s divorce, infused with a number of wordy Dylanesque epics that seem to go uninterestingly nowhere. And that’s just the concept of the music, his delivery is a total sham, sounding entirely silly.

In reality, I’ve never been able to pay attention to any of these songs for more than a couple of minutes before my mind drifts off, then is shockingly brought back to the reality that my only escape is to shut it off. There are those who would contend that the near constant touring Dylan has done since 1974 has brought forth a new and unwelcome vocal style, suggesting that the man’s timing, emotional connection to the songs, and even knowing what his fans may finding interesting has been totally destroyed from straining to be heard in such large venues. As to his lyrics, Dylan has always written throw away lines, yet here on Street Legal it becomes increasingly difficult to discern a good line from a bad one, where they meet or overlap, completely devoid of any inherent dynamics, with the only thing keeping his-Bobness floating at this stage of his career rests on the brilliant epic-ness of his mid 60’s albums. Dylan paints no surreal imagery here, he simply strings dense wordy interesting ideas and phrased (to him) together that offer the listener nothing, nor do those lyrics spirit listeners to a private place of solitude and vision, only one confounding idea and image after another, as if he were suffering from amphetamine psychosis; which at this stage is entirely possible.

There’s also no warmth found within these grooves, many come off as outtakes, as if this studio session were merely a pitstop between shows, offering little life or inspiration. Other reviewers will attempt to suggest that this was a transitional time in Zimmy’s career, representing several periods of uncertainly that all coalesced here, with the result being that in a few short months Dylan would be so shattered and internally broken that all he could think of doing was mistakenly turning his life over to god. Putting it bluntly Street Legal is a sheer mess of an album, where the good songs are bogged down by the rest, along with the soul sound of the album, one that comes off as artificial cluttered and cheesy when these songs were presented live.

Street Legal is what happens when one’s life gets so out of control that the road in front of you all but disappears and all you’re left with are gut instants, where under those circumstances, those gut instants most often prove to be entirely wrong. Over all, Street Legal is a ride on the Further Bus with far too many inherent problems hanging out the windows to be considered in any way even a good album.

*** The Fun Facts: The album art was shot on the steps of Rundown Studios, a recoding and rehearsal space owned by Dylan, named after the general look and feel of the neighborhood. Rundown Studios was located at 2501 Main Street in Santa Monica, California. Others have suggested that the actual location of the cover is the staircase near 2 Pacific Terrace, the back of the house at 26 Arcadia Terrace, Santa Monica, California.

Originally recorded at Rundown Studios, Santa Monica, CA, on the 26th thru the 28th of April and the 1st of May 1978, with overdubs on the 2nd and 3rd of May, the album was originally produced by Don DeVito. Don DeVito remixed and remastered the album in 1999, so all releases of the original 1978 album are now rarities. However, the version of Street-Legal in 2013, The Complete Album Collection Vol. I is one of the fourteen titles remastered by Steve Berkowitz. In this case Berkowitz went back to the original 1978 master tapes and remastered the original album. This means there are now two significantly different versions of the album on sale.

As to the album's title, 'Street-legal' is an American term for a hot rod car that has been modified to allow it to be driven on public roads. It has been suggested that the term refers to Bob's newly divorced single status, yet he's clearly wearing a wedding ring in the picture.

The rear photo is also by Howard Alk was taken live on stage during the Far East tour in early 1978. The two photographs on the inner sleeve of the vinyl album were taken by Joel Bernstein in a night club in Melbourne, Australia, on the same tour, and the man with Dylan on the rear of the inner sleeve is singer and guitarist George Benson.

Review by Jenell Kesler

Vijora

After this album was remastered by Don DeVito in 1999 (see r29919490), it came out sounding a whole lot better. But I still prefer the swampiness, confusion and despair in this version after listening to it daily while breaking up with the first love of my life.

Bliss

Very different sound to Desire, there's quite a rich heavy sound on a lot of these songs. This was made after the custody battle for his kids and while there is not one overriding theme through the whole album, most of the songs are about failed/failing relationships, and unfortunately Dylan does tend to sound like a drunken balladeer...This is no Blood on the Tracks. The band is a lot tighter than on Desire but not so sure the big band sound goes so well with all of the tunes. Changing of the Guards and New Pony are both strong tunes, the backing singers, piano and heavy guitar riff sound good; Senor is the strongest song on the album and is alone worth the entrance fee. The album ends with Where are You Tonight (which sounds like an amalgamation of many Dylan tunes) which again utilizes the band well, but other than that the rest is a bit weak. Maybe the songs would have sounded better with a different rendering.